Joyce Carol Oates in his short stories “The Girl with a Blackened Eye” and “Where are you going? Where have you been?” have portrayed women who transgressed societal norms and the repercussions they had to suffer because of that. In this paper, I will focus on how these two short stories are intertwined and the former may be a sequel to the latter. In the short story”Where are you going? Where have you been?”The character of Connie is a portrayal of the 1960 American trend. She was rebellious and had problems with her family. Lack of maternal figure in her life, nevertheless her presence and her constant favouritism towards June, her elder sister may be a reason for her distance from her family. Her father, with the only description of “quiet …show more content…
Unlike a “good woman” she stayed out at night, flirted with boys and gave in to the temptation of a friend who later goes unnamed in the other short story. Name holds no value later because that is an acquired identity and Connie may forget her own name in the process. The construction of identity is questioned, deconstructed because even images of the abuser apparently did not match his profile. Memory is questioned because Connie knew Arnold's face, but her memory may have faltered after suffering the trauma. Later in the short story “The Girl with a Blackened Eye” a red haired, married, mothered, woman gets raped proving the futility of transgression on the part of a young girl. She neither went out at night, nor did she flirt, but still could not escape from the clutches of manhood. Patriarchal society constantly shifts the paradigm of measuring femininity and women are expected to follow it, otherwise they are bound to suffer. Connie loved to dress up, she liked going out and staying in touch but she did not agree to getting kidnapped by Arnold, he took up that liberty because he saw her out one night. Likewise in the other short story, the unnamed protagonist survived because she turned obedient to
The short stories, “The Girl with the Hungry Eyes” by Fritz Lieber, “Bits and Pieces,” by Lisa Tuttle, “While She Was Out” by Edward Bryant, “Cold Turkey” by Carole Nelson Douglas, and “Lightning Rod” by Melanie Tem Historically, in literature, women are stereotypically placed in one of two roles, the doting wife and beloved mother, or the more outwardly psychotic, witch-like, temptress. As the feminist approach to the criticism of literature has blossomed over time, the need for empowered female characters has surfaced. To rectify the absence of this character, “wild women literature” has made many advances in the defiance of gender role stereotypes and gender norms. The women in the collection of wild women short stories are difficult to define because of society’s pre-conceived notions of how women should and do behave. The term “wild women” conveys a slightly negative and sometimes misinterpreted connotation of a woman’s behavior; however, in this collection of stories, the female characters are generally vindicated because of the motivation behind their actions. The motivation can be linked to the popular cultural phenomenon of women taking charge of their lives, making decisions for themselves, being independent, rising above their oppressors (most commonly the close men in their lives), and becoming empowered. Vigilante actions by the wild women in these stories are not entirely representative of madness, but also re...
The characterization of Connie in the short story, “Where Are You Going? Where have you been?” affects the theme of who is to blame for the kidnapping by portraying Connie as a pretty girl to into herself, a puerile teenager that cannot decide who to be, and a reluctant girl that ignores her mother. This characterization makes Connie seem immature. When Arnold gets to see Connie, the ignorance and immaturity of Connie gives Arnold Friend the perfect opening to abduct Connie.
“Where Are You Going, Where Have You Been?” is told from the point of view of a girl with “long dark blond hair that drew anyone’s eye to it” named Connie. Connie was a very pretty fifteen year old girl, which loved to go out with her friends and meet new people. Laura’s, the best friend of Connie, father “drove the girls the three miles to town and left them at a shopping plaza so they could walk through the stores or go to a movie”. It became a lifestyle for Connie which eventually became a problem being that she met a suspicious
The overuse of biblical allusions throughout the story helps to expose the naive nature of Connie that reveals her as a victim of evil which shows that lust often transgresses on an individual’s identity. In “Where Are You Going, Where Have You Been,” Joyce Carol Oates expressed the subjective ideas by symbolizing Arnold Friend as a devil that tempts a clueless teenage girl Connie, who wanted to experience love.
As teenagers, we feel like we know all the complexities of life, and that the changes we experience during puberty are the ultimate variabilities of our lives, but the irony of this is that they still have so much more to learn. The story “Where Are You Going, Where Have You Been?” was written by Joyce Carol Oates, an influential, feminist author in the 1960s. The story was inspired by the real-life serial killer, Charles Schmid, also known as the “Pied Piper of Tucson”, who like the antagonist in the story, Arnold Friend, preyed on young girls as his victims (Sharma 5). An important element that influenced the story is that it was written in the 1960's, a period known as the Second-Wave of feminism, this was a time when women across America began to break free from the patriarchal system and assert their rights as citizens outside of the home (The 1960s-70s American Feminist Movement: Breaking Down Barriers
Though thoroughly distinguishable, the short stories “Where Are You Going, Where Have You Been” by Joyce Carol Oates and “Interpreter of Maladies” by Jhumpa Lahiri present wide opportunities for one to compare and contrast literary elements. The two works, published within thirty years of one another, may be compared through the common theme of appearance versus reality, which is furthered through analogous instances of sexual symbolism, and contrasted through dissimilar settings and plot lines.
In “Where Are You Going, Where Have You Been” by Joyce Carol Oates, Connie is a normal teenage girl who is approached outside her home by a guy named Arnold Friend who threatens to harm her, and she obeys, if she does not get in the car with him. Connie is the main character in this story who teaches us that sometimes we might search for adult independence too early before we are actually ready to be independent and on our own. Connie is so focused on her appearance that she works hard to create a mature and attractive adult persona that will get her attention from guys. This search for independence conflicts with Connie’s relationship with her family and their protection of her. Connie’s insecurity and low self-esteem is triggered by her fear of intimacy. Connie confuses having the attention of men with actually having them pursue her in a sexual way.
Oates, Joyce Carol, ?Where Are You Going, Where Have You Been?? reprinted in X.J. Kennedy?s Literature: An introduction to Fiction, Poetry, and Drama, 5th ed (Harper Collins, 1991).
The characters in short stories, ‘Where are you going, Where have you been?’ by Joyce Carol Oates and ‘The man who was almost a man’ by Richard Wright, have lot of similarities between them even though the stories themselves take place in different setting in different time periods, but using symbolism, context clues, and our own experiences we as students of literature can better understand both characters and get an insight into their inner workings beyond what the text tells us on the surface.
There are many important and interesting themes present in Joyce Carol Oates’ “Where are You Going, Where Have You Been?” One major overlying theme is that of the apathy of adults towards the youth in society. Apathy, or general disinterest, can be innocuous, but it can also be incredibly harmful. Unfortunately, in “Where are You Going, Where Have You Been?” it falls into the latter category, likely leading to the demise of the protagonist. Oates makes it fairly clear throughout the story that the adults present in Connie’s life are responsible, at least in part, for what happens to her. This is shown with several different methods, which will be discussed in this paper.
Ignorance and vanity can be good, in small amounts, but too much can lead to very unwelcome consequences. Connie, a teenage girl who can’t get enough of herself, learned this the hard way when a strange man by the name of Arnold Friend arrives at her house with the intent of taking her on a ‘date’. Instead of calling the police or locking herself in, like common sense would imagine, Connie uneasily greets Arnold from her door when he gets out of his car, instantly letting her vanity and ignorance get the best of her. Joyce Carol Oates shocks the reader with the twist ending in her short story “Where Are You Going, Where Have You Been” in which after hearing Arnold’s threat towards her family, Connie hands herself over to Arnold allowing him
”Where Are You Going? Where Have You Been?” is a short story written by Joyce Carol Oates, which explores the life of a teenage girl named Connie. One of the issues this story divulges is the various stresses of adolescence. Connie, like so many others, is pressured to conform according to different social pressures, which displays the lack of respect female adolescents face. The music culture, young men, and family infringe upon young female minds to persuade them to look or act in certain ways, showing a disrespect for these girls. While some perhaps intend their influence for good, when put into practice, the outcome often has a negative effect. Moreover, this can lead young women to confusion and a lack of self-respect, which proves
In the short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, the description of the characters June, Connie, and Arnold Friend reveal the true nature of the characters and underlying motives. June is the older sister to Connie who shapes the relationship between Connie and her family, while describing the differences between Connie and June. The description of the protagonist Connie reveals the struggle between childhood and adolescence with the desire to be desired by those of the opposite sex, but also the obsession with childhood fantasies. Arnold Friend also represents a struggle for Connie with the fact that he repulses but also allures her with his fulfillment of her fantasies.
During the teenage years they no longer want to be labeled the “child; matter of fact, they have a strong desire to rebel against the family norms and move quickly into adulthood. This transition and want for freedom can be a very powerful and frightening thing as there are evils in this world that cannot be explained. Most parents try to understand and give their teens certain freedoms, but at what expense? Joyce Oates gives us a chilly story about a teenager that wanted and craved this freedom of adulthood called “Where Are You Going, Where Have You Been?”. This is a haunting story of a young girl by the name of Connie who gives us a glimpse of teenager transitioning from childhood with the need for freedom and the consequences of her actions. Connie is described as a very attractive girl who did not like her role in the family unit. She was the daughter who could not compare to her older sister and she felt her Mom showed favoritism towards her sister. Connie is your average teen who loves music, going out with friends, and she likes the attention she receives from boys. During this time, Connie is also growing into her sexuality and is obsessing with her looks as she wants and likes to be noticed by the opposite sex. Her sexual persona and need to be free will be what is fatal to her character’s life and well-being.
Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” tells the tale of a fifteen year old girl named Connie living in the early 1960’s who is stalked and ultimately abducted by a man who calls himself Arnold Friend. The short story is based on a true event, but has been analyzed by many literary scholars and allegedly possesses numerous underlying themes. Two of the most popular interpretations of the story are that the entire scenario is only dreamt by Connie (Rubin, 58) and that the abductor is really the devil in disguise (Easterly, 537). But the truth is that sometimes people really can just be in the wrong place at the wrong time. Connie, a victim of terrifying circumstance will be forever changed by her interactions with Friend.