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Mark twain and underlying themes
American Regionalism
Styles and themes of mark twain
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American regionalism is the theory or practice of regional rather than central systems of administration or economic, cultural, or political affiliation. The “local color” of the landscapes of the countryside, shows the point of views for most american regionalism authors. Regional literature is fiction or poetry that focus on the characters, dialect, customs, topography and other features that are for specific region, authors like Mark Twain and Sarah Orne Jewett use this for their writings. In different languages such as colloquial language, technical language and sensory language are able to support the author's idea by making it relatable or comparing the text from how the author feels or thinking of. Regional details such as historical …show more content…
Mark Twain uses colloquial language when he says, “He would speak of the labboard side of the horse in an easy, natural way that would make one wish he was dead. And he was always talking about “St. Looey” like an old citizen.”(411). The description that Mark Twain describes as himself thinking as what could or did happen in the past, and him talking about “St. Looey” like an old citizen is a simile to how he could possibly be thinking about that over and over again that he feels the need to talk about it. The author, Mark Twain says “ Assembled there, the people fasten their eyes upon the coming boat as upon a wonder they are seeing for the first time. And the boat is rather handsome sight, too.” (410). Reading on the author goes into form detail based on what others see about the steamboat, which can define that the author has interest that have fascinated himself, as one finding or interested in something else of their own. The conversational tone from the description of the steamboat, “fancy-topped chimneys, with a gilded device of some kind swung between them, all glass and gingerbread”, “the paddle boxes are gorgeous with a picture or with gilded rays above the boat's name; the boiler deck”(410). It's as if the reader is able to understand how glorified the steam boat truly is. Mark Twain is able to …show more content…
“I never wanted for pa’tridges or gray squer’Is while he was to home. He’s been a great wand’rer, I accept , and he's no hand to write letters. There, I blame him, I’d ha’ seen the world myself if it has been so I could”(436). This shows the example of colloquial language, by how the grandma is speaking, using her own words to speak to sylvia. As well as, “Last winter she got the jaybirds to bangering here, and I believe she’d a’ scanted herself of her own meals to plenty to throw out amongst ‘em, if I hadn't kep’ watch. Anything but crows i tell her, I'm willin’ to help support- though Dan he had a tamed one o’ them that did seem to have reason same as folk”(436). The way the author is describing colloquial language, is by really showing that the grandma isn't the same as most people, with proper speaking as well as its own “slang”. The author also uses, figurative language, “the sharp dry twigs caught and held her and scratched her like angry talons”(440). The simile is used to show the feeling on how the tree feels as she walks into the forest. Sylvia doesn't understand the difficulty so to show what she went through the author compared it to a situation between the tree and her skin. Sarah Orne Jewett shows the story coming to life by the textual evidence in her
There are also differences in the two stories. Sylvia is at home with the birds, beasts and almost all the creatures in the forest, she regards them as her family members, and the forest as her home. Like the author mentioned, “…but their feet were familiar with the path, and it was no matter whether their eyes could see it or not.” (118) Nevertheless, the man who build the fire is a newcomer with little experience. Sylvia’s grandmother advises her to give the bird’s location for the money which will lead to the death of the bird, whereas the survivor from Sulfur Creek advises the man to have a trail mate, a precaution that will be life-saving. The suggestion of “The old-timer on Sulphur Creek was right, he thought in the moment of
It is easily perceptible that Sylvia’s father was abusive, and “grinded her gears”, which is then revealed she is a victim of
Yet after climbing the tree and realizes the importance of the white heron. The choice she has over the heron’s life is that same she has over her own. She can sacrifice her own wants for the hunters, or choose to live the life that is most authentically her. It is at this moment when Sylvia is confronted with the concept of sexuality and though she understands what it is, she wants no part of it. This is asexuality.
This negative attitude towards Miss Moore is what starts Sylvia’s character, which shows us how young and naïve she really is. At first glance we could perceive Miss Moore’s character as the protagonist and Sylvia’s character as the antagonist of this story. But really Miss Moore isn’t the center character Sylvia’s character is the center of this story, Miss Moore is just a character that starts conflict with Sylva’s character. Sylvia being the narrator
The narrator speaks as a second person and to me Sylvia is the narrator in the
Sylvia’s being poor influences the way in which she sees other people and feels about them. Sylvia lives in the slums of New York; it is the only life she knows and can realistically relate to. She does not see herself as poor or underprivileged. Rather, she is content with her life, and therefore resistant to change. Sylvia always considered herself and her cousin as "the only ones just right" in the neighborhood, and when an educated woman, Miss Moore, moves into the neighborhood, Sylvia feels threatened. Ms. Moore is threatening to her because she wants Sylvia to look at her low social status as being a bad thing, and Sylvia "doesn’t feature that." This resistance to change leads Sylvia to be very defensive and in turn judgmental. Sylvia is quick to find fl...
Ernest Hemingway once said, “All modern American Literature, comes from one book by Mark Twain called “Huckleberry Finn.” Mark Twain was a revolutionary writer during his time, he wrote things that most people would have never even thought of putting on a page. One of the most praised skills that Mark Twain had was his use of dialect. Furthermore, the use of his dialect really submerged the readers in the new territory of the west and really help give the west a place on the map. Twain, is especially praised for the several dialects he uses in “HuckleBerry Finn”. In Twain’s work, he uses strong themes of realism, for example in “Huckleberry Finn” Huck talks about Pap, “Every time he got money he got drunk; and every time he got drunk he raised
William Faulkner’s classic short story, “A Rose for Emily,” has been noted as an excellent example of Southern literature. Southern literature can be defined as literature about the South, written by authors who were reared in the South. Characteristics of southern literature are the importance of family, sense of community, importance of religion, importance of time, of place, and of the past, and use of Southern voice and dialect. Most of the novels are written as a Southerner actually speaks. Many books also describe the historical importance of the Southern town.
In Nanny's talk with Janie, she includes much imagery to support her statements. Examples include, "Ah don't want yo' feathers always crumpled.. .," Ah can't die easy thinkin' maybe de menfolks. . . makin' a spit cup outa you," and"Ah'm a cracked plate."This imagery is indicative of an upbringing involving many stories, often involving hyperbole. It is a figurative style of speech common in this culture, one which carries on today in the form of such phenomena as "dozens" and "lying sessions.
Nine-year-old Sylvia is a child who lives in the wood. Her name, ‘‘Sylvia,’’ and her nickname, ‘‘Sylvy,’’ come from the Latin silva meaning ‘‘wood’’ or ‘‘forest.’’ Sylvia lives in the middle of the woods with grandma Tilley and hardly sees anyone else. She remembers when she lived in the city but never wants to return there. However, when she comes across a hunter who is an older man, she enjoys being around another human being and is not sure what to do with the conflicting emotions she starts to feel. He offers to give her money in exchange for giving up the nesting spot of the white heron. She is the only person who can give him what he needs. What she has to think about though is the betrayal of her relationship with nature and whether or not it is worth it. In the end, she does not reveal the heron’s nesting place.
Samuel Langhorne Clemens, better known by the pseudonym Mark Twain, has been central to American literature for over a century. His seemingly effortless diction accurately exemplified America’s southern culture. From his early experiences in journalism to his most famous fictional works, Twain has remained relevant to American writing as well as pop culture. His iconic works are timeless and have given inspiration the youth of America for decades. He distanced himself from formal writing and became one of the most celebrated humorists. Mark Twain’s use of the common vernacular set him apart from authors of his era giving his readers a sense of familiarity and emotional connection to his characters and himself.
In "Two Views of the River," an excerpt from Mark Twain's Life on the Mississippi, Twain comes to the realization of the realities of the river. After a life along the river and knowing "every trifling feature that bordered the great river as" well as he knew his alphabet, (Twain 1) Twain sees the reality behind the "beauty" (1) and "poetry" (1) of the river. A comprehensive analysis reveals Twain's argument questions the value of learning a trade, as his images of "the majestic river" (1) and the peril it may cause for the steamboat, show the comparisons of the beauty and the reality of the river.
...as stubborn and as irritated Sylvia was with Miss Moore, she actually gained something from the trip. Sylvia learn the value of money; as an illustration, "We could go to Hascombs and get half a chocolate layer and then go to the Sunset and still have plenty money for potato chips and ice cream sodas." Also, Sylvia gradually comes to grips to the social and economic injustice around her. And she begins to realize that they are no different than the “White folks” on the other side of town. For example, “We start down the block and she gets ahead which is O.K by me I’m going to the West End and then over to the Drive to think this day through. She can run if she want to and even run faster. But ain’t nobody gonna beat me at nuthin.” With this being said from this point on Sylvia knows she can do or become anything she wants and nobody can prevent her from doing so.
Of all the nation’s writers he is still considered the greatest – it’s not merely literary distinction but something even bigger than that. From Theodore Roosevelt onwards, American presidents have routinely salted their oratory with down-home Twainisms. Writing grand tales about Tom Sawyer, Huckleberry Finn and the mighty Mississippi River, Mark Twain explored
Regional American Literature seems to deal with specific areas and their culture. Culture has evolved throughout the years. Using the South as an example, its culture was clearly defined before the Civil War. The South was comprised mostly of slaves working hard picking cotton until their fingers bled for no pay, white supremacist slave owners quick to bludgeon at the slightest sign of insurgence and the rest of the populace unsure of which side they belong. Blacks were looked at as possessions, not allowed to learn how to read or write, sleeping in dark, damp shacks dirtier than animal stables, beaten and raped at their owner’s whim. Today, though the South still has an air of contempt that has carried itself through generation after generation of confederate pride, a new generation has a mind of its own believing that life is better lived in harmony. Our grandparents, mothers and fathers may still reference the African-Americans as “niggers,” but the phrase makes the children of the 21st century’s skin crawl. For example, my mother-in-law came for a visit and said, “The Smith’s house was bought by a bunch of niggers. There goes the neighborhood. All of our houses are worthless now.” Her son and I are adamantly against racism. Their attempt to taint their children’s belief system by implanting white supremacist ideals has failed. A new generation is born; a generation which better understands the melting pot that America has always been. Instead of “white pride,” it’s just pride; pride in being an American. I believe this generation, being the so over-exposed to a wealth of media and knowledge, has drastically altered the regional literature of the South and for that matter, the United States as a whole.