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Where Are You Going, Where Have You Been by Joyce Carol Oates analysis
Joyce carol oates where are you going analysis
Joyce carol oates where are you going analysis
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Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” focuses on two main characters, Connie and Arnold Friend. The two characters have extreme conflict throughout the short story and in the end only one wins. The literary device of characterization in the story helps to clarify the Greek and Biblical reasons for one character’s win and the other’s lose. In the short story “Where Are You Going, Where Have You Been?”, a Greek meaning of the character Connie has been presented in two ways, by her being a nymph and her breathing. Some researchers believe Connie to be a nymph from Greek mythology because the definition of a nymph follows suit with the character Connie. “In Greek mythology, nymphs were inferior divinities frequently …show more content…
The figure he represents is a satyr. One way he represents the satyr is through his looks. Some researchers believe that Friend wears a wig because he is trying to hide his pointed ears and horns (Easterly 538). They also support the idea that he as hooves for feet, and they believe that because his feet do not go all the way down into his shoes (Easterly 538). Friend’s eyes also gives away that he is a satyr. “He wears sunglasses because his eyes, ‘like chips of broken glass’ (Oates PAGE NUMBER) reflects direct light like those of an animal” (Easterly 538). The last feature of Friend is actually the rest of his body, “He is short, with the muscular upper body, black hair, and long, hawklike nose often depicted on satyrs” (Easterly 538). Not only did his looks portray that is a satyr but also his way of attacking. The satyr attacks in a pair; “Satyr also pursued women in pairs…” (Easterly 541). Arnold Friend attacks Connie with his sidekick Ellie Oscar. A satyr also attacks women with music; “Satyrs were feared in ancient myths for their power to seduce unwary women through music” (Easterly 390). On the day that Connie and Friend meet she does not even start speaking to him till she notices the music he is playing (Easterly 390). Connie is now starting to be seduced by Friend through the music being played. Connie starts to resist Friend when she tells …show more content…
Some researchers believe that the story brilliantly shows Arnold Friend as a satanic identity (Rubin 57). Most believe him to be a representation of santa because of his looks, numbers on his car, his actions, and his name. Arnold Friend gives off a devilish appearance through his hair. Connie notices that his hair is shaggy and black, like a devil. The numbers on his car also support him being a representation of the devil. “Friend’s code also contains a cryptic reference to Genesis 19:17” (Piwinski 195). The story of Abraham and the promise land is found in Genesis 19:17, the story tells about how Abraham is leaving his father’s house to go to a great land. Friend also plays off of this scripter with Connie. “Friend coaxes Connie to flee her [father’s house] …” (Piwinski 195). He also tells Connie about a great place that he will take her. “We’ll go out to a nice field, out in the country here where it smells so nice and it’s sunny” (Oates 425). The scripter further shows the friend is the devil because he gets Connie to leave her home and promises her false places that are suppose to be given to her. Arnold Friend’s actions also help to support the idea of him being a devilish figure. The devil can not enter into a home that he is unwelcome to, Arnold Friend is the same way. “Although Arnold has come to take Connie away, is his traditional role as evil spirit, he may not cross a threshold uninvited; he
Joyce Carol Oates' short story "Where are you going? Where have you been?" 'runneth over' with Biblical allusion and symbolism. The symbols of Arnold Friend, his disguise, and the music that runs through the story contribute to an overall feeling of devilishness, deception, and unease.
Oates shows archetypes throughout the story. The symbolic archetype shown is “the friendly beast” or “the tempt”. The friendly beast, of course, would be Arnold Friend; Arnold never hurts or does anything to Connie, he just tempts her by saying, “we’ll drive away, have a nice ride.” The temptation for Connie is that she wants to grow up, get away from her family and live her own life. Although, Connie is very ignorant; Connie believes her looks will get her very far in life, but what she doesn’t realize is that ignorance does not equal bliss. In The Sitting Bee Dermot McManus talks about how Connie struggles with independence and how she wants to do things on her own. McManus says “that Connie still relies on others to take her home and other things, and how
This is especially true when someone like Arnold Friend is out to get us. We see this allegory of Arnold friend in everyday life. Everyday Satan tries to temp and deceive anyone he can get. We can either blindly give into it like Connie or we can be alert. The archetypes and allegories described by word choice and details give us an incredible reminder to stay alert. In the short story review from “the sitting bee” it is explained, “Probably the most obvious sign of conflict is the struggle Connie encounters with Arnold.” The sad thing is she eventually gives in without thinking. Her vision went from hazy to clear to hazy again. She was helpless throughout the entire
The narrator implies that Arnold Friend is Satan by giving certain clues that the reader can easily deduce. The name that Oates gives to the character is one hint to the reader: “Connie looked away from Friend's smile to the car, which was painted so bright it almost hurt her eyes to look at it. She looked at the name, Arnold Friend. She looked at it for a while as if the words meant something to her that she did not yet know” (583). The name “friend” was commonly used by the Protestants to refer to evil or the devil. Moreover, Arnold Friend's appearance also hints that he is Satan: “There were two boys in the car and now she recognizes the driver: he had shaggy, shabby black hair that looked as a crazy wig”(583). The narrator emphasizes the “wig” to make the reader think that he is wearing it for a purpose, which is hide his devil’s horns. Also, the fact that Arnold Friend's eyes are covered is another stragedy use by Oates to confirm the assumption of the diabolic presence: “ He took off the sunglasses and she saw how pale the skin around his eyes was it, like holes that were not in shadow but in...
24 Feb. 2014. Oates, Joyce C. "Where Are You Going?" Where Have You Been? Compact Literature. By Laurie G. Kirszner and Stephen R. Mandell.
In Joyce Carol Oates's short story, "Where Are You Going, Where Have You Been?" the protagonist introduced is Connie, who is an interesting and strong character. Just like every other teenager, she is searching for a purpose and trying to find her place in society. Although Connie seems to be an incredibly self absorbed teenage girl, there is a part of her personality that is different than the rest. She lives a double life, having one personality around her house, with her family, and the other when she is hanging out with friends in public. Due to this double personality, the reader can't help but become intrigued and question which girl she truly is.
In “Where Are You Going, Where Have You Been” by Joyce Carol Oates, Connie is a normal teenage girl who is approached outside her home by a guy named Arnold Friend who threatens to harm her, and she obeys, if she does not get in the car with him. Connie is the main character in this story who teaches us that sometimes we might search for adult independence too early before we are actually ready to be independent and on our own. Connie is so focused on her appearance that she works hard to create a mature and attractive adult persona that will get her attention from guys. This search for independence conflicts with Connie’s relationship with her family and their protection of her. Connie’s insecurity and low self-esteem is triggered by her fear of intimacy. Connie confuses having the attention of men with actually having them pursue her in a sexual way.
Gale Kozikowski, Stan. " The Wishes and Dreams Our Hearts Make in Oates's 'Where Are You Going, Where Have You Been?'. " Journal of the Short Story in English. 33 (Autumn 1999): 89-103.
Joyce Carol Oates' "Where Are You Going, Where Have You Been?" is about a young girl's struggle to escape reality while defying authority and portraying herself as a beauty queen; ultimately, she is forced back to reality when confronted by a man who symbolizes her demise. The young girl, Connie, is hell- bent on not becoming like her mother or sister. She feels she is above them because she is prettier. She wants to live in a "dream world" where she listens to music all day and lives with Prince Charming. She does not encounter Prince Charming but is visited by someone, Arnold Friend, who embodies the soul of something evil. Arnold Friend symbolizes "Death" in that he is going to take Connie away from the world she once knew. Even if she is not dead, she will never be the same person again, and will be dead in spirit. With the incorporation of irony, Oates illustrates how Connie's self-infatuation, her sole reason for living, is the reason she is faced with such a terrible situation possibly ending her life.
The characters in short stories, ‘Where are you going, Where have you been?’ by Joyce Carol Oates and ‘The man who was almost a man’ by Richard Wright, have lot of similarities between them even though the stories themselves take place in different setting in different time periods, but using symbolism, context clues, and our own experiences we as students of literature can better understand both characters and get an insight into their inner workings beyond what the text tells us on the surface.
Oates, Joyce Carol. “Where Are You Going, Where Have You Been”. Backpack Literature. An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy & Dana Gioia. 4th ed. New Jersey: Pearson, 2006. (323-336). Print.
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” clearly illustrates the loss of innocence adolescents experience as they seek maturity, represented by Connie's dangerous encounter with Arnold Friend. Connie symbolizes the many teens that seek independence from their family in pursuit of maturity. Connie’s great desire to grow up is apparent from the beginning of the story, as she experiments with her sexuality. However, it is clear that Connie is not interested in pursuing a relationship, but relishes the maturity she feels after being with the opposite sex. After following a boy to his car, she was “gleaming with a joy that had nothing to do with Eddie or even this place” (2). This suggests that Connie's exploits
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew
The character Arnold Friend in Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” is a dangerous figure who comes to Connie’s house to threatens her. Even when throughout the story the character of Arnold Friend can be seen merely as a criminal or a psychopath, this character in fact epitomizes the symbolic figure of Satan.
First, Arnold Friend’s physical traits portray him as Satan. Oates says that “There were two boys in the car and now she recognized the driver: he had shaggy, shabby black hair that looked crazy as a wig and he was grinning at her,” (Oates 316). The hair could actually be a wig hiding something that he didn’t want someone to see. Maybe he was hiding his devil horns. Also when he was standing Connie had mentioned that “He was standing in a strange way, leaning back against the car as if he were balancing himsel...