Heartbreak— the foreboding word that many people fear. Whether it is a small whisper of disappointment or the more common, excruciating ordeal associated with a lost or ‘stolen’ love; like many situations, every individual has a different coping mechanism. Yes, the conventional indulging of twenty-something ice cream buckets does apply. However, in the midst or aftermath of a heartbreak, an individual’s pain and sorrow often manifest into a series of alternative emotions such as anger, but more specifically— jealousy. Likewise, in Rupert Brooke’s 'Jealousy' and the excerpt from William Shakespeare’s Othello (III.iii.255-275), both of the speakers’ expression of betrayal by their ex-lovers is built upon a foundation of jealousy. Brooke’s poem …show more content…
Both speakers now have a shadow casted upon their outlook on relationships as a whole, due to their bad experience. Both speakers associate betrayal with the word ‘love’ and no longer view it genuinely. For example, in Rupert Brooke’s 'Jealousy', the narrator says: ‘[a]s prettiness turns to pomp and strength to fat, / And love, love, love to habit’ (Brooke, 19-20). The repetition of the word ‘love’ is abruptly stopped with ‘habit’, obstructing its true meaning. The speaker declares that their love will just turn into a forced routine, with no meaning or motivation behind it as soon as physical attraction fades, showing his attachment to superficial qualities. Real love would not depend on tangible attributes such as looks or money, yet the speaker’s idea of love does. Further demonstrating the speakers’ altered perception of love, in William Shakespeare’s Othello, Othello says: ‘[t]hough that her jesses were my dear heart-strings / I’ld whistle her off and let her down the wind/ To prey at fortune’(III.iii.256-258). In contrast to the speaker of ‘Jealousy’’s attitude, Othello still feels a sense of emotional attachment to Desdemona, whereas the speaker of the poem is attached to physical qualities. However, despite his love for Desdemona, Othello goes on to metaphorically liken her to a bird that will be let loose to ‘prey at fortune’, when disobedient. This distortion of the idea of love triggered by his jealousy makes Othello completely disregard his genuine connection with Desdemona. He is entirely willing to let her go due to this strong feeling of betrayal. Othello sees love through more of a passive lens. Also, both speakers consider lust to be an accomplice of ‘love’. ‘[W]ho were so wise and cool, / Gazing with silly sickness on that fool’ (Brooke, 1-2), the speaker describes his former significant other as being lustful, awestruck by the other man’s physical appearance. Othello says: ‘O curse of marriage, / That we can call
Othello’s feelings toward Desdemona are vacillating. He loathes her for her infidelity and, at the same time, he is devoted to the faithful Desdemona he once knew. These conflicting emotions are developed using a mixture of metaphor and contrast.
Desdemona’s apparent love for Othello is born out of pity, drawing question to whether or not she truly loves Othello. Desdemona fell in love with Othello through his stories, which she would listen to with a “greedy ear”. “Greedy” does not have a good connotation, evoking a feeling of distraught and untrust of the person being described with this word. Othello recognizes that Desdemona pities his stories saying, “My story being done, / She gave me for my pains a world of sighs. / She swore, in faith, ‘twas strange, ‘twas passing strange, / ‘Twas pitiful, ‘twas wondrous pitiful” (I iii 182-186). Desdemona finds the stories of his life pitiful and that is the reason she enjoyed listening to his stories and the reason she fell in love with him. Othello accepts that Desdemona loves him because she pities him, but the reason he loves her is because she pities him, “She loved me for the dangers I had pass’d, / And I loved her that she did pity them” (I iii 188-189). Their relationship is one based on Desdemona’s pity for Othello, they do not have a true love, which goes against the virginal idea of her. Iago sees the true
Othello perceives love as a possession this is not something that is unique to his character alone because nearly all men in this play view the love for their spouse to be a possession not so much a mutual attraction. This can be clearly seen in act one, scene three where Brabantio (Desdemona’s father) accuses Othello of stealing or entrapping his daughter. Not once does her father mention anything of mutual love or attraction; Although, Othello talks of falling in love with her it is one-sided story that highlights his male dominance. Even when Othello goes to disprove her father accusations he says “I won his daughter” (Act I, Scene iii) this statement entices Desdemona as an object of possession less that a real person or even a lover. Along with his sense of the possession of love Othello also grows an untimely addiction to it. He becomes almost obsessed with his newborn love and he views Desdemona as a blank canvas or an escape from the horrors he has been part of during his numerous military conquests. This obsession of love is like their honeymoon, it is short and full of passion but soon falls to ashes. In the beginning Othello cannot get enough of Desdemona as characterized in this line “I have but an hour of love, of worldly matters and direction, to spend with thee: we must obey the time” (Act I, Scene iii) in this line it shows that Othello
It's not love that is blind, but jealousy. In this beautiful small town of Venice, there is moor and his beautiful wife Desdemona, and the evil Iago, Roderigo, and Cassio. Othello is married to the beautiful Desdemona. He is an honorable man he was loyal to Venice, he was the general of an army. All of a sudden he started to act different, he started to change because Iago had told him that his wife Desdemona was fooling around with Cassio. Othello believes Iago because he trusted Iago, the same way he trusted everyone. Rodrigo had found out about Iago's plan to try to ruin Othello's life, so the two started to work together because Rodrigo was jealous that Othello had Desdemona and he wants her, Iago was jealous of the fact that Othello was trusted too much with many things, he was jealous that everyone loved Othello. So Iago planned everything out He planted things and messed with people's minds to have everything go down. Jealous is everywhere because you might want something that someone else has, you might wanna be just like someone, you might just want something just for yourself that you believe anything
That’s Othello’s weakness that Iago deems as useful. Othello’s love turns to jealousy. The question is how sympatric is Othello to the reader. Othello feels betrayed. But Othello loses his look of a gullible, good guy when he decides he wants Cassio and Desdemona dead. The rage of his jealousy turns the character of Othello the readers know on its head and creates a different look. Only during and after the death of Desdemona can the reader see the good that was once in him. Othello shows regret and kind of a sense of torment. Clearly parts of him doesn’t want this to happen. And after the death of Desdemona he sees the misplaced change and rage he had. When Othello hears of Iago’s disseat he changes back to the good Othello that was present in the start of the play. He might be filled with regret and a new rage for Iago, but is morals seem solid
"O, beware, my lord, of jealousy; it is the green-eyed monster which doth mock the meat it feeds on…" (Othello, III.iii 169-171) In his rage, Othello charges Iago with the killing of Cassio, his lieutenant who supposedly slept with his wife. Othello then plans to kill Desdemona. Even during the course of the killing, Othello maintains his love for Desdemona (although this might seem a contradiction.) He refuses to defile her body in any way. "Yet I'll not shed her blood; nor scar that whiter skin of hers than snow, and smooth as monumental alabaster." (Othello, V.ii 3-5)He then proceeds to choke or smother her to death. The theme of love in Othello changed from puppy love, the lighter side of love, to jealousy, the darkest side of love.
Love is a force that can overtake large adversities and can stumble over small challenges. Love is an intense feeling of deep affection. Love is eternal, but can be deflected. Different forms of love are expressed by Othello, Desdemona, and Iago in Shakespeare’s play Othello. As a result of romantic love, Desdemona splits from her family, and Othello slays his wife. Next, familial love, not as dominant as romantic love, is evidenced in Desdemona's choice to marry Othello against her family's requests. Lastly, Self-love is the basis for characters such as Iago and Othello to abandon moral reason. Love comes in different forms.
A.C. Bradley describes Othello as "by far the most romantic figure among Shakespeare's heroes"(Shakespearean Tragedy, 1). This is an unusual description of a man who murders his own wife. However, Othello's feelings of hate for Desdemona started as an overwhelming love for her when their relationship began. This transformation from love to hate also inflicted the characters Iago and Roderigo and like Othello their hatred resulted in the murder of innocent people. Roderigo's love for Desdemona was transformed into hate towards any man that he thought was loved by her. Iago's love for his job and his wife, Emilia changed into a destructive hatred of Cassio and Othello. As a result of their hatred Cassio, Emilia, and at the end themselves were killed. The connection between love and hate in William Shakespeare's "Othello" is the ugly feeling of jealousy that caused such transformations. Jealousy can be described as a fear of losing something or someone that is valuable (Godfrey 2). As minor as this feeling appears to be by that definition, it can take on varying degrees of damaging behavior. Othello, Roderigo, and Iago became paralyzed by jealousy. Their thoughts, actions, and behaviors were ruled by it. Jealousy caused their inability to the act rationally. They became paranoid and unable to love. This paper will examine the jealousy that caused love to turn into hate for Roderigo, Othello, and Iago.
The first love one may want to peer into in both Othello and King Lear is the Love one may hold for a significant other. This type of love is prevalent in Othello between Othello and Desdemona, and can be compared to King Lear through Goneril and Regan with their husbands and having Edmund thrown in the mix. Desdemona's love for Othello is made very clear right from the start when she goes to bat for him against her father. This is seen when her father was so upset that he brought charges upon Othello to try and revoke their vows. She gives reasons why her explanation of the reasons she loves Othello defines her essential character as a woman of loyalty and fidelity to him, and not simply to a picture of him gleaned from a story told by him (B. Long). Later on in the play Desdemona's loves continues to shine through until the very end when Othello has became so enraged he is over her about to take her life she pleas to keep through her reinstating her love for him. According to the critic B. Long this is not just a scapegoat to save her life but that she truly loves him in a very genuine way; one may have a hard time finding text to prove otherwise. If Desdemona's love for Othello was a subservient love, generated by seeing his facade in his mind and fueled by her delight in his honors and heroic parts, Othello's love towards Desdemona is rather different.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Jealousy can sometimes be an inevitable feeling to have towards other people in relationships or even in friendships, and that feeling can negatively affect the bonds with these certain people. One of the main themes in Shakespeare’s Othello, was how friendships and marriages can be ruined all because of one person’s jealousy, which can ring true in real life.
As explained in the last paragraph, love is one of the major emotions in Othello. In the play, the actions committed by characters consumed by love are greatly amplified. Two characters that exemplify this are Othello and Desdemona. Throughout the first two acts, some of their actions are unrealistic for a couple in love. Take this quote, for example: ?Brabantio: Raise all my kindred! Are they married, think you? / Roderigo: Truly I think they are. / Brabantio: O heaven! How got she out? O treason of the blood!? (I:i:166-168). Othello and Desdemona are so consumed by love that they elope with no intention of telling anyone else, as evidenced by Brabantio?s reaction in the quote. They just acted according to their love without thinking of the effects of their elopement. Roderigo is also a prime example of how an emotion like love has near complete control of the characters? actions in the play. Roderigo is in love with Desdemona, and it seems that his actions are almost solely dri...
Love, if he loves, must be to him the heaven where he must leave or bear no life. If such a passion as jealousy seizes him, it will swell into a well-night incontrollable flood.” Othello is pure and powerful in his goodness.... ... middle of paper ... ...
Othello has many positive traits, including being a great leader and loyal. He also has one negative trait that ultimately leads to his death; jealousy. Iago provokes deep, strong emotions in Othello, jealousy being the strongest. Jealousy is a nasty little emotion. It causes people to do terrible things because once it is on a person’s conscience, it stays for quite some time. Because of these effects, jealousy can impact some of the strongest people such as Othello. The love between Desdemona and Othello was portrayed so elevated and pure and was filled with religious words and phrases that just added to the strength and sanctity of their love. Othello has such a strong mind, but jealousy caused by the manipulation of Iago, negatively impacts him. Iago convinces Othello that Desdemona is cheating on him with his friend Cassio. When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love
The critic Roland Barthes once said, “Literature is the question minus the answer.” William Shakespeare's tragedy, Othello, can be used to exemplify this quote. One of the themes that Shakespeare discusses in Othello is: the effect jealousy has on people. Several of the characters become jealous over the course of the tragedy. Brabantio became jealous because Desdemona fell in love and married Othello. Roderigo became jealous because Desdemona didn’t fall in love with him. Bianca became jealous because she thought that Cassio was cheating on her with another woman. Othello became jealous because he thought Desdemona was cheating on him with Cassio. Iago became jealous because Othello gave Cassio the position of lieutenant. These characters’