Comparing Roman and Greek Art

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Comparing Roman and Greek Art

Throughout history art has consistently reflected the cultural values and social structures of individual civilizations. Ancient art serves as a useful tool to help historians decipher some important aspects of ancient culture. From art we can determine the basic moral and philosophical beliefs of many ancient societies. The differences in arts purpose in Greece and Rome, for example, show us the fundamental differences in each culture's political and moral system. The primary objective of Greek art was to explore the order of nature and to convey philosophical thought, while Roman art was used primarily as a medium to project the authority and importance of the current ruler and the greatness of his empire. This change in the meaning of art from Greek to Roman times shows the gradual decline in the importance of intellectualism in ancient western culture.

The earliest example of how art reflects the basic moral and philosophical belief systems in individual cultures is seen in the Ancient Egyptian empire. The art of this time was highly idealized and mainly focused on displaying the divinity and importance of the Pharaoh. The most famous examples of this Theocratic influence on art are the Great Sphinx and the Pyramids of Chefren. The massive size and artistic perfection of these works, which were mainly dedicated to expressing the divinity of the Pharaoh, show that Egyptian society was based primarily on mythological law. The highly idealized, mythological style of Egyptian art suggests that Egyptian culture as a whole was not concerned with scientific and mathematical truths.

Arts reflection of culture and society extends to the Greek and Roman empires, and shows the import...

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... a symbol of the supreme authority he held over his empire. At his feet, a small sculpture of Cupid was carved in an attempt to show Augustus?s divine lineage (Cunningham, 150). Every aspect of this portrait is highly idealized and centered around the greatness and divinity of Augustus. Because little attempt was made to capture the actual physical appearance of the Emperor, this sculpture can not be considered a portrait but more accurately, a profile of greatness. Such works display the political domination and lack of originality in Roman art. The simplification of art during this period reflects an overall simplification of thought and decline in the importance of intellectualism in western culture.

Work Cited

Cunningham, Lawrence S., Reich, John J. Culture and Values; A Survey of Western Humanties. New York: Harcourt Brace College Publishers, 1994.

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