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The corruption of power
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Throughout the short stories, “Apollo” by Chimamanda Adichie and “By Any Other Name” by Santha Rau, the authors reveal that power corrupts happiness. After Okenwa catches Apollo from Raphael, Okenwa does not see Raphael for a long time while he is recovering from his sickness. When Okenwa finally recovers, he goes outside to find that Raphael has found a new friend and does not care for him anymore. Okenwa narrates, “He spoke as though I were a child, as though we had not sat together in his dim room... Raphael said something that I could not hear, but it had the sound of betrayal” (p. 9). This shows that while Okenwa was sick, Raphael stops caring about Okenwa because of his new friendship with someone else. Okenwa feels betrayed by Raphael
because of how he is being treated. This later causes the friendship to stop because of power that Raphael obtained while Okenwa was sick. In “By Any Other Name” Santa is going through her first day at her new school. The school is mostly dominated by white people, so she decides to sit down with other Indian girls. Santha narrates “They were all sitting at the back of the room, and I went to join them. I sat next to a small, solemn girl who didn’t smile at me” (p. 2). The fact that the group is alone in the back of the room already show how sad and alone they are. These feelings are restated when Santha sits down with the group and no one smiles or welcomes her. This group of girls are put like this because of how the headmistress abuses her power, and thus terminates any possible friendship she could have with the girls, resulting in the girls’ sadness. It is important for someone to always keep in mind that while they may have power, the repercussions are most likely not worth what you gain from using the power.
Stories having similar characteristics are very common nowadays. While reading “the Lesson” and “Sonny’s Blues” it was apparent that the story was alike in many ways. I wonder how two separate stories could be so parallel, so I did some research on the authors. While researching the author of “The Lesson”, Toni Cade Bambara, I found out she was born in Harlem just like the main character, Sylvia, in her story. Like Bambara, James Baldwin, the author of “Sonny’s Blues”, was born in Harlem as well.
Kate Chopin’s “The Story of an Hour” and Charlotte Gilman’s “The Yellow Wallpaper” are both centralized on the feministic views of women coming out to the world. Aside from the many differences within the two short stories, there is also similarities contained in Chopin’s “The Story of an Hour” and Gilman’s “The Yellow Wallpaper,” such as the same concept of the “rest treatment” was prescribed as medicine to help deal with their sickness, society’s views on the main character’s illness, and both stories parallel in the main character finding freedom in the locked rooms that they contain themselves in.
The characters in short stories, ‘Where are you going, Where have you been?’ by Joyce Carol Oates and ‘The man who was almost a man’ by Richard Wright, have lot of similarities between them even though the stories themselves take place in different setting in different time periods, but using symbolism, context clues, and our own experiences we as students of literature can better understand both characters and get an insight into their inner workings beyond what the text tells us on the surface.
Both speakers now have a shadow casted upon their outlook on relationships as a whole, due to their bad experience. Both speakers associate betrayal with the word ‘love’ and no longer view it genuinely. For example, in Rupert Brooke’s 'Jealousy', the narrator says: ‘[a]s prettiness turns to pomp and strength to fat, / And love, love, love to habit’ (Brooke, 19-20). The repetition of the word ‘love’ is abruptly stopped with ‘habit’, obstructing its true meaning. The speaker declares that their love will just turn into a forced routine, with no meaning or motivation behind it as soon as physical attraction fades, showing his attachment to superficial qualities. Real love would not depend on tangible attributes such as looks or money, yet the speaker’s idea of love does. Further demonstrating the speakers’ altered perception of love, in William Shakespeare’s Othello, Othello says: ‘[t]hough that her jesses were my dear heart-strings / I’ld whistle her off and let her down the wind/ To prey at fortune’(III.iii.256-258). In contrast to the speaker of ‘Jealousy’’s attitude, Othello still feels a sense of emotional attachment to Desdemona, whereas the speaker of the poem is attached to physical qualities. However, despite his love for Desdemona, Othello goes on to metaphorically liken her to a bird that will be let loose to ‘prey at fortune’, when disobedient. This distortion of the idea of love triggered by his jealousy makes Othello completely disregard his genuine connection with Desdemona. He is entirely willing to let her go due to this strong feeling of betrayal. Othello sees love through more of a passive lens. Also, both speakers consider lust to be an accomplice of ‘love’. ‘[W]ho were so wise and cool, / Gazing with silly sickness on that fool’ (Brooke, 1-2), the speaker describes his former significant other as being lustful, awestruck by the other man’s physical appearance. Othello says: ‘O curse of marriage, / That we can call
So now you know how crazy they are from what they did when they got jealous. They got crazy and it makes you wonder if they are mentally weak. These guys in these stories are just both so crazy and here is an example of how crazy they are. In the poem “Porphyrias Lover” after he strangles this girl who supposedly he is in love with does this, “I warily oped her lids”(Line 44), which means when she is laying there dead he open her eyelids so he can look at those so called beautiful eyes. This guy has to be crazy because if you love someone then how can you do that to them. It all comes back to how jealous they
According to Webster’s dictionary, a tragic hero is a protagonist that is otherwise perfect except for flaws that are intrinsic to his or her character, which often leads to his or her demise. In Chinua Achebe’s novel, Things Fall Apart, Okonkwo, the protagonist was unlike tragic heroes such as Oedipus, Iago and Beowulf, because he was not born into nobility, but had to rise to fame and earn respect through his exceptional stamina, hard work and his historic unrivaled success at defeating the famous Amalinze the Cat. Like Beowulf and Oedipus, Okonkwo shares traits that are characteristic of a tragic hero. These traits exposed his mortal fear of failure, his fear of weakness and his fear of becoming like his father who was lazy and poor. Okonkwo also possesses an unwavering pride and an irrepressible anger. Fear, pride and anger are some of the traits of a tragic hero that were inherent in Okonkwo, and this paper will seek to explore how these traits contributed to his downfall Okonkwo’s connection of manliness with rage, ferocity and recklessness eventually leads to his downfall. Okonkwo finds it difficult to accept the changes the Missionaries have brought to Umuofia. The missionaries changed the way the people of Umuofia think, leading to an irreversible division among the people.
" Okonkwo eating his food absent minded, she should have been a boy he taught as he looked at his ten year old Daughter, passing her a piece of fish " (Achebe pg. 64). The interpretation taught of Okonkwo the tragic-hero , Achebe interpretation of his taught upon his daughter on his view of her as a tad less appealing towards him, the wish for strength , taught are truly illustrated with the image of the character . Achebe interpret portions of the novel “Things fall apart “Emphasize on the meaning with the lack of beliefs, respect, discouragement, weakness with true honour. The protagonist is relentless with himself about the women traits within him to hide his true emotions (The weakness shown throughout years of study towards women) “if I were you I would have stayed at home. What you have done will not please the earth. It is the kind of action for which the goddesses wipeout whole families “(Achebe pg. 64). Achebe sight on common goals between one another where primarily visible, His initial start
Okonkwo's moral ambiguity is not simply inherent in his character, but is developed by the situation he was presented with in life. Okonkwo's father Unoka, exhibited qualities during his lifetime that were not respected by his fellow clan members. During the beginning of the book the reader can relate to how Okonkwo would want to be respected and can be happy for his success. It is the simple tendency of the reader to be happy when the protagonist succeeds; therefore when Okonkwo defeats Amalinze the cat in wrestling the reader is satisfied with the outcome. Okonkwo's moral ambiguity is defined when it is made clear that Okonkwo simply discards his father, whose death was described as being very painful. Although Okonkwo's father was unsuccessful in life, the reader still pities him when he dies because he was a compassionate person. Even though Okonkwo appeals to the reader's own want to be successful, and is viewed positively for that reason, he is developed as a morally ambiguous character because of the lack of compassion he showed toward his father.
In the famous novel and movie series, Twilight by Stephenie Meyer, an average teenage girl, Bella Swan, is forced to move from Arizona (where she lived with her mother) to Washington to start an almost new life with her father. She attends a small-town high school with mostly average people, besides one family, the Cullens. As Bella and Edward Cullen get closer, she uncovers a deep secret about him and his family. Their relationship faces many hard challenges and conflicts as the story develops. Both the novel and movie share very similar storylines, however, differ in many ways. From themes to author’s craft, or to relationships, these important parts of the story highlight the significant differences and similarities of Twilight.
Fear of failure and weakness dominates Okonkwo throughout his life. At first this fear motivates him to rise to success by working diligently and doing everything his father did not do. However, even when Okonkwo establishes an honorable reputation, fear of failure continues to overwhelm him and drives him to perform acts that lead to his suffering. One example of this is when the men of Umuofia decide that Ikemefuna must be killed and Okonkwo kills Ikemefuna even though he is told not to partake in the killing of Ikemefuna. Okonkwo panics when Ikemefuna turns to him and cries for help, and without thinking, Okonkwo slays Ikemefuna with his machete. Okonkwo does this because in the split second where Ikemefuna runs to Okonkwo for protection, Okonkwo is overpowered with fear of being seen as weak and kills Ikemefuna. This is an unwise act on behalf of Okonkwo, and as a result, he suffers emotionally in the next few days. He enters a stage of depression and cannot eat or sleep as all he can think about is what he has done to Ikemefuna. It is at this point that things start t...
In Things Fall Apart, the reader follows the troubles of the main character Okonkwo, a tragic hero whose flaw includes the fact that "his whole life was dominated by fear, the fear of failure and of weakness" (2865). For Okonkwo, his father Unoka was the essence of failure and weakness.
A character’s tragic flaw plays a key role in deciding whether or not they can be considered a tragic hero. Some might argue that Okonkwo does not demonstrate the needed tragic flaw, as his flaws are less uniform and more disconnected than that of the typical tragic hero. However, this is not so. Okonkwo’s flaw comes in the form of excessive pride, something loosely established through his personality. Specifically, three different aspects of his personality accomplish this: fear, anger, and inflexibility. Okonkwo’s fear is perhaps the most prominent of these three traits due to the fact that it is the most central aspect of his upbringing and, consequently, it “lay deep within himself” (Achebe 13). This deep-rooted anxiety reflects the fact that his pride depends on his ability to be accepted by his peers. Okonkwo himself expresses this ideal when he kills his adopted son, Ikemefuna, for the fact that he is “afraid of being thought weak” (Achebe 61). Moreover, his anger and irritability are, simply put, the unfavorable products of his pride. Due to his
In the beguiling story, “Things Fall Apart,” an esteemed leader, Okonkwo, earns scrupulousness and fame on his journey to become paramount despite his father’s weakness. Throughout the story, there were several parts that I related to on a spiritual level. One part in particular, was when Okonkwo dominates his family’s lives by being controlling and extremely anesthetized, which reminded me of similar men that I have encountered in my life. Furthermore, Okonkwo loses his temper at exceedingly inappropriate times, which also reminds me of multifarious human beings that I have dealt with. Lastly, the depravity of when Okonkwo gets exiled strongly reminds me of when Napoleon Bonaparte becomes banished as well.
Another tragic event that Okonkwo had to go through in his life was when he became attached to a boy that he had taken in when Udo’s wife was murdered. The boy was given to Okonkwo and a virgin was given to Udo from the tribe that killed Udo’s wife so they wouldn’t have to go to war. After three years the boy, whose name is Ikemefuna, still missed his family but was beginning to feel at home. The boy even thought of O...
Okonkwo sees his father’s gentleness as a feminine trait. He works hard to be as masculine as possible so that he will be the opposite of his father and overcome the shame his father brought to his family. Okonkwo deals with this struggle throughout the entire book, hiding the intense fear of weakness behind a masculine façade (Nnoromele 149). In order to appear masculine, he is often violent. In his desire to be judged by his own worth and not by the worth of his effeminate father, Okonkwo participates in the killing of a boy he sees as a son, even though his friends and other respected tribe members advise him against it. (Hoegberg 71). Even after the killing of Ikamefuna, Okonkwo hides his feelings of sadness because the emotions are feminine to him. He goes so far as to ask himself, “when did you become a shivering old woman” (Achebe 65), while he is inwardly grieving. The dramatic irony of the secret fears that Okonkwo has will open the reader’s eyes to how important gender identity is to him. This theme is also presented among Okonkwo’s children. He sees his oldest son, Nwoye, as feminine because he does not like to work as hard as his father (Stratton 29). When Nwoye eventually joins the Christian church, Okonkwo sees him as even more feminine. On the other hand, Okonkwo’s