Portrayal of Suffering in Plath's Ariel, Stings, Lady Lazarus, Wintering, and Fever
103°
Sylvia Plath's poems evoke the worst of subjective fallacies. Probably some of our charged reactions are symptomatic of the times and the culture; but more of them seem to stem from the always-too-easy identification between troubled poet and what might be the tone of imagery and rhythm of the poem considered. Because Plath worked so intensively in archetypal imagery (water, air, fire as bases for image patterns, for example), many of her poems could be read as either "dark" wasteland kinds of expressions, or as the reverse, as death-by-water, salvation poems--destruction implied, but also survived, phoenix-like.
"Ariel," the title poem of the collection that made Plath known to the reading world so soon after her 1962 suicide, is a similarly ambiguous poem, rich in its image patterns of movement-stasis, light-dark, earth-fire. The progression in the poem is from the simply stated "Stasis in darkness," a negative condition as Plath indicates in the very similarly imaged poem "Years," to the ecstatic transformation-through-motion of the closing. That this is a poem about motion is clear from the second image, which seems to be a depiction of the faint light of morning ("substanceless blue pour of tor and distances") yet also stresses the movement of the image--pour, distances. The eye of the reader, like that of the poet, is on what is coming, and the scene that appears is always couched in imagery that includes motion words or impressions. Even the furrows of earth are moving ("splits and passes").
The antagonistic forces in the poem are those contrary to the motion that is so passionately evoked. Set against the unity of...
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...e close of "Ariel" suggests the same benizon, "I / Am the arrow, // The dew that flies / Suicidal, at one with the drive / Into the red // Eye, the cauldron of morning." "Then to the elements be free" . . . "at one with the dew." Plath's drive to motion, that sheer impact of energy and force, beyond the "Dead hands, dead stringencies," is the power behind not only "Ariel" but also "Stings," "Lady Lazarus," "Wintering," and "Fever 103°." That she, with Shakespeare, found such violence as the gale winds "auspicious" is an important index to these passionate and sometimes difficult poems, poems important enough to us that we must learn to read them with an insight closer to Plath's own emphasis, and to her equally personal thematic direction.
Works Cited
Linda Wagner, "Plath's 'Ariel': 'Auspicious Gales,'" in Concerning Poetry, Vol. 10, No. 2, 1977, pp. 5-7.
...he imagery of the more intensely-felt passages in the middle of the poem. Perhaps the poet is like someone at their journey's end, `all passion spent', recollecting in tranquillity some intimations of mortality?
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
"Ariel" is the title poem from Sylvia Plath's controversial collection of poetry written during the last few months of her life in 1963. The traditional gender roles of 1960s America promoted a double-standard and wrongly imposed upon women the idea of a "Happy Housewife Heroine" who cherished "the receptivity and passivity implicit in (her) nature" and was "devoted to (her) own beauty and (her) ability to bear and nurture children" (Friedan, 59). Plath comments on the devastating effects of social convention on individuality, but she realizes that both sexes are affected by society's oppression of its members. She contemplates this theme throughout Ariel, especially in the "The Applicant," a critique of the emptiness of the stereotypical roles of men and women at the time.
159). And in the case of family-development theory, the family is viewed through eight distinct, yet sequential stages which includes the premarital, marital dyad through to the retirement milestone. With this developmental theory, the family must succeed in achieving a significant benchmark before they can move onto the next level. For example, when a dyad gives birth to a child, they then move into the triad stage with the major task being that they will need to adjust to the new child before they can move onto the next stage as a completed family. Therefore, there are initiating events that move us into the next stages and major tasks to work through while in the varying
"About." Personal Blog, n.d. Web. 15 Nov. 2015. [When finding an explanation for the similarities between the writers, it is important to play close attention to biographies. In case the psychoeconomic factors that Ruonco describes are true, then biography constitutes most of the development of the Sylvia Plath affliction. Moreover, the biography provides an insight into the views of the author for a better and more accurate understanding of her poetry. Furthermore, it is imperative to use her auto-statement since she referres to her "muse" as something out of her control which can be traced to Kaufman's
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
The symbols planted throughout the poem cannot be categorized as universal. There are no Biblical, historical, or cultural allusions. Instead Plath communicates the instantaneous miracle of reflection by saying "whateve...
Human beings are designed to be social, it’s our nature. Starting at a young age we develop friendships. According to Webster dictionary, a friendship is, “The state of being friends; friendly relation, or attachment, to a person, or between persons.” Aristotle does into depth about why friendship is vital to human thriving, the true definition of friendship, as well as the different types of friendships that exist.
Few, if any, would argue that drug abuse in the United States is not a serious problem. However, the issue remains how to address it. The current schema of the politicized, militarized "war on drugs" does not appear to be working to reduce drug use in this country. More and more prisons are being built, with increasing numbers of citizens (particularly among minority populations) becoming incarcerated and subsequently trapped in the cycle of the criminal justice system. The current policies for punishing drug users not only imposes strain on monetary resources and infrastructure; they are in fact perpetuating great social suffering and injustice. What is needed is a systematic transfer from an ideology of punishment to one of prevention and rehabilitation, but practically, as in most cases, money will talk loudest.
The adrenaline-rushing feeling of gambling offers people the idea that opportunity lies within their hands. Unfortunately, there are far too many consequences to gambling to even begin to count. To win you must play, and to win big you must play big. As more gamblers can recall their losses rather than their winnings, gamblers are often dealt with poor hands and must play the risky game to stay alive. Even though gambling has so many faults, some still fall under its corruptions because of gambling’s deceiving fallacies.
Giles, Richard F. “Sylvia Plath.” Magill’s Critical Survey of Poetry. Ed. Frank N. Magill, b. 1875. Pasadena: Salem Press, 1992.
In the poem, “Daddy,” Sylvia Plath shows her character to have a love for her father as well as an obvious sense of resentment and anger towards him. She sets the tone through the structure of the poem along with her use of certain diction, imagery, and metaphors/similes. The author, Sylvia Plath, chooses words that demonstrate the characters hatred and bitterness towards the oppression she is living with under the control of her father and later, her husband. Plath’s word choice includes many words that a child might use. There is also an integration of German words which help set the tone as well. She creates imagery through her use of metaphors and similes which allow the reader to connect certain ideas and convey the dark, depressing tone of the poem.
The use of the word “heart” emphasises this passion as the heart is considered the most important organ and so demonstrates how his passion (the “summer” in the sentence) is alive. Within these three poems, the use of nature as a mechanism impacted the poems, allowing them to convey meanings in an ambiguous sense yet still get across the general meaning of the poem.
The solution is to decriminalize all drugs. Decriminalization is not legalization; there would still be penalties such as a fine for drug possession, but there would no longer be a criminal charge. We should change prohibition laws that have proven ineffective and try a different approach. The benefits to decriminalization are obvious: Less money spent enforcing drug laws that don’t work means more money for other more pressing law enforcement challenges. Fewer drug arrests mean fewer individuals with a criminal record who may struggle to find a job. Current addicts would no longer need to fear persecution and could instead receive the help they desperately need. Law enforcement could regain the public’s trust and respect. These are all reasons why we shou...