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Rene descartes rationalism
Descartes rationalism essay
Descartes rationalism essay
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Comparing Spinoza’s Ethics and Dostoyevsky’s Notes from the Underground
Perhaps my choice of the subject may come across as a little eccentric, to say the least. To appear quaint and whimsical, however, is not my intention, so I figured as an introduction, I would explain my choice. From so far as I can tell, philosophy, or the search for truth, has all too often been equated with certainty. This quality of certainty has been especially magnified in the rationalist branch of philosophy. Starting with Descartes’ vision of a philosophy with a mathematical certainty, rationalists claimed to have grasped a rather large portion of reality, including the world, God, consciousness, and whatever falls in-between. As empiricists argued, most of this "knowledge" was in effect assumed, a habit, as it had no representation in the real world. The rationalists’ notorious abstractness and their disregard for the seeming discrepancy between their proofs and the real world have been the main reasons for the fearsome opposition and caricature they faced: even Voltaire, though influenced to a great extent by Leibniz’s philosophy, ridicules it in his masterpiece Candide in the form of ludicrously optimistic Pangloss. . Kant, especially, has put a rather impressive dent in the hull of rationalist philosophy, branding it dogmatic metaphysics. As he pointed out, rationalist philosophy ignores the sensory component of human perception when embarking on its ill-fated quest to find a metaphysics with absolute knowledge. I find this criticism the most powerful, as it points out the discrepancy between the real world and the abstract world of rationalists.
Spinoza’s system stands on the cutting edge of rationalist thought, attempting to establish the certain, necessary and universal truths of reality and nature by reducing Descartes’ philosophy to a set of axioms and definitions, like one would do with a geometry proof. Dostoyevsky stands on the opposite side of the spectrum, exposing the shortcomings of reason with frightful realism. He, in my opinion, makes incredibly insightful points about this discrepancy between how things "should" be and how they are.
When comparing the manifestos of these two thinkers, Spinoza’s Ethics and Dostoyevsky’s Notes from the Underground, one can easily see the difference in language. Spinoza’s language is strictly mathematical. He is not concerned with engaging the reader. His primary concern is with presenting his idea with clarity and consistency. Dostoyevsky’s language differs due to the difference of his intention.
Delbaere-Garant, Jeannie. "Variations on Magical Realism". Magical Realism Theory, History, Community. Ed. Lois Parkison Zamora and Wendy B. Faris. Durham" Duke U.P., 1995. 249-263.
In his book Crime and Punishment, Dostoevsky explores the paths of two men, Raskolnikov and Svidrigailov. These two men encompass many similar problems and obstacles throughout their lives. Both commit murders and are faced with the long and mentally excruciating journey of seeking redemption. They also share many characteristics of their personalities. The reason that the outcomes of their lives are so drastically different is due to the fact that they have completely different perspectives on life.
Dostoyevsky's writing in this book is such that the characters and setting around the main subject, Raskolnikov, are used with powerful consequences. The setting is both symbolic and has a power that affects all whom reside there, most notably Raskolnikov. An effective Structure is also used to show changes to the plot's direction and Raskolnikov's character. To add to this, the author's word choice and imagery are often extremely descriptive, and enhance the impact at every stage of Raskolnikov's changing fortunes and character. All of these features aid in the portrayal of Raskolnikov's downfall and subsequent rise.
rehabilitation programs for women as opposed to the strictly controlled environments encouraged for male offenders.
In Crime and Punishment, Dostoevsky gives the reader an inside look to the value system that he holds for himself, as well as the type of characteristics that he abhors in people as well as the characteristics that he admires in people. He uses characters in the novel to express his beliefs of what a person should be like in life to be a “good'; person. Specifically he uses Raskolnokv to show both good and bad characteristics that he likes in people. Also he uses Svidriglaiov and Luzin to demonstrate the characteristics that people should shun and his personal dislikes in people.
An essential difference, then, between realism and magical realism involves the intentionality implicit in the conventions of the two modes…realism intends its version of the world as a singular version, as an objective (hence ...
Roh, Franz. "Magic Realism: Post-Expressionism." Magical Realism. Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, N.C.: Duke UP, 1995: 15-30.
One major contribution to the growth of the agricultural economy was the creation of the Bracero Program (Carlos Marentes and Cynthia P. Marentes, 1999). A historical example is that on August 4, 1942, the U.S. and the Mexican government united to make the Bracero program (Carlos Marentes and Cynthia P. Marentes, 1999). Many had abandoned their home and headed to the U.S to work as Braceros. More than 4 million Mexican farm laborers came to work in the fields (Carlos Marentes and Cynthia P. Marentes, 1999). The Mexican migrant workers have been the foundation for the development of the rich American agricultural industry (Carlos Marentes and Cynthia P. Marentes, 1999). Many farm laborers arrived to the U.S as hard working and extremely skilled. The majority of the workers had a high experience in the field labor, because many came from agricultural regions of México.
Dostoyevsky's characters are very similar, as is his stories. He puts a strong stress on the estrangement and isolation his characters feel. His characters are both brilliant and "sick" as mentioned in each novel, poisoned by their intelligence. In Notes from the Underground, the character, who is never given a name, writes his journal from solitude. He is spoiled by his intelligence, giving him a fierce conceit with which he lashes out at the world and justifies the malicious things he does. At the same time, though, he speaks of the doubt he feels at the value of human thought and purpose and later, of human life. He believes that intelligence, to be constantly questioning and "faithless(ly) drifting" between ideas, is a curse. To be damned to see everything, clearly as a window (and that includes things that aren't meant to be seen, such as the corruption in the world) or constantly seeking the meaning of things elusive. Dostoyevsky thought that humans are evil, destructive and irrational.
It is a long and unusual journey. I still wonder what it really is. I read the selections of four wonderful authors and I am still a little confused about the real history and theory of magical realism. I do know that before a person gets into this idea of magical realism, he or she really has to have a big imagination and willingness to learn about it. I guess what I am trying to say is that magical realism depends on who a person is and what a person is willing to believe.
In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.
Magical realism, by definition, is a literary style that addresses social concerns, but masks the...
Rocca, MC 2008, Spinoza: The Routledge Philosopher Series, London: Routledge. Scruton, R 1999, Spinoza. London: Orion. Woolhouse, RS 1993,Descartes, Spinoza, Leibniz: the Concept of Substance in 17th Century Metaphysics, London: Routledge.
Roh, Franz. "Magic Realism: Post-Expressionism." Magical Realism. Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, N.C.: Duke UP, 1995. 15-30.
Throughout the book, “Crime and Punishment,” by Fyodor Dostoevsky, we see key words that play major roles in the plot and development of the story. Five words, in particular, act as front-runners in symbolic themes; they are crime, punishment, poverty, suffering, and child. There is no doubt that these words play a major factor in the novel because not only do we see these words often, but also we experience the words as they are lived through by many of the major characters. What some readers might not realize is that Dostoevsky does not let only one of the words dominate a scene in the book; they are intermingled concepts. Where there is one of the five major words of the novel, Dostoevsky usually accompanies it with another. All five of the words are dependent of each other and without one of them, the novel would not demonstrate the story and powerful themes that Dostoevsky was looking to present.