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The tragedy of othello the moor of venice
Analysis of othello
Character of Othello by Shakespeare
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Othello’s Insecurity of Manhood “Insecurity kills all that is beautiful” in Shakespeare’s O thello the tragedy clearly testifies to this theme as it tells the story of marriage of beauty and passion that turns to ashes all due to insecurity. More specifically, the story of Othello, a successful Black Mauritanian general of the Venetian army, tells of an interracial marriage to a White upper middle class Venetian wife, Desdemona, who is determined to make their love eternal. However, due to Othello’s decision to appoint Michael Cassio over his trusted ensign Iago, Iago tells Othello that Desdemona is having an affair with the newly appointed white lieutenant, Cassio. In response, Othello kills Desdemona by smothering her with a pillow. Once finding out that Iago made the whole story up, Othello kills himself out of guilt and honor. Many may wonder what was the cause of Othello’s core problems that commenced his demise to kill his love and then take his own life. Jealousy, such as a man losing a lover to another man, can originate from deep insecurities about maintaining honor and a sense of manhood. For example, Othello’s conflict …show more content…
As demonstrated by this play, despite one 's accomplishment, insecurities can be very detrimental to one 's life. Insecurities can be displayed in many different ways. This includes the way one speaks of themselves in relation to others and also displaying negative behavior due to jealousy. From analyzing Othello’s Insecurities one thing that we can learn is not to let our insecurities smother out flame. Work Cited Shakespeare, William, Barbara A. Mowat, and Paul Werstine. T he Tragedy of Othello, the Moor of Venice. New York: Washington Square, 1993.
Shakespeare’s work “Othello” emphasizes the dangers of jealousy. The play demonstrates how jealousy is powered by affirmations that can easily be proven false. Therefore, resulting in the destruction of many lives, including the tragic hero himself. It is extremely apparent that jealousy is a behavioral propellant on the entire plot. Specifically, the play begins in the midst of Iago’s jealous behavior towards Cassio. Lago’s twisted actions refer to the source of jealousy, indicating that he takes revenge on the people around him and is the least discontent with the lives he damages. As the play progresses, both the tragic hero and Iago’s jealous behavior develops. Othello’s Moorish values make him obscure in comparison to other Venetians suggests that the reason for his jealousy is unreasonable. Notably, Shakespeare exhibits that jealousy is unreasonable throughout the play as a result of the tragic hero’s fatal flaw, an issue that is psychological. The action and behavior Othello performs in enviousness is not a source of a reasonable act of
Shakespeare, William. "The Tragedy of Othello the Moor of Venice" The Norton Shakespeare. Ed. Stanley Wells & |Gary Taylor. New York/London, W.W. Norton Company,1997. 2100-2174
Shakespeare, William. The Tragedy of Othello: The Moor of Venice. Ed. Barbara A. Mowat and Paul Werstine. New York; Washington Square Press, 1993.
Shakespeare, William. "The Tragedy of Othello the Moor of Venice" The Norton Shakespeare. Ed. Stanley Wells & |Gary Taylor. New York/London, W.W. Norton Company,1997. 2100-2174
Debra Winger had stated once that “Most bad behaviour comes from insecurity”, this could not hold anymore truth in Shakespeare’s “Othello” as the story progresses only due to the insecurities of the characters. For starters, Othello is the protagonist so we get to see his internal conflicts about societal standards and judgement on display. Meanwhile, Iago’s vulnerabilities as a villain are only showed during his monologues as he is hinted to having a superiority complex against Othello, and a complete reverse of Iago, Cassio’s issues are visible from the readers perspective and the characters as his reputation is slandered and used against him. These are all prime examples of how insecurity was used as a primary plot device to advance the
Shakespeare, William. "The Tragedy of Othello: The Moor of Venice." The Signet Classic Shakespeare. Ed. Alvin Kernan. New York: Penguin Putnam, 1998.
“Othello”, by William Shakespeare, is a story of jealousy’s potential to manipulate thoughts and eventually lead to ultimate demise. The key to extremely detrimental jealousy lies within one’s ability to recognize it or deny it. It seems that the important theme of “Othello” is that if jealousy is not recognized and immediately dealt with, it receives a head start to commence the process of rotting away all normal human reason. Othello’s speech in Act III scene iii beginning with line 178 is the first and most important indicator of the trouble ominously looming on Othello’s horizon. His immediate response to Iago’s accusations is that of total denial. By depriving himself of that initial venting process, Othello gives his jealousy the perfect culture on which his jealousy can turn cancerous and grow out of control. Othello does not spit out the seed that Iago has planted within himself soon enough and thus lets Iago water it with smooth speech until its roots spread and cannot be uprooted. The only way to appropriately illustrate this point is through an in depth analysis of specific text from the play.
1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
Kermode, Frank. “Othello, the Moor of Venice.” The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston, MA: Houghton Mifflin Co., 1974.
Shakespeare shows the effects of this internalized oppression, the foundation of the insecurities of many people, in Othello. These insecurities cause people to perceive themselves as worthless even when they are valued by others, and see others as better when they are no different from them. In Othello, Othello and Desdemona reveal that suffering is caused by misconceptions due to insecurity. At first, Othello speaks eloquently because he has an understanding and control of his social position.
Jealousy is a powerful emotion that can blind oneself from identifying the truth. Shakespeare heavily emphasizes this theme throughout the drama Othello, especially through the actions of characters. In the play the heinous antagonist, Iago, uses each character’s jealousy to deceive that person and manipulate the truth. His false promises and deceitfulness bring to the demise of many of the main characters in the play, including the protagonist, Othello. Othello could not have been deceived if it were not for his powerful jealousy. Therefore, Shakespeare is telling us that jealousy is an ugly trait that can hide the truth, which in turn causes many problems between characters in the play.
William Shakespeare wrote numerous plays in the sixteenth century in which they all revolved around a vigorous theme. In Othello, the vigorous theme which motivates the main character’s actions is jealousy. Jealousy is prevalent in Othello thorough many forms. From sexual suspicion to professional competition, it leads to the destruction of each character, although jealousy is a mitigating factor in the case of 2 other characters.
Kermode, Frank. “Othello, the Moor of Venice.” The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston, MA: Houghton Mifflin Co., 1974.
Through the first part of the play Othello remains the calm voice of reason, believing himself to possess a “perfect soul” (1.2.36). This is significant because when he grants himself the role of an exempt man from a rigid moral code because his wife is supposedly cheating on him, it shows his true nature, motivated not truly by jealousy, but protection of his honor. Therefore allowing a caveat for the murder of his supposed love, which he is proudly open about, proclaiming to Emilia, “She’s like a liar gone burning to Hell! ‘Twas I that killed her.” (5.2.159-160). Othello is desperate for people to know that he has swiftly dealt with his allegedly cheating wife to defend his honor and reputation. Rather than maintaining his reasonable disposition he possesses for a large duration of the play he gets blinded by jealousy, turning to lunacy. An example of this is when he begins to spew gibberish in the presence of Iago, upset with his wife's alleged infidelity, saying, “Pish! Noses, ears, and lips--is’t possible? Confess--handkerchief--O, devil!” (4.1.50-52). In the earlier moments of the play Othello’s words are meticulously chosen as to come off as intelligent and a man of high stature, however in this moment he breaks the trend of powerful, well thought out words. It is proof that jealousy can attenuate the better judgement of those who