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Legends and myths king arthur stories
Legends and myths king arthur stories
Le morte d'arthur character analysis
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The Arthurian Legend tells a story about a British King and his Round Table Knights who fight heroic battles seeking peaceful order in a time of turmoil and uncertainty. The story is a fascinating tale that reflects on magical beings and the social beliefs of moral behavior associated with heroism, honor, love and friendship that later degrades in a lovers triangle and deceit that leads to the downfall of the noble King Arthur and his knights. Today, the story lives on although told much differently as it focuses more on King Arthur and magical influences, while significantly stripping the Christian connection of the Le Morte Darthur warrior tale of moral societal standing at that time to appeal to a traditionally diverse audience.
The modern day story Excalibur and the historical tale of Le Morte Darthur both stick to the basic concept of King Arthur who is a grand leader born with a noble lineage and confirmed through the choosing of a magical sword. Both portray King Arthur as a model leader who chooses strong Knights for his Round Table in a fight to obtain peace and tranquility within the land.
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According to Alfred, the fictional legend was inspired by a British leader from the Celtic people who converted to Christianity and fought against the Anglo-Saxon people (1). Sir Thomas Malory brings these two worlds together and offers insight into an atmosphere where mythical beings exist and Warrior Knights compete to show their courage and honor to unite under the most noble and moral Christian leader, King Arthur. One such reference out of many that include warriors and Christian views is when the text discusses the moral conflict between Launcelot and King Arthur when it states “the war noised through all Christendom” in which the Pope sent word to the Bishop of Rochester for them to make peace unto themselves (Malory
One of the most enduring myths in the Western world is that of Arthur and his Knights of the Round Table. Regardless of the origins of the tales, the fact is that by the time they had been filtered through a French sensibility and re-exported to England, they were representations of not one but several ideals. Courtly love and chivalry and the various components thereof, such as martial prowess, chastity, bravery, courtesy, and so on, were presented as the chief virtues to aspire to, and the knights as role models. Arthur's eventual fall is precisely because of having failed at some level to fulfill these ideals in his life.
T.H. White is directly referenced within the film and Malory’s idealization of the glory of chivalry can once again be seen. In my essay, I will show how chivalry is used in all the texts above as a bonding agent between all Arthurian knights. As Arthur’s knights honor and respect chivalry they remain as one cohesive group, but once they begin to abandon chivalry the Round Table begins to crumble and chaos ensues. Annotated Bibliography Sprague, Kurth “Conclusion.” Arthuriana 16.3 (2006): 129-152.
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The Green Knight” can be classified as similar through their themes, style and plots, although they are different through their language and diction. Even though both of these literatures can be viewed as similar as well as contrasting, in the end, each of these tales have illuminated the realm of fantasy throughout the court of King Arthur.
The film Monty Python and the Holy Grail satirizes the medieval “epic hero” through parodying actual heroes in medieval literature. The comedy film displays important medieval values in a humorous light and pokes fun at Arthurian legends. Sir Gawain and the Green Knight and other tales of Arthur’s Knights of the Round table are heavily parodied through out the film. The medieval tales often include the knight errant, or a knight who wandered the lands in search of chivalrous adventures, and throughout the film Arthur and his newly formed gang portray the knight errant as foolish and cowardly.
The evolution of human society consists mainly of ineffective ruling regimes and oppressed peasants. Medieval Europe falls into this same pervasive cycle. Social and political hierarchies intertwine which creates a grossly inefficient system. Hereditary lineage determines nobility. Commoners possess no hope of social mobility. Every aspect of life is virtually preordained. These circumstances revolve around the figure Lanval by Mari de France. Mari de France introduces Lanval as a courteous and distinguished knight of King Arthur’s court. Lanval possesses the most moral nature of all of King Arthur’s knights, yet even so, the other knights of King Arthur’s round table despise him. The many knights neglect acknowledgment of his nature as does
The tales of Sir Gawain and the Green Knight and Lanval offer their readers insight into a common knightly quandary. Gawain and Lanval are both faced with challenges that threaten their ability to protect, uphold, and affirm their very knightliness. The two knights repeatedly see several knightly traits--- each invaluable to the essence of a knight--- brought into conflict. While the knights are glorified in their respective texts, they are faced with impossible dilemmas; in each story, both reader and knight are confronted with the reality that knightly perfection is unattainable: concessions must be made--- bits and pieces of their honor must be sacrificed.
During the Middle Ages, both “Beowulf” and “Sir Gawain and the Green Knight” were epic stories that were chanted aloud to the public. Each story told about epic heroes who went on a long journey to face or conqueror someone or something. “Beowulf” is a poem about a young man, Beowulf, who slays a monster and his mother with his bare hands to protect the people he loves. As the years go by Beowulf becomes king and a dragon begins to stir. In response to this, Beowulf fights the dragon with a sword and one loyal companion. Beowulf’s life comes to end, but so does the dragons. From this epic poem you can see that good does triumph over evil, but sometimes it comes at a cost. Along with “Beowulf”, “Sir Gawain and the Green Knight” was another popular poem. This poem was about a squire, Sir Gawain, who chooses to take on a game proposed by the Green Knight instead of his uncle, King Arthur. He took on the game because he believed King Arthur’s life was more valuable than his own and that King Arthur should not risk his own life. As a result, Sir Gawain became a knight because of his loyalty and bravery. Both Sir Gawain and the Green Knight’s and Beowulf’s characters share the same quality of courage, the desire to protect people and the involvement of supernatural beings.
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
Le’ Morte d’ Arthur is a medieval romaunce by Sir Thomas Malory about King Arthur, Camelot and the Knights of the Round Table, violence plays a very crucial part in the story. Many different kinds of violence occur in this set of stories, some of which are very ordered and fine, like jousting, and also disordered violence like war. The worst type of violence though is when people use violence to get vengeance, which is a major theme, because many of these knights are mad at others. While many of the knights in the book are concerned with getting revenge, these actions and the search for vengeance are often futile and almost always end badly.
One link between the Legends of Arthur and the Catholic Church was Chivalry (the oaths of a knight). Arthur made all his knights take these oaths, which for the most part had to do with the teachings of the church. They were to remain loyal to the church and always obey its teachings and direction. A knight had a strong belief in Christ and other biblical figures. Some knight were even ordered to do a specific job for the church such as defend the church.
The Quest of the Holy Grail is an exciting tale that follows the adventures of King Arthur's knights as they scour the countryside for the legendary Holy Grail. Throughout their journeys, the knights engage in many exciting jousts and sword fights with a variety of enemies. The author of The Quest of the Holy Grail intends for the story to be more than just entertainment: the knights' search for the Holy Grail is analogous to the pursuit of morality and spiritual chivalry, showing success through asceticism, confession, chastity, and faith.
The Canterbury Tales, written by Chaucer, and Sir Gawain and the Green Knight, written by an anonymous author, are both sophisticated fourteenth-century examples of medieval romance. Medieval romances captured the heart of their audiences as narratives and stories that featured a protagonist, often a knight, and dealt with religious allegories, chivalry, courtly love, and heroic epics. The concept of the knight emerged from the remnants of the Anglo-saxon literature and ideals and influence of the Christian religion and church. There is a distinct difference between the famous pagan heroic like Beowulf and the romantic medieval tales like Sir Gawain and the Green Knight of the Canterbury Tale. The Anglo-Saxon hero Beowulf exemplified qualities expected of warriors who could attain kingship by their heroism and battle deeds. They possessed the qualities of valor, military prowess, generosity, and honor. The hero fights for the survival of their tribe and nation, and it is in battle that the mettle of the epic hero is ultimately tested. The romantic conventions , influenced by Christianity and French ideals, created a new chivalric knight who sets out on a trial or adventure. They possessed similar qualities to their epic hero counterparts – valor, loyalty, honor, and skill in battle – but differed in knowing temperance, courtesy towards women, and courtly skills. The hero is no longer fighting for his people but for his ideals. By the 14th century, The Tale of Sir Gawain and the Green Knight and The Canterbury Tales have began to criticize the notion of chivalry which had become old and obsolete in their society; the idealization of chivalry practiced by knights could longer withstand the complexities and indeterminateness of situa...
Sir Gawain and The Green Knight has prompted scholars to examine and diversely interpret the medieval narrative. One of the underlying questions that has been proposed embodies the analysis of the relationship between Christian and Pagan ideals and how knightly chivalry is influenced by religion during the Arthurian Romance period. It is no mistake that the two varied religious ideals are intertwined throughout the poem due to the nature of classical antiquity. Amidst the overlap between superstitious rituals and Orthodox- Christian beliefs it is clear that Sir Gawain has a sense of personal integrity guided by a moral compass.
The character of King Arthur has greatly changed over hundreds of years, each time reflecting the virtues, and ideals of the world they are written in. Ranging from the martial warriors of King Arthur Le Morte d'Arthur by Thomas Malory to the very Victorian England version of
All British military conflicts along British history seemed to be never-ending, therefore, they needed a figure of martial power and chivalric nature to inspire British armies. King Arthur appeared to be the perfect embodiment of both qualities as it represents loyalty, unity and military glory. He was most commonly identified in the figure of the Duke of Wellington, who served as a link to the eighteenth-century during the Napoleonic Wars and, as Barczewski clearly states, culminated the tradition of comparing him to the nation’s military leaders (p. 30). Also, during the eighteenth-century a new phenomenon regarding King Arthur emerged: the commercialisation of the myth. Suddenly, it was everywhere.