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An essay on fairy tales
Fairy tale exploratory essay
Fairy tale exploratory essay
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These oral works contain many different supernatural aspects of talking animals, magical creatures, ghost, and witches/sorcerers. Unrestricted by reality, both formats use anything one can think of to entertain and teach. Tricky elves come from Child’s The Queen of Elfan’s Nourice where the elf queen captures a maiden and trick her into raising the elf’s young, instead of the girl’s own child (Child vol. I: 358-359). In Grimm, there are stories about elves: from helpful ones who make shoes, to evil elves that steal babies and put changelings in their place (Grimm 139-141) . Magic does not just come in the form of elves. Witches and sorcerers are frequent in these works, like Twa Magitions from Child. In this there are two battling sorcerers …show more content…
This story type is not solely in The Complete Fairy Tales of the Brothers Grimm, but in English and Scottish Popular Ballads as well. The most recognizable evil stepmothers are those of Cinderella and Snow White from the Grimm brother’s tales. Childs own example of an evil stepmother is The Laily worm and the Machrel of the Sea, where the narrator’s “mither she did die;/ my father married the ae warst woman/ the warld did ever see.” (Child vol. I: 316). This could be the opening line for Grimm tales like Cinderella and The True Bride because the archetype of evil stepmothers are popular in both of these works. The idea of the evil stepmother comes from the cultural background of the pieces. In stories like Grimm’s The White Bride and the Black Bride and Child’s Kemp Owyne where the stepmother did what she could to keep her stepchildren away from opportunities that her children can claim, like marrying the prince or getting inheritances. A mother instinctively tries to do what is best for her own children, so her stepchildren are neglected. This idea translates into the oral traditions as stepmothers abusing stepchildren because stories over exaggerate. Making the idea of the evil step other a cultural aspect embedded in the collected works of the Grimm brothers and
In the article, “Fairy Tales and a Dose of Reality,” Catherine Orenstein attempts to show the contrast between the modern romanticism of marriage and the classic fairy tale’s presentation of them (285). She looks at the aristocratic motivations for marriage and the way these motivations are prominent in Cinderella. She then looks at the 20th century to highlight the innate difference of our mentalities, showing a much more optimistic and glorified relationship. In the article, “Cinderella: Not So Morally Superior,” Elisabeth Panttaja claims that Cinderella’s success can be attributed to her craftiness (288). She shows her and her mother as an equal to the stepfamily, analyzing each family’s goals and values. She attempts to show their similarities,
The stepmother symbolizes selfishness, which eventually leads to the loss of Hansel and Grethel’s innocence, because the children follow their parents’ lead. When the children passed by “the house built of bread,and roofed with cakes; the window of transparent sugar..” (Grimm 89), they were selfish and greedy while “they went on eating never disturbing themselves.”(Grimm 89). This shows how the children’s innocence was lost because they ate the house that was made of luxurious items,which belonged to someone else, for their own benefits. Previously, they saw how their stepmother was greedy and only thought of herself; they used her method of surviving with her husband, to survive and fend for themselves. When discussing how her and her husband were to survive, she devised a plan of “leav[ing] them alone;..never finding their way home.. and being quit of them.”(Grimm 85), in order to
(Cheryl 1) I love how she always refers back to the stepsisters as ugly instead of evil. This (re)telling is absolutely my favorite and I would encourage anyone with a mind to read it. Another (re)telling that really caught my attention, like I know it did many others, was the one written in France in 1697. An author named Charles Perrault proved, yet again, that Cinderella is not who everyone expects her to be. According to this article, “scholars think Perrault may have confused vair (French for “fur”) with the word verre (French for “glass”).”
Cinderella is known all around the world. Cultures are never exactly the same but yet they have some things in common. The main thing they have in common is fairy tales. The story of Cinderella is told all around the world. It is told in many different languages and in many different versions. Some cultures have other names for their Princess. In some versions the Cinderella of the story is not a girl it is a boy. Cultures have some of the same fairytales but their versions are a little different from the ones known today. One of the most common fairy tales known around the world is Cinderella. Cinderella is usually a pretty girl with evil stepsisters and a stepmother that treat her poorly.
This is typical of antagonistic characters written during the time Perrault was alive and writing. In a certain variation rehashing of Cinderella, “Confessions of an Ugly Step-Sister” by Gregory Maguire, even though the setting is a long time ago like Perrault’s version, the writer is of modern times and it is a book instead of a short tale. Because of these factors the characters are more fleshed out and person-like. The reader sees that these ‘ugly stepsister’ are merely girls in poverty trying to have a happy life. They are not evil or cruel; if anything Clara, the Cinderella of this story, can be very cruel despite her beauty. One factor that is similar in both the modern and old tale is the eventual antagonism the stepmother directs at Cinderella. In Maguire’s version even though (stepmothers name) does not force Clara to become a maid(it is in fact Clara’s own choice), the reader finds out that the evil stepmother actually poisoned Clara’s mother so that she could marry Clara’s rich father. In Perrault’s version, the stepmother isn’t shown to be evil to that extent, but she is much more cruel to Cinderella. In both the old and new stories the stepmother remains an evil character, which is a common trop in fairy
Folktales can be used to share morals or a lesson using symbols, and this is true of the classic “Cinderella” story. Madonna Kolbenschlag, a feminist, writes “A Feminist’s View of ‘Cinderella,’” explaining the Cinderella story in a more sexist view. Bruno Bettel-heim, a distinguished psychologist, centers his article, “‘Cinderella’: A Story of Sibling Rivalry and Oedipal Conflicts” very specifically on the sibling rivalry exhibited in the classic “Cinderella” story. He also writes about the oedipal period of a child’s life. Both authors agree that “Cinderella” is most likely the best-known and best-liked fairy tale. Although, according to Stith Thompson, folktales have been passed form country to country and through different time periods,
As the world has transformed and progressed throughout history, so have its stories and legends, namely the infamous tale of Cinderella. With countless versions and adaptations, numerous authors from around the world have written this beauty’s tale with their own twists and additions to it. And while many may have a unique or interesting way of telling her story, Anne Sexton and The Brother’s Grimm’s Cinderellas show the effects cultures from different time periods can have on a timeless tale, effects such as changing the story’s moral. While Sexton chooses to keep some elements of her version, such as the story, the same as the Brothers Grimm version, she changes the format and context, and adds her own commentary to transform the story’s
Jessica was suspicious of the queen, and rightfully so. When the queen entered the black room, the ghastly sight caused Jessica to faint in disgust. Suspicious, black, ghastly. These are just a few of the words an author can use to imply evil in a character. The connotation of dark as evil is prevalent in many stories throughout the history of western civilization. Fairy tales “emanate from specific struggles to humanize [forces initially perceived to be evil], which have terrorized our minds and communities in concrete ways” (Zipes), and their usually-heroic endings make us forget on a conscious level the lessons they’ve taught us. However, their impact remains on our subconscious views of the world. Because of this, fairly tales often address issues far more serious than one would think to teach to a young reader. The Brothers’ Grimm tale “Ashputtle”, the basis of our modern-day Cinderella archetype, takes advantage of this to address the issue of the continued oppression of women.
During the 1800’s two brothers, known as Jacob and Wilhelm Grimm, began writing short stories that reflected their lives in central Europe. At this time the French under Napoleon’s rule had overrun Germany, which caused a lot of political issues. Germany’s new governmental ruler cut off the country of its local culture (National Geographic). The Grimm brothers tried to preserve the traditional oral stories of the time. They didn’t plan for their writings to become popular, or for them to be for the younger population. The Grimm brothers were motivated to change the stories up a bit as their tales captivated more people. They incorporated a softer side with a primary moral of the story for the readers (GrimmFairytales.com). It is from these original Grimm versions that modern fairytales, such as Cinderella originated from.
The Grimm’s stories have strict criteria for good and evil. Good women are not the hero, they do not plan, nor do they get themselves out of bad situations; they are obtuse and wait until a Prince saves them. These qualities doom the female protagonists (and readers) to pursue the only destiny women have, and that is to be a wife and mother (Rowe, 1978). Cinderella is the heroine and the ideal good girl. She is unambiguously beautiful, kind, and compassionate. She does not complain or get angry. This is foreseen early in the Grimm’s Cinderella story:
Setting the tale in Nazi Germany creates an atmosphere of fear and anxiety, and establishes a set of circumstances in which it is possible for people to act in ways that would be unacceptable under other circumstances. The stepmother is a good example of this. She is the force in the family – it is she who decides that everyone in the family will have a better chance of survival, if they split up – the children going off alone together and the parents going in another direction. Unlike the portrayal of the stepmother in the Grimm fairy tale, this stepmother is not wicked. She is strong willed and determined, but not evil, although she is protecting herself and her husband by abandoning the children.
In the original Little-Snow White by the Grimms brothers and the readapted Disney version, the stepmother
There is obvious competition between Cinderella, her step-mother, and her step-sisters. The conflict between them began because they both want the father’s/ husband’s love and attention; this explains the step-mother’s cruelty toward the step-daughter. Cinderella 's stepmother declared “No, Cinderella..../you have no clothes and cannot dance./That 's the way with stepmothers”(li.53-55); this statement reveals the step-mother’s abiding envy towards Cinderella because even after she had picked up the lentils the step-mother had thrown, she still made up excuses to keep Cinderella at home and isolated. Although there were two step-daughters, “Cinderella was their maid./She slept on the sooty hearth each night/ and walked around looking like Al Jolson(li.30-32). This line refers to how Cinderella walked around the house with dirt and sludge on her all day and slept on the fireplace each night while the two step-sisters walked around the house clean and slept in comfortable beds. This shows the contrast between the two step -sisters and Cinderella and how they are treated differently throughout daily life. Obviously, there is no reason the step-family should envy Cinderella; however, they do anything in their power to make sure they receive the most attention from the rich father/husband to get whatever they
In “Cinderella” by the Grimm Brothers, the moral is that one should never lie or be wicked to others. In the story, Cinderella’s mother passed away and a year later her father gets remarried to an evil woman who has two daughters. The wife and daughters torment Cinderella, making her complete tedious chores. Eventually, Cinderella attends a ball for the Prince and they fall in love. However, she runs away every night and he cannot find her. The Prince finally takes one of her slippers and sets out to find the love of his life. He then goes to her household and asks all the sisters to try the slipper on. The stepsisters try to deceive the Prince but “the blood was streaming from” their feet and they are eventually caught. When Cinderella tries on the shoe it fits perfectly and the two get married. At the reception, two birds peck out the stepsisters’ eyes, punishing them “with blindness as long as they lived.” The archetypes in the story are Cinderella who is the damsel in distress, the Prince who saves her and the evil stepsisters and mother who are the villains. A convention is that true love always...
Perrault’s “Cinderella” begins with a young maiden and a set of stepsisters who treat the maiden badly (Perrault 236). The young maiden, called “Cinderella,” responded with kindness to this harsh treatment (Perrault 237). Cinderella could