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Analysis of London by William Blake
Analysis of London by William Blake
Symbolism in William Blake's London
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Between the late 18th century and early 19th century catholic religion was based off of the old testament in the Bible. During this time there was also a revolt against the aristocratic social and political norms of the Age of Enlightenment. While in this period, people began to rise against and question the way their lives were being ran by others, who supposedly had power which was derived from God himself. Yet at this time peoplesuch as William Blake found ways to spread the message of the unjust treatment the people would receive from hypocritical clergyman.As a youngman Blake only attened school long enough to learn to read and write, and left aroung the aage of ten. Blake grew up in the Moravian Church (protestant), and found religion to be an early/everlasting part of his life.Blake became a poet and artist, using his mediums lorg express his views on certain .Because of Blakes view that the Church of England was a major oppressor of the natural joys in which society can and should have, many viewed his work as too radical for the time period.Blake utilizes recurrent themes within his poetry; such as “The Garden of Love”,”Chimney Sweeper (Innocence)”,”Chimney Sweeper (Experience)”, and “London”, as a method of spreading his views of current religious establishments and their effects on the society which breeds them (at the time, and somewhat today). (Tolson 373,375) In the Garden of Love,a narrator goes on an adventure to a place where he once knew happiness. This place is now overran with religious figures, whom place restrictions on this place of joy.Till the point that the joy is taken away from this place, and the narrator. Blake uses this poem to show that the pursuit of happyness was being hindered by those wit... ... middle of paper ... ...ossession. Going even further joy is an emotion, and to have it means to internalize the feeling of joy. By that logic Blake internalizes Jesus. Works Cited Altizer, T. J. J. (2009), THE REVOLUTIONARY VISION OF WILLIAM BLAKE. Journal of Religious Ethics, 37: 33–38. doi: 10.1111/j.1467-9795.2008.00374.x Cervo, Nathan A. "Blake's THE GARDEN OF LOVE." Explicator 59.3 (2001): 121. Academic Search Premier. Web. 2 May 2014. Lambert Jr., Stephen. "Blake's London." Explicator 53.3 (1995): 141. Academic Search Premier. Web. 2 May 2014. Roberts, J. and Rowland, C. (2010) William Blake, in The Blackwell Companion to the Bible in English Literature (eds R. Lemon, E. Mason, J. Roberts and C. Rowland), Wiley-Blackwell, Oxford, UK. doi: 10.1002/9781444324174.ch26 Tolson, Jay. "Blake: A Biography." The Wilson Quarterly 20.3 (1996): 96. Biography in Context. Web. 2 May 2014.
...nity of all living things, including himself. The harsh reaction of organized religion to this idea is illustrated in the second "Little Boy Lost," in which the youth is actually burned for his rebellious thinking. The first set of poems tells of the boy's lack of success in a religious system in that did not seem to really care about the boy, and left him floundering. It then describes his introduction to God in the forest, who brought him back to his mother, the earth, which showed him proper reverence of God through nature, not priestly education. The second poem captures organized religion's harsh reaction to this unorthodox and rebellious thinking, and destroys the boy for trying to reach outside of the accepted normal teachings. Together, the poems show an evolution from Blake's dissatisfaction with organized religion to an outright indictment of its practices.
The poem "London" by William Blake paints a frightening, dark picture of the eighteenth century London, a picture of war, poverty and pain. Written in the historical context of the English crusade against France in 1793, William Blake cries out with vivid analogies and images against the repressive and hypocritical English society. He accuses the government, the clergy and the crown of failing their mandate to serve people. Blake confronts the reader in an apocalyptic picture with the devastating consequences of diseasing the creative capabilities of a society.
Maclagan, ERD & Russel, AGB, eds. The Prophetic Books of William Blake. Jerusalem. London: A. H. Bullen, 1904.
Blake’s poetry focuses on imagination. When Blake created his work, it gained very little attention. Blake’s artistic and poetic vision is reflected in his creations. Blake was against the Church of England because he thought the doctrines were being misused as a form of social control, it meant the people were taught to be passively obedient and accept oppression, poverty, and inequality. In Blake’s poems “The Lamb,” “The Tyger,” and Proverbs of Hell, he shows that good requires evil in order to exist through imagery of animals and man.
William Blake is a literature genius. Most of his work speaks volume to the readers. Blake’s poem “The Mental Traveller” features a conflict between a male and female that all readers can relate to because of the lessons learned as you read. The poet William Blake isn’t just known for just writing. He was also a well-known painter and a printmaker. Blake is considered a seminal figure in the history of poetry. His poems are from the Romantic age (The end of the 18th Century). He was born in Soho, London, Great Britain. He was the third of seven children. Even though Blake was such an inspiration as a writer he only went to school just enough to read and write. According to Bloom’s critical views on William Blake; one of Blake’s inspirations was the Bible because he believed and belonged to the Moravian Church.
The imagery of nature and humanity intermingling presents Blake's opinion on the inborn, innate harmony between nature and man. The persona of the poem goes on to express the `gentle streams beneath our feet' where `innocence and virtue meet'. This is where innocence dwells: synchronization with nature, not synchronization with industry where `babes are reduced to misery, fed with a cold usurous hand' as in the experienced version of `Holy Thursday'. The concept of the need for the individual's faithfulness to the laws of nature and what is natural is further reiterated in `the marriage of heaven and hell' in plate 10 where Blake states `where man is not, nature is barren'. The most elevated form of nature is human nature and when man resists and consciously negates nature, `nature' becomes `barren'. Blake goes on to say `sooner murder an infant in its cradle than nurse unacted desires'. This harks back to `the Songs of Innocence' `A Cradle Song' where the `infants smiles are his own smiles'. The infant is free to act out its desires as it pleases. It is unbound, untainted. Blake's concern is for the pallid and repressed, subjugated future that awaits the children who must `nurse unacted desires' and emotions in this new world of industrialisation. Despairingly, this is restated again in `the mind-forg'd manacles' of `London'. The imagery of the lambs of the `Songs of Innocence' `Introduction' is developed in `the Chimney Sweeper' into the image of `Little Tom Dacre, who cried when his head, that curl'd like a lamb's back, was shav'd'.
Keynes, Sir Geoffrey. Introduction to William Blake's Songs of Innocence and of Experience. Shewing the Two Contrary States of the Human Soul. Ed. Geoffrey Keynes. Oxford: Oxford University Press, 1967.
His spiritual beliefs reached outside the boundaries of religious elites loyal to the monarchy. “He was inspired by dissident religious ideas rooted in the thinking of the most radical opponents of the monarchy during the English Civil War” (E. P. Thompson). Concern with war and the blighting effects of the industrial revolution were displayed in much of his work. One of Blake’s most famous works is The Songs of Innocence and The Songs of Experience. In this collection, Blake illuminates the naive hopes and fears that inform the lives of children and follow them into adulthood.... ...
During the British Romantic period, some writers used material from the Bible or imitated the Bible in style of writing or content. William Blake, a Romantic writer, engraver, and painter, believed that “the Bible was the greatest work of poetry ever written” (Barker 2004). The Bible influenced him throughout this life, specifically influencing both his writing and his art. There are many references to Biblical themes within his writing, and there are also many references to specific passages of Scripture (Barker 2004).
The theme of authority is possibly the most important theme and the most popular theme concerning William Blake’s poetry. Blake explores authority in a variety of different ways particularly through religion, education and God. Blake was profoundly concerned with the concept of social justice. He was also profoundly a religious man. His dissenting background led him to view the power structures and legalism that surrounded religious establishments with distrust. He saw these as unwarranted controls over the freedom of the individual and contrary to the nature of a God of liberty. Figures such as the school master in the ‘schoolboy’, the parents in the ‘chimney sweeper’ poems, the guardians of the poor in the ‘Holy Thursday’, Ona’s father in ‘A Little girl lost’ and the priestly representatives of organised religion in many of the poems, are for Blake the embodiment of evil restriction.
In several poems found in Songs of Experience and Innocence Blake presents the church, as well as religion, as corrupt and damaging to the innocence and purity of youth’s souls. The poe...
William Blake was born and raised in London from 1757 to 1827. Throughout his early years, Blake experienced many strange and unusual visions, claiming to have seen “angels and ghostly monks” (Moore). For those reasons, William Blake decided to write about mystical beings and Gods. Two examples of the poet expressing his point of view are seen in “The Tyger” and “The Lamb.” Both poems demonstrate how the world is and to sharpen one’s perception. People perceive the world in their own outlook, often times judging things before they even know the deeper meaning of its inner personification. Blake’s wondrous questions actually make an acceptable point because he questions whether God created the tiger with the same intentions as he did with the lamb.
In his work, Songs of Innocence and Experience: Shewing the Two Contrary States of the Human Soul, William Blake uses the aforementioned contrasting states of being to illustrate his unique view of the world around him. Through this work, Blake lays bare his soulful views of religion and ethics, daring the reader to continue on in their narcissistic attitudes and self-serving politics. While Blake's work had countless themes, some of the most prevalent were religious reform, social change, and morality. Philosophically, one would think that William Blake was a Deist; however Blake rejected the Deist view of life. He was a devout Christian, yet he also wanted nothing to do with the church or their teachings. These views give Blake a refreshingly sincere quality with regards to his art and writings. Blake frequently alluded to Biblical teachings in his work and, more often than not, used corresponding story lines to rail against the Church's views and accepted practices. One may say however, that Blake's universal appeal lies within his social commentary. Similar to a fable, Blake weaves a poetically mystical journey for the reader, usually culminating in a moral lesson. One such poem, "A Poison Tree," clearly illustrates some of William Blake's moral beliefs. With his use of imagery, as well as an instinctive knowledge of human nature, William Blake shows just how one goes from the light to the darkness (from innocence to experience) by the repression of emotions.
Frighteningly beautiful and destructive, Blake’s tiger becomes the main symbol for his questions into the presence of evil in the world. For example, The reference to the lamb in the final stanza, “ Did he who made the lamb make thee?” reminds the reader that a tiger and a lamb have been created by the same God, and raises questions about the implications of this. Is there a purpose beh...
LaGuardia, Cheryl. "WILLIAM BLAKE: SONGS OF INNOCENCE AND OF EXPERIENCE." Library Journal 128.9 (2003): 140. Academic Search Premier. EBSCO. Web. 13 July 2011.