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The characters in short stories, ‘Where are you going, Where have you been?’ by Joyce Carol Oates and ‘The man who was almost a man’ by Richard Wright, have lot of similarities between them even though the stories themselves take place in different setting in different time periods, but using symbolism, context clues, and our own experiences we as students of literature can better understand both characters and get an insight into their inner workings beyond what the text tells us on the surface. In the story ‘Where are you going, Where have you been?’ by Joyce we can get an insight into Connie's relationship with her mom using the first description we see about Connie's mother and she “noticed everything and knew everything”(4). Here we …show more content…
Is not to be overlooked. We see that Dave “struck out across the fields” and this sounds like he’s walking through the fields without any sort of caution or care. He’s hastily moving about the fields that contain nothing in them but crops and dirt. These fields are a representation of his life as he spends all day working in them. Here we can use the fields to represent how he feels about his place in life. He’s stuck in a place that doesn’t have anything for him and he sees nothing for himself in the fields. The last bit really ties together how the main protagonist, Dave, feels about his situation. He is looking “homeward” in a sense rather than towards a specific location. More of an idea than an actual place but somewhere where he can feel at home. All the while looking through a paling light. In this context we can assume that paling means dimming and it’s as if his window of opportunity is closing. He's growing frustrated as he gets older and sees nothing change. The idea of a place where he feels at home is slowly vanishing and he is now feeling rushed to find that sense of home or to belong somewhere much like Connie. Both of these characters are severely unhappy with their current situation and …show more content…
Hair spray? You don't see your sister using that junk”. This the first things she says to connie and she’s scorning connie and her attempt to be herself. She doesn't say it looks nice or compliments her in any way but rather says that it ”stinks”. Stinks carries a lot of negative connotation. Usually trash stinks, or even animals but hair spray doesn’t bring up the word stink in my mind, and in all reality I like the smell of hairspray and I'm sure other people do as well. We can sense that because she thinks it stinks she probably doesn’t use it herself again revealing the gap at understanding between the two. Right after that she again compares her to her sister June and she calls the hairspray junk. Junk as in useless, rubbish, a waste and it’s interesting she uses this word choice because it further explains what she thinks of physical beauty. She doesn’t think focusing your attention on your physical appearance is a worthwhile endeavor and thinks it’s useless. Connie's relationship with her mom is artificial at best and there really is no understanding between the two. We can see a parallel also between Dave’s relationship with his own
Have you ever read short stories by ray bradbury? In this essay i will be taking you through the similarities and differences i found while i was reading the three stories. I will also be discussing the characters and how they helped to give a better picture of the settings. Shall we begin.
In “Where Are You Going, Where Have You Been?”, Oates wants to show a more intellectual and symbolic meaning in this short story. Oates has many symbolic archetypes throughout the short story along with an allegory. Oates uses these elements in her story by the selection of detail and word choice used. Oates does this because she wants to teach her audience a moral lesson.
Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” focuses on two main characters, Connie and Arnold Friend. The two characters have extreme conflict throughout the short story and in the end only one wins. The literary device of characterization in the story helps to clarify the Greek and Biblical reasons for one character’s win and the other’s lose.
Since the emergence of literature, thousands upon thousands of characters have graced our imaginations. From trouble maker Bart Simpson of the celebrated cartoon television series The Simpsons to Mr. Darcy of Jane Austen’s renowned novel Pride and Prejudice, the world has witnessed a plethora of characters in literature. Khaled Hosseini, author of The Kite Runner, and Billy Collins, distinguished American poet, as well as countless other authors, share the utilization of characters in their literary works. The manner in which these authors use the literary element of characters varies immensely.
The overuse of biblical allusions throughout the story helps to expose the naive nature of Connie that reveals her as a victim of evil which shows that lust often transgresses on an individual’s identity. In “Where Are You Going, Where Have You Been,” Joyce Carol Oates expressed the subjective ideas by symbolizing Arnold Friend as a devil that tempts a clueless teenage girl Connie, who wanted to experience love.
Authors of great stories often use good technical writing skills. The purpose of this essay is to compare and contrast two short stories: Where Are you going, Where Have You Been by Joyce Carol Oates and Hills Like White Elephants by Earnest Hemingway. The comparison and contrast will be done based on their use of plot, point of view and character development.
These timeless tales relate a message that readers throughout the ages can understand and relate to. While each of these tales is not exactly alike, they do share a common core of events. Some event and or character flaw necessitates a journey of some kind, whether it is an actual physical journey or a metaphorical one. The hardships and obstacles encountered on said journey lead to spiritual growth and build character. Rarely does a person find himself unchanged once the journey is over.
Urbanski, Marie Mitchell Olesen. "Existential Allegory: Joyce Carol Oates's 'Where Are You Going, Where Have You Been?'." Studies in Short Fiction 15.2 (1978): 200-203. Academic Search Complete. Web. 2 Apr. 2014.
Oates, Joyce Carol. “Where Are You Going, Where Have You Been”. Backpack Literature. An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy & Dana Gioia. 4th ed. New Jersey: Pearson, 2006. (323-336). Print.
In Joyce Carol Oates short story, Where Are You Going, Where Have You Been? the reader is immediately introduced to the main character, Connie; a young girl who obsesses over herself and puts little value on her family or loved ones. Throughout the story readers are also introduced to a man named Arnold Friend. Oates uses this character to reveal to readers the true psychological flaws of Connie that are most likely a result of the lack of a male figure in her life. Readers are also introduced to a man by the name of Arnold Friend. The story displays Arnold friend as a “stalker,” because prior to developing a friendship with Connie, he already knows too much about her personal life.
While the setting for Sherman Alexie's "This is what it means to say Phoenix, Arizona" and William Faulkner's "A Rose for Emily" differ, their settings develop different themes and perspectives. These two stories are similar in some ways and different in others because, one is in the Northwest of Arizona vs. the Deep South. Depending on where you are can determine the mood, tone, and sometimes it can even symbolize something. In “This is what it means to say Phoenix, Arizona” the settings change throughout the story. As for “A Rose for Emily” the setting stays the same through the whole story. The setting helps to set the mood, it can have a symbolic meaning and sometimes it helps in explaining why the characters act the way that they do. In these two stories the setting is important and plays a major role.
Everyone experiences transitions in ones lives. Some changes are small, like going from one class to the next. Other times these changes are major, like the transition between youth and adulthood. The author Joyce Carol Oates is trying to make one understand the powerful effect that the opposite sex can have on an adolescent girl, and displays the potential dangerous consequences that may result if one succumbs to their desires without even thinking about it. Oates dramatizes a real life wrong doing story to test and examine the decisive moment people face when at the crossroads between the illusions and innocence of youth and the uncertain future ahead of them. Joyce Carol Oates's "Where Are You Going, Where Have You Been?” tells a story of a teenage girl named Connie who is having a hard time transitioning from being a teenager to becoming an adult. She is a superficial and selfish teenager who ends up in a horrifying situation she must accept unless she wants her family to be in the same horrifying situation. Like most teenagers, Connie explores her surroundings and numerous temptations confront her along the way. Connie's mother and her own intuition attempt to protect her from the wickedness in society, but sometimes the allure of these enticements "cry 'to one' like a fire in the sun"(Dylan 613). The main characters name Connie is a fifth teen year old girl that is rebelling against her mother’s wishes. First off, Connie was not happy at home her father was away at work most of the time and didn't bother talking much to them according to the story so Connie didn't have a relationship with him. Connie found her happiness in fleeing with her friends by going to the plaza and daydreaming about boys. Connie usually goes wit...
In the two short stories, "The Yellow Wallpaper" by Charlotte Perkins Gilman and "Where Are You Going, Where Have You Been?" by Joyce Carol Oates, the narrator of "The Yellow Wallpaper" and Connie from "Where Are You Going, Where Have You Been?" both deal with some eerie situations. In "The Yellow Wallpaper" written by Charlotte Perkins Gilman, the narrator suffers from nervous depression which causes her to stay locked in this room doing nothing active until she actually goes hopelessly insane. The short story, "Where Are You Going, Where Have You Been?" written by Joyce Carol Oates, Connie deals with a stranger named Arnold Friend and he sees Connie outside of the movie theatre and he actually ends up going to her house and he knows everything about her and her family. Due to the characterization of the two stories, Connie and the Narrator both end up making these two different stories very similar because of how creepy each person makes their life seem.
She always getting into a fight with her mother all the time about her beauty, because she has a habit of looking at herself in the mirror wherever she found one, “…she had a quick, nervous giggling habit of craning her neck to glance into the mirror or checking other people’s faces to make sure her own was alright.” (126). Moreover, her mother always compares her with her sister, June, which makes she feel even more hatred toward her mother, “Why don’t you clean your room like your sister? How’ve you got your hair fixed – what the hell stinks? Hair spray? You don’t see your sister using that junk.” (126). Her mother, whenever she gossips on the phone with her aunties. They always admire June over her, “June did this, June did that, she saved money and helped clean the house and cooked, and Connie couldn’t do a thing, her minded was all filled with trashy daydreams.” (126). To them, June is always the best, because she is good at almost everything and Connie cannot do anything right. Therefore, when Connie’s mother says something or complaint about her beauty, she rolls her eyeballs and wishes that her mother was
James Joyce's fragment of a novel, Stephen Hero, leaves the reader little room to interpret the text for themselves. The work lacks the narrative distance that Joyce achieves in his later works. Dubliners, a work Joyce was writing concurrently, seemingly employs a drastically different voice. A voice which leaves the reader room to make judgments of their own. Yet it is curious that Joyce could produce these two works at the same time, one that controls the reader so directly, telling not showing , while the other, Dubliners, seems to give the reader the power of final interpretation over the characters it portrays.