Essay Comparing Othello And Volpone

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Similarities in Othello and Volpone

Upon reading Shakespeare's l604 tragedy, Othello, the Moor of Venice and Jonson's l606 comedy, Volpone, or The Foxe, a reader will notice both similarities and differences. In both plays, we meet characters of "rare ingenious knavery." Indeed, Iago, Volpone, and Mosca are uncommonly similar in nature. An elaborate "con game" is practiced in each play through intriguing dramatic inventiveness. However, the focus of Shakespeare's tragedy is upon a noble and heroic figure; the focus of Jonson's comedy is upon a monster of depravity, a genius in crime.

Comparisons between these great plays continues to pale when Jonson's script is held up to scrutiny. Whereas Shakespeare's seventeenth century …show more content…

He only fails in his greedy aspirations because of the tendency of vice to overreach itself. In the play, the mainly passive, virtuous characters are practically defenseless against scoundrels cloaked in propriety and skilled in legal dodging. The good-natured guardians of the law are dull-witted, and the true innocents, Bonario and Celia, finally escape only because the knaves ensnare themselves. If the laws of the state are vindicated, it is a hollow …show more content…

Jonson relentlessly explores the idea of hypocrisy as the mask of lust and of lust as perversion of human nature. Avarice is everywhere: possessing possessions and being possessed! The perversity and deceptiveness of lust is constantly dramatized by use of tricks and transformations. The themes mix. Volpone's lust for gold leads him to deception and rhetoric well beyond the reach of the victims. Mosca, equally as lustful as Volpone, caters to Volpone's lust for Celia. Mosca thereupon impersonates a mountebank, the symbol of greed and lies. The deformed and mutilated servants of Volpone make sport of greed, hypocrisy, and perversion in order to please their master. Finally, Volpone attempts to transform Celia into a prize possession. This is a major crisis in the turn of Volpone's fortunes. Thereafter his vicious talents diminish and he becomes more and more exposed. By the final scene of the play, almost every character uses the word "possession" until it culminates in a definition: possessed by demons, whereupon final transformations reveal the truth. As a desperate, eleventh hour device, Volpone removes his last disguise in order to pull all the hypocrites down in his own ruin. Virtue is barely saved by the virtuosity of Jonson. Yet, the play is a comedy. While characters are morally convulsive and disturbing, the deceptions and self-deceptions are also theatrically entertaining. Happy are the actors who

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