Even though Mozart was younger than Haydn, Mozart’s life was significantly shorter. Mozart learned a lot of his styles through studying Haydn. Something I found interesting through the readings was that Mozart was very childlike. He could be writing or performing a full length symphony one minute, and then be running around with his dog the next. Haydn didn’t act childish as Mozart did, however, they both had a strong sense of humor. Haydn spent a lot more time in one place than Mozart did. While Haydn did write some pieces on his own for public performance, many of his pieces were written for his job. On the other hand, Mozart did not really settle down on somewhere to live. He did a lot of traveling, meeting different people and learning different styles of music. While he was employed by the court in Salzburg, much of the music he wrote was on his own time. …show more content…
When the public heard these, he was commissioned to write more.
Something else that stuck out between the two was what they focused on. While Haydn did some performing in his younger years, much of his life was spent composing. Mozart did more of a balance of the two. He did both performing as well as composing. Mozart wrote more operas. Haydn wrote many more symphonies. They wrote a similar amount of concertos for various instruments. Listening to Haydn’s earlier works and comparing them to his later works, his earlier ones were written much more in a Baroque style. Over time, his music becomes more intricate, leading into the Classical period. In my opinion, Mozart took the Baroque style and created his own style from that and from what he learned from other composers. When listening to the music of Mozart, it is often easy to predict where he is going
musically. Mozart made frequent use of the sonata form. Whether it is within a concerto, symphony, or mass, it is very distinct. He consistently uses themes that reappear throughout the pieces. While writing in sections, it is clear when the A section is repeating, when a B section is being transitioned to, or when the ending is coming. Haydn was not as clear as Mozart was with his form. His pieces are varied much more than Mozart’s were. As Mozart looked up to Haydn and other composers, it is evident that Mozart took the different styles of music written by the composers and implemented it into his own music, creating his own style. One proof of using another composer’s style is within the Haydn quartets. They very much resemble the style of Haydn as Mozart understood it. In Mozart’s later music, it can be a tad more difficult to find the exact places of the sections (A,B,C) and transitions. His increased use of chromaticism towards the end of his life shows clearly how much he grew as a composer over his lifetime. One interesting thing I read was about how Mozart and Haydn both understood sonata form, yet their music was so different. Mozart was very conservative in his compositions, making his pieces much more predictable. Haydn was much more likely to push the rules to their limits. People can listen to Mozart’s music and some may call it boring, solely for the fact that it is so predictable, due to the form Mozart wrote it with. Haydn used sonata form, yet since he pushed the limits, it in a sense makes his music more interesting for people to listen to.
Mozart was born to Leopold and Maria Pertl Mozart. Mozart’s father, Leopold, was a composer, violinist, and assistant concert master in the Salzburg court. Due to the fact that his father was deeply involved in music, Mozart was influenced at very young age. Mozart had begun learning how to play the piano as early as the age of three. Under his father’s advisement, Mozart and his sister,
<td width="50%">Baroque OrchestrasClassical OrchestrasString section and basso continuo central to the orchestra. Other instruments are occasional additions.Standard group of four sections: strings, woodwinds, brass and percussion. Different instruments treated individually.Fairly small; generally 10- 40 players.Larger than baroque; great variation to the numbers of players.Flexible use of timbres, e.g. Timpani and trumpets used generally just for festive music.Standardised sections. Most sections used regularly.Tone colour is distinctly secondary to other musical elements.Greater variety of tone colour and more rapid changes of colour. Timbre is unimportant and therefore a piece written for harpsichord could easily be rearranged for a string section.Each section of the classical orchestra has a special role. And each instrument is used distinctively.Wind instruments mainly used as solo instruments or as part of the basso continuo.The wind section had become a separate unit capable of contrast and distinct colour.The harpsichord generally plays an ostinato under the orchestra. Piano not invented.The piano introduces a third colour-tone to be contrasted with the orchestra
Mendelssohn and Mozart are often compared, due to the vast amount of similarities they hold. Both Mendelssohn and Mozart began playing and composing music at a young age. They both had a virtuosic quality about them. These composers also had the misfortune of suffering an early death; Mendelssohn passed at the age of thirty-eight and Mozart at thirty-five.
Haydn and Mozart represent the classical style in music, which was popular during the late eighteenth century. This style placed emphasis on the use of standardized forms such as the rondo and the minuet. One of the most popular forms was the sonata, in which contrasting themes were developed through a series of variations. The classical composers were inspired by the arts of ancient Greece ...
Mozart was born on 27 January, 1756, and was named Joannes Chrysostomus Wolfgangus Theophilus Mozart, but called Wolfgang Amadeus by his family. His father, Leopold, was a musician at the court of the Archbishop of Salzburg, and later became Konzertmeister or Court Composer. Wolfgang could play complicated pieces of music on the piano at the of age four, and at five he was composing, with his father writing down the creation. At the age of 8, Mozart began to write his first symphony.
...al era differ greatly in regards to style and structure but both succeeded at impacting musical history. The greats that we acknowledge today stemmed from these very eras. The Baroque era ushered in the genre of Opera, while the Classical era introduced a new outline for structuring musical compositions. The Baroque and
...hat put classical music at its peak. Haydn was a prime example of composing the musical structures and styles that were presented in the symphonic era. People are still marveling at the great techniques and quality of the music in the symphonic era.
Joseph Haydn and Ludwig van Beethoven. Two composers who marked the beginning and the end of the Classical Period respectively. By analysing the last piano sonata of Haydn (Piano Sonata No. 62 in E-flat major (Hob. XVI:52)) and the first and last piano sonatas of Beethoven (Piano Sonata No. 1 in F minor Op. 2, No.1, Piano Sonata No. 32 in C minor Op. 111), this essay will study the development of Beethoven’s composition style and how this conformed or didn’t conform to the Classical style. The concepts of pitch and expressive techniques will be focused on, with a broader breakdown on how these two concepts affect many of the other concepts of music. To make things simpler, this essay will analyse only the first movements of each of the sonatas mentioned.
They had a talent for creating amazing music. They were also a versatile composers, able to write in nearly every major genre. Their music was also meant to influence the next generations of music to come. Mozart’s music was meant to make you nice and comfortable. Beethoven’s was a bit more dark and moody.
Both men fall under the same genre while Mozart has more of a sensual and violent style and Bach more of an experienced composer who lives some thirty years more than Mozart had a very mature and technical style where he wrote more than 1000 musical pieces in the Baroque era. This music is important and is definitely very underrated and under-listened to in the 21st century. These two composers gave their lives to create their music and a lot of times went unpaid or unheard to because music was only listened to by people of wealth or status. If they earned money it was barely enough to get them through a couple of months. Today, the world has unlimited access to each and every work of art that these men wrote.
Haydn was Beethoven's mentor and therefore , i believe Beethoven's music is more influenced by Haydn than Mozart. Haydn employed the use of sudden pauses and this is reflected in Beethoven's music as he made extensive use of unexpected fermatas (Example). Humor is arguably the most prominent feature of Haydn's music and again is mirrored in many of Beethoven's compositions. However, Beethoven's music is sometimes completely solemn and other times extremely comical. "Beethoven transformed the music tradition...but never changed its validity...he never abandoned Haydn
He was a great young composer that transformed into a genius that was able to write music in the short periods of time he had during the day and was able to rewrite the musical rules. After being very successful in his early years, Mozart grew little older and started looking at things in a bigger picture. He tried to fit in on many different things including languages of others. The “Magic Flute” that was written at the end of his short life is known as the ultimate expression of Mozart’s ambition to connect with the human life and the human emotion through music as well as theater. At 25 years old, Mozart is no longer a prodigy but has not proved to be an amateur composer. In Provincial Salzburg is where Mozart is still living with his father and sister. Mozart is going to Munich because they have commissioned him to write an Italian opera in a serious style. Mozart’s father said he gave Wolfgang the advice to never neglect the popular style for the unmusical public as the musical ones. Leopold agreed to be Mozart’s middle man between the poets but he didn’t know that this would be his last detailed involvement in one of Mozart’s projects. Mozart’s father said they worked every day on the poems but Mozart was determined about something totally different than his father. He had problems with everything his father done. Whether it was too long or not dramatic enough, it would never suit his needs. His
Mozart was born on Jan. 27, 1756, in Salzburg, Austria. His father was Leopold Mozart, a composer and a popular violinist. Mozart received his early musical training from his father. At the early age of 3 Mozart showed signs of being a musical genius. Then, at the age of five Mozart started composing. Beginning in 1762 Mozart’s father took young Mozart and his older sister, Maria Anna, on tours in Europe where they played the piano, harpsichord, violin, and organ, together and separately. Mozart learned to play the piano, harpsichord, and violin from his father. He gave public concerts and played at numerous courts and received several commissions.
Wolfgang Amadeus Mozart was undoubtedly one of the greatest composers of not only the classical era, but of all time. On January 27, 1756 in Salzburg, Austria, Mozart was born into an already musically talented family. His father Leopold, a composer and musician, and sister Nannerl toured parts of Europe giving many successful performances, including some before royalty. At the young age of 17, Mozart was appointed Konzertmeister at the Salzburg Court. It was there that young Mozart composed two successful operas: “Mitridate” and “Lucio Silla”. In 1981 he was dismissed from his position at the Salzburg Court. He went on to compose over 600 works including 27 piano Concertos, 18 Masses (including his most famous, the Requiem), and 17 piano sonatas. Mozart was not often known for having radical form or harmonic innovation but rather, most of his music had a natural flow, repetition and simple harmonic structure.
Joseph Haydn is regarded as one of the greatest composers of the classical period. He is often called the father of both the symphony and the string quartet, and he founded what is known as the Viennese classical school, which consisted of himself, his friend, Wolfgang Mozart, and his pupil, Ludwig van Beethoven. During his lifetime, he produced a mind-boggling amount of music. He lived from the end of the baroque period to the beginning of the romantic period, and presided over the transition between them.