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Compare Phantom of the opera with
The Phantom Of The Opera analysis
The Phantom Of The Opera analysis
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Novel vs. Movie
Kelly says, “It is something of an adage among film critics that great movies can be made from bad novels but that great novels very seldom yield great movies,”. The Phantom of the Opera by Gaston Leroux is an internationally known work. Erik, the main character, lives in the Opera House basement where he spends most of his time. He is an excellent musician and composer that is in love with a woman that can never love him back. Erik is known around the Opera House as the Phantom who roams the halls only wearing a white mask on his face. After the lead role’s voice cracks in a performance, Christine takes her place as her understudy and is soon the talk of the town. Christine’s childhood sweetheart Raoul comes to her big debut as the star and immediately falls in love, but Erik is also in love
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Now Christine, being the center of a love triangle, causes a bit of chaos between Erik and Raoul. She loves Raoul because of the history they have together, but she is also captivated and hypnotized by Erik’s voice. There have been many film adaptations-the first being a 1925 silent film-, but most people have come to know the story of the Phantom through Andrew Lloyd Webber’s musical adaptation. The musical alone has attracted numerous of people, but little do they know that Gaston Leroux told the story first. Gaston’s novel was not very popular until after Webber’s musical stormed box offices. One could argue that the screenplay keeps the novel alive (Sisler 133). Readers bought the novel in hopes of understanding the storyline through Leroux’s eyes, only to find out the exact opposite. It has been found that the playwright The Phantom of the Opera is superior to
The book, Cyrano de Bergerac and the movie, Roxanne have many similarities and differences. This includes the plot, characterization, setting, conflict, and irony.
The film is a fairly faithful adaptation of the book. The amateurish style of the book gives it some appeal as a more sleek and sophisticated style wouldn’t evoke a sense of angst’ desperation and confusion that the novel does.
Many changes are displayed in the film adapted from the playwright. One of these main changes would be the ending of the story.
In conclusion, details involving the characters and symbolic meanings to objects are the factors that make the novel better than the movie. Leaving out aspects of the novel limits the viewer’s appreciation for the story. One may favor the film over the novel or vice versa, but that person will not overlook the intense work that went into the making of both. The film and novel have their similarities and differences, but both effectively communicate their meaning to the public.
Though the events and a lot of the dialogue are the same in both the book and the movie the crux of the two are completely different. The book focuses a lot more on sexual tension and sexual exploration. The...
, the plot. is very similar to the one presented in the movie, as it's described in the book also when the regiseur left out some scenes. But this procedure is necessary, because of the time factor. Nobody cares how long a book is. The. The author can nearly write as much as he likes, but the film.
I’ve introduced you to Shelby and M’Lynn already; now let me introduce you to Clairee Belcher, played by Olympia Dukakis. Clairee is a wealthy widow of the former mayor of Chinquapin Parish, is a refined southern lady and lover of gossip. Truvy Jones, played by Dolly Parton, is a small town “glamour technician”, gossip and reader of “Southern Hair Magazine”. She believes that “there is no such thing as natural beauty”. Many of the scenes in this movie take place in her beauty shop. Anelle Dupuy, played by Daryl Hannah, is a young woman straight out of beauty school and trying to start over in a new town after her husband mysteriously disappears, along with most of her belongings. Last but not least, we have Ouiser Boudreaux, played by Shirley MacLaine. She is abrasive, eccentric, rude and “richer than God”. She also happens to be my favorite character in the movie. The chemistry between these great actresses is what makes this movie one of the best, if not the best I’ve ever seen. When they are all together, it is movie magic! The dialogue and emotions that are so perfectly portrayed by all, will only leave you wanting more. Some of the gossip sessions are very dramatic and will bring you to tears, but some are so funny you’ll want to pee your pants. As Truvy states in the movie, “laughter through tears is my favorite emotion” and this movie delivers
The movie revolves around Eddie Mannix, head of a production company, who must look after his actors no matter what happens to them. However, chaos arises after one actor is kidnapped and held for ransom by communists, another accidentally gets pregnant, and a director is stuck with an actor who has absolutely no talent.
At this point, the readers create their own movie in a way. They will determine important aspects of how the character speaks, looks like, and reacts. Whereas, in the movie, the reader has no choice but to follow the plot laid out in front of them. No longer can they picture the characters in their own way or come up with their different portrayals. The fate of the story, while still unpredictable, was highly influenced by the way the characters looked, spoke, and presented themselves on screen.
Lloyd Webber’s widely regarded masterpiece Phantom Of The Opera uses key motifs and themes throughout the musical to establish its characters and scenes in an effective manner. Throughout the production the motifs, themes and songs all develop to reflect the changes their respective characters undergo. This is particularly evident when analysing The Phantom, his motifs and songs, and how they develop throughout the story.
The common aim of playwrights of any time or location is to capture and hold the attention of their audience. It is an irrefutable fact that in order for a play to be successful, the playwright must maintain the interest of the audience. The tragedy of Othello, the Moor of Venice, is one of Shakespeare's most renowned plays, and has been capturing the interest of its audiences for many hundreds of years. The success of Othello is largely due to Shakespeare's phenomenal ability to secure the unwavering attention of an audience. Various techniques were employed by Shakespeare in order to achieve this crucial feat. Through construction of intriguing characters, exploration of universal themes, use of comic relief and a well-written script featuring a compelling plot, Shakespeare ensured the tragedy of Othello would hold the interest of the audience.
...hat she is an ideal woman. Similar to Christine, Raoul fits the gender norms, as he is powerful and jealous. The audience is told that Raoul is an exemplary man because even with his forceful personality, Christine still chooses him. The Phantom, on the other hand, is depicted as queer with characteristics of a gender normative man, but the way he is treated still conforms to the norm because he is isolated and feared as a result of his differences. The Phantom of the Opera, overall, helps to support gender normative traits and suppress unconventional character traits.
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
The primary female character, Belle, is introduced in the beginning scenes with her nose in a book, rolling her eyes at the continual advances of the most handsome man in town as the background chorus sings about how odd she is. She then talks about how she yearns for adv...
Ebert effectively points out the highs and lows of Schumacher’s The Phantom of the Opera. Though the film is visually stunning, much is left to be said for the storyline, acting, and length. Few redeeming qualities make Schumacher’s version of The Phantom of the Opera worth watching. By glorifying the Phantom, Schumacher detracts from the demon that he was and the torment that he inflicted on those around him.