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Character analysis of antigone by sophocles
Character analysis of antigone by sophocles
Character analysis of antigone by sophocles
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In Antigone, a tragedy written by Sophocles, a determined sister must bury her brother, but with the challenges of corrupt king, this daring act may be her last. The two poems, Invictus and If We Must Die, have a similar, but different concepts like Antigone. Invictus captures that throughout a journey, someone should never give up pride. Comparing to Invictus, in If We Must Die, a person should find the most honorable way to die, if death approaches. If We Must Die represents Antigone the best because in both selections they’re finding honor through their deaths.
A main factor to determine which poem best portrays Antigone is theme. Antigone demonstrates the theme of determination to represent the right, no matter the consequence. Invictus
also depicts the theme of no matter the circumstance, there is no reason to give up. Supporting this theme are the lines “It matters not how strait the gate, how charged with punishments with the scroll, I am the master of my fate” (Henley, 13-15) from Invictus. This is similar to Antigone, but doesn’t show the entire theme Sophocles was trying to create, only a portion of it. Furthermore, If We Must Die weighs the theme of if death must occur, find the most honorable way to approach it, showing the overall message of Antigone, and could also be used as Antigone’s theme. Differentiating Invictus and If We Must Die’s themes, If We Must Die captures the comprehensive theme of Antigone. Another way to decide a best representation of Antigone is brief summary of each poem. Invictus is the journey of a man, who goes through hell, but refuses to give up his pride. Again, this only finds a small representation of Antigone because she may not want to give up pride, but that is not her main goal. If We Must Die consists of a man dictating that if they must die, they’ll die a noble death. This compares to Antigone greatest because when Antigone states, “But I will bury him, and if I must die, I say that this crime is holy. I shall lie down with him in death…” (Sophocles, 3) she is basically saying that if she dies, she will die holy. Although Invictus can represent Antigone in some way, If We Must Die captures Antigone better as a whole through paraphrasing. In conclusion, Antigone is overall delineated better by If We Must Die. Through many aspects, If We Must Die finds the whole message, unlike Invictus which only find a piece of the story. If We Must Die compares better to Antigone because it relates to her whole journey purpose of burying her brother, and if death must accompany this, then let it be a noble death. Although different, each piece finds a way to represent a good way to go about a terrible circumstance.
The poem ‘Invictus’ by William Ernest Henley forms thorough comparisons regarding theme with Chinua Achebe’s ‘Things Fall Apart’ as Henley conceives themes of fate, circumstance, and struggle in his literary piece. These thematic connections are shown when the protagonist, Okonkwo, of ‘Things Fall Apart’ is faced with the task of emerging from poverty and becoming a man that is successful, yet feared, and most importantly, divergent from his father, Unoka. He is also challenged with his own inner demons as the white man reshapes his way of life, driving Okonkwo to a fate much different than what he anticipated.
Antigone, a resolute and heroic female protagonist, pits her individual free will against the intractable forces of fate and against the irrational and unjust laws of tyrannical man like Creon.
The Themes of Antigone and Oedipus Antigone and Oedipus, written by Sophocles, are dramatic plays with a tragic ending. The main theme for Antigone is that people sometimes have to learn the hard way from their mistakes. This theme is expressed in the final four lines of the play. They read, There is no happiness where there is no wisdom; No wisdom but in submission to the gods. Big words are always punished, and proud men of old age learn to be wise.
In the greek tragedy Antigone , the author Sophocles conveys Antigone as the tragic hero because she arouses the most fear, she shows both good and bad which is a tragic hero characteristic and Antigone has the tragic flaw of loyalty to her family and to the gods.
In Jean Anouilh’s version of Antigone as a reader can see conflict at its highest. In the beginning of the book starts off with the two brothers, Eteocles and Polynices at each other’s necks for the kingdom. As soon as they kill each other off their Uncle steps in and has to choice between his family and his duties as king. Three powerful themes from Antigone include family, betrayal, and tragedy.
In Sophocles’ classic play Antigone the main character Antigone faces the impactful and controversial choice between god’s laws and man’s laws, fate and free-will, and family versus government. With her heroic and ultimately fatal decisions, Antigone would normally be the character everyone defines as a stereotypical tragic hero, however, not many people take into consideration that her counterpart Creon, is the real tragic hero. Creon is often portrayed as the antagonist within the play, yet he has all the qualities that make an ideal tragic hero.
It is important for citizens of the modern world to read Antigone because it acts as a cautionary tale to help people today avoid excessive pride causing suffering.
One could argue that Antigone and Lady Macbeth are both strong women who have contrasting beliefs and views, often causing the ambition for their actions to be analogous. While there are many similarities between the two character’s Lady Macbeth and Antigone, the morals of each of these characters are very different. Antigone, as shown in her actions, wants to do what is right, and has very good morals. She says quotes like “But I am doing only what I must”, and “but if I had left my brother lying to death unburied, I should have suffered. Now I do not,” showing the readers that her actions have a purpose, and that they come from the heart.
Like all tragedies, Antigone fits into one archetype in specific. This archetype is The Prince Will Return. In this play, Antigone represents the prince, she is the tragic figure. The play Antigone is best represented by The Prince Will Return archetype. This play features a heroine named Antigone, who represents hope. The hope however, is diminished when she decides to sacrifice herself for the good of the future. In doing this, she becomes the “scapegoat”. She believes that it is her destiny to be so.
Antigone, by Sophocles, is a play that has three major themes. All three of these themes play a very important part in this play. The three major themes are fate, love, and pride. Oedipus had killed his father, king of Thebes, not knowing it was his father and then took over Thebes. He married Iocaste, queen of Thebes (his mother), and had four children; one was a girl named Antigone. When Oedipus had figured out who he was and what he had done he moved away and cut out his eyes.
...tigone is between the two mindsets of the two conflicting characters. Sophocles bases Antigone on his standpoint about the argument of the man-made law against the religious law. The conflict between the two opposing characters creates drama throughout the story.
The dilemma of identifying the true hero, or heroine, of Sophocles’ Antigone has tortured students for years. It is indeed a difficult decision to make. The basis for this decision is what the reader perceives to be Sophocles’ dramatic issue in this play. The dramatic issue of the play is twofold: Antigone is a fanatic who is driven by her religious fever to bury the body of her criminal brother, Polyneices, against the edict of Creon. In the second part, Sophocles shows how the new King Creon’s refusal to change his decision in the face of adversity is admirable, but at the same time his political morals end up destroying his family. His fall from grace is tragic, whereas Antigone's fall is welcome. In this manner, Sophocles sympathizes with Creon, and thus he becomes the hero of the Antigone.
In order to fully portray his view, Sophocles uses both Creon and Antigone as they function together as a tragic hero, none overtaking the other. Creon’s pride impedes but at the end, he brings shame upon himself. Antigone’s pride and wayward nature was valued by the people, and she desired what was best for her family and the moral sovereignty of the gods. Both characters depict Sophocles’ interpretation as a tragic hero by their characteristics and actions.
The first characteristic that decides the plot of the play is loyalty. Antigone quickly shows loyalty early on in the play when she first found out about the new law,”Creon buried our brother Eteocles with military honors, gave a soldier’s funeral, and it was right that
Antigone uses the concept of death in many ways when unfolding the tragic story of Antigone and her rebellion. The most obvious way is how death is used as a form of capital punishment and justice against state-dubbed criminals and wrongdoers. The play first exhibits this notion when Antigone states, “No passing humor, for the edict says who’er transgresses shall be stoned to death” (Sophocles, p. 3). The head of the state, Creon, uses death as a form of justice for the man or woman who is to disobey his law. Creon also emphasizes this by threatening a guard when he is notified that his edict has been violated. Creon states, “Go, quibble with thy reason. If thou fail’st to find these malefactors, thou shalt own the wages of ill-gotten gains is death” (Sophocles, p. 8). Death is once again used as a threat and form of justice for people sinning against the state laws. However, death is not only used as a form of state justice, it is also portrayed as a factor in personal justification and completion. The notion that people are not whole or justified until they die is emphasized by Antigone when she states, “A sinless sinner, banned awhile on earth, but by the dead commended; and with them I shall abide for ever” (Sophocles, p. 4). Antigone says that through death, human life is justified and made complete, and that death is essentially the final form of justice for any human l...