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William Blake on social issues
An article on William Blake
An essay on william Blake
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Comparing London by William Blake and Westminster Bridge by William Wordsworth
William Blake was born in London in 1757. He was taught by his mother
at home, and became an apprentice to an engraver at fourteen. In
addition to poetry Blake spent much of his time painting. Blake lived
on the edge of poverty and died in neglect. His poetry receiving
little acclaim while he was alive.
‘London’ was written by Blake in 1789. Taken from Blake’s ‘Songs of
Experience’, the style is darker and in a sense depressing. It
describes the city after the Industrial Revolution. Blake takes a very
negative and hopeless view of the city and the lives of those living
within it. He hated the way London was becoming, looking negatively on
business and materialism.
Blake felt himself as free, and the poem is a comment on others living
in London. In the first line of the first stanza, he creates immediate
effect as he contrasts the words ‘wander’ with ‘charter’d’, which he
goes on to use to describe the Thames River in the following line.
Wander suggests a sense of naturally meandering in an open expanse,
contrasting greatly with the latter, which referring to the city
itself, suggests a sense of narrow enclosed in space. This description
leads the reader to envisage a regulated and constrained city, limited
by business and materialism. Blake goes on to describe the ‘charter’d
Thames does flow.’ This is ironic in the sense that any flow seems to
be restricted by the banked in and concreted image of the river that
the poet creates – there is nothing natural or beautiful about the
Thames any longer. Equally Blake’s repetition of the word mark, while
us...
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...r for what she does in order to
make a living. This is ironic because the business of prostitution is
caused in part by the restrictions placed upon the married man. It is
also ironic because the married man is what has created the need for,
and use of prostitutes. The harlot curses the respectable and polite
society because it is they who have created the demand for her, and
then look down upon what she does. ‘Blights with plagues’ implies
that perhaps she also infects them with some sort of sexually
transmitted disease, conceivably as a type of vengeance upon those who
shun her. The final words of the poem, “Marriage hearse” compares
marriage to death. The narrator sees marriage as another type of
restriction placed upon man by society, marriage is a sort of death in
man’s ability to be free to do as he wishes.
In today’s society, the notion and belief of growing old, getting married, having kids, and a maintaining of a happy family, seems to be a common value among most people. In Kevin Brockmeier’s short story, “The Ceiling,” Brockmeier implies that marriage is not necessary in our society. In fact, Brockmeier criticizes the belief of marriage in his literary work. Brockmeier reveals that marriage usually leads to or ends in disaster, specifically, all marriages are doomed to fail from the start. Throughout the story, the male protagonist, the husband, becomes more and more separated from his wife. As the tension increases between the protagonist and his wife, Brockmeier symbolizes a failing marriage between the husband and wife as he depicts the ceiling in the sky closing upon the town in which they live, and eventually crushing the town entirely as a whole.
Many Romantic works come from both the poet’s individual perceptions as well as the social consciousness of that era. “The Garden of Love” is no exception. This poem functions to brutally satirize both the oppression of the Church, which had a societal impact, and the urbanization of Lambeth, which had a personal impact on Blake’s life. As Blake has been known to do, he utilizes contrast to make the decay of his world blatant to the reader. Such contrasting is visible when the image of a life-giving garden decays into an image of death. This parallels the events that took place in Blake’s own life, when his rural home became swallowed up by urban sprawl.
The verb "wanders" connotes contemplative walking without specific destination through streets that are described as "chartered". But the word "street" is ambiguous. While it could be the home of people, a neighborhood and a place for emotional refuge, the streets and the river Thames are "chartered"; they are defined as commercial entities where business and cold cash dominates. The scene is set in which the poet sees the unhappy citizens of London. Their faces reflect the common man's physical and spiritual suffering through "marks of weakness, marks of woes".
angered him and inspired him to convey his ideas and feelings through the poem 'London'. In the poem, Blake travels through London and describes what he sees. And as a result, he sees a severely oppressed society that is caused by the authority, such as royalty, and the church. This is as Blake sees. that even the streets and the thames are 'chartered' and governed.
The location of the poem contributes greatly to each citizen's frame of mind because surroundings influence how people react in their environment. "London" is described as confined, creating the illusion that the citizens are trapped in their misery. "I wander thro' each charter'd street, / Near where the charter'd Thames does flow,..." During Blake's time, the word "charter'd" carried the denotative definition of restriction and confinement creating an image of a city that only allows limited movement and freedom. The repetition of the word "charter'd" emphasizes how cramped the city is. Even a river, a part of nature known to be free, is kept imprisoned and res...
In line 17 the word “hearse” is used as a car to take the bride to the
...e, lust, marriage, and even conceiving a child at the same level as the importance of a flea, which gives the poem an ironic and satirical tone.
Since the beginning of time, marriage exists as a large part of life. The values of marriage change on a year to year basis and as trends continue to change so will marriage. There have been numerous reasons for marriage throughout time such as arranged, wealth, love or many others. In the 18th century, many marriages were based on one’s class and wealth and not true love. Today, many marriages do not take wealth or class into account they focus on that person’s inner self and love. Marriage exists as an overlying theme throughout Pride and Prejudice and every marriage appears for a different reason.
Blake had an uncanny ability to use his work to illustrate the unpleasant and often painful realities around him. His poetry consistently embodies an attitude of revolt against the abuse of class and power that appears guided by a unique brand of spirituality. His spiritual beliefs reached outside the boundaries of religious elites loyal to the monarchy. “He was inspired by dissident religious ideas rooted in the thinking of the most radical opponents of the monarchy during the English Civil War “(E. P. Thompson). Concern with war and the blighting effects of the industrial revolution were displayed in much of his work.
These two poems are both written about London, one titled 'London' is written by William Blake. The other 'Composed up Westminster Bridge' is written by William Wordsworth. Even though these poems are written on the same setting, they are opposite sides of a coin. 'London' shows the appearance of the city from the position of an onlooker, it shows the suffering of the common man. 'Westminster Bridge' tackles a different view point, it portrays London as the city really is. The rich upper classes sit on the high seats lining their pockets with the riches that the poverty stricken lower classes have made for them. All the time these people shield themselves against the poverty of the city.
living we enjoy in the United States is a result of the fact that we,
poem is about only a small snapshot of the city, when it is very quiet
The poems ‘lines composed on Westminster Bridge’ and ‘London’ are created by William Wordsworth and William Blake respectively. Wordsworth’s work originated in the eighteenth century and he himself lived in the countryside, and rarely visited large cities such as London. This is reflected on his poem, making it personal to his experience in London, however William Blake on the other hand had a vast knowledge of London and was actually a London poet, which allowed him to express his views of London from a Londoner’s point of view. I therefore will be examining comparisons in both poems, as well as their contrasting views of London and the poetic devices used to express their opinions.
The point of view in which Blake employs to London is significant to the understanding of the poem. Blake chooses to give the poem a persona, a person who appears to have extensive knowledge of the city and helps give credibility to the poem. (Foster, 1924) The use of first person in all three stanzas allows the poem to be more opinionated and less objective, drawing the reader's attention by making it more personal. Blake's London is to be the reader's London as well. In addition to point of view, Blake further sophisticates his piece by presenting specific tone to each section of the poem. Blake sets the tone early in the poem by using the word charter?d which shows the condition of London as repressive. The speaker refers to the people or ?faces? he meets with ?Marks of weakness, marks of woe.? This diction advocates the probability of the city being controlled by a higher authority. The faces of the people, or the face of society reveals the feelings of entrapment and misery in the population. This in itself could propose, "humanity itself is being commercialized" (Damon, 1965). One of the interesting aspects of Blake's poetry is the layers of meaning his words connote.
William Blake uses repetition, rhyming and imagery in his poem to help promote the idea that London, England is not the city that people dream that it is, the city itself can be a