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Character analysis in the tragedy of othello
Character analysis in the tragedy of othello
Character analysis in the tragedy of othello
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“Dawn of the day after the repulse of the Argive army from the assault on Thebes”. This play takes place after a war between two brothers has just happened, one fighting for the kingdom of Thebes and the other, a traitor who attacked his own birthplace for the throne. Both lie dead on the ground the hero is buried and the traitor is not, this causes a conflict between their sister’s, Antigone and Ismene. The characteristics displayed by the two will completely alter the plot.
The first characteristic that decides the plot of the play is loyalty. Antigone quickly shows loyalty early on in the play when she first found out about the new law,”Creon buried our brother Eteocles with military honors, gave a soldier’s funeral, and it was right that
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Almost every character in this play is extremely stubborn, i.e. Creon, Choragos, Antigone, Ismene, etc. Antigone is exceedingly stubborn as a consequence never even attempts to see things from Creon’s position. “It was god’s proclamation. That final Justice that rules the world below makes no such laws. Your edict, the king, was strong, but all your strength is weakness in itself the immortal unrecorded laws of God…” Antigone continues to go on and on about how this law is immoral and never tries to see things from the other point of view because she is stubborn and believes she is right without a doubt. Succeeding in the story Ismene shows her stubbornness also,”Yes, if she will let me say so. I am guilty… But now I know what you meant; and I am here to join you, to take my share of the punishment… Do you refuse me, Antigone? I want to die with you: I to have a duty that i must discharge to the dead.” As seen here Ismene is just as stubborn when she realises she was wrong, and she refuses to take no as an answer from Antigone. So, as we can see from multiple cases stubbornness played an extensive responsibility in the plot of the play, if Antigone would have admitted she was erroneous she would have survived and so would Creon’s wife and Creon’s son. If Ismene hadn’t been so recalcitrant then Creon might not have gotten so indignant and keep her penalty the same, instead of killing
In ancient Greek tragedies at least one character has the misfortune of having a tragic flaw. The flaw usually effects the protagonist and leads to his down fall. Normally, the characters close to the protagonist are all affected by his flaw. In Antigone, by Sophocles, Creon's tragic flaw is that he is insecure. Creon's insecurity leads to the death of many people and to his own downfall. At many times, Creon feels that people are directing everything toward him, when of course they are not. Consequently, he takes action to make sure people take him seriously. He hopes his actions will teach people not to walk all over him and his empire. However these actions are not always the right ones.
Unshakable willpower can describe someone whose single-minded and persistent. This meaning their outlook or point of view on a situation will never change, no matter the obstacles or consequences. In Sophocles’ Antigone He shows several encounters of unshakeable willpower through two of his most persistent characters. For an example, Antigone rebelling against a law and Haemon challenging his own father. The two characters only have self-beliefs to go off of for their rebellion, against the king. Their uprising could bring severe or even fatal disaster. Sophocles presents an abundant amount of evidence for determination through Antigone and Haemon. He indicates through the actions of the unyielding Antigone and her
Creon showed his stubbornness by not wanting to be proved wrong because of pride. When the Choragos tried to tell Creon that he made a mistake by telling that nobody can burry the body of Polyneices. Creon did not want to listen to the people of Thebes who tried to tell him that Antigone did the right thing, but of fear to Creon the could not really say anything. Creon thought by making an example of Antigone's execution, everybody would get scared and won't try to brake his laws. It actually worked for a while.
Pride is a quality that all people possess in one way or another. Some people take pride in their appearance, worldly possessions, or position in society. The story of Antigone written by Sophocles has two characters who have a tragic flaw of pride. I will show how Creon’s pride of power leads to his destruction, and how Antigone’s pride makes her an honorable character who should be treated as a hero.
Although Antigone has a bad reputation with Creon, and possibly Ismene, for being insubordinate, she stays true to her values throughout the entire play by following the law of gods, not so that she could appease them, but because she admired its value of honor and respect to loved ones that have passed away. This devotion and determination to give her brother a proper burial shows the true essence of her being: that loyalty to family is in fact hold above all else.
Antigone's loyalty and stubbornness lead her to make irrational decisions eventually causing her death. Sophocles’s Greek tragedy, Antigone, shows how acting on emotions can lead to negative consequences and suffering. Throughout the play, Antigone keeps steady with her beliefs and always does what she thinks is right. Antigone's strong loyalty to her family and to the gods, as well as her stubbornness bring upon an early death. This shows readers that acting on emotions, especially negative ones, always have consequences.
It is Antigone's morals, which drive her to betray the laws of man, in order to honor the laws of God. Knowing and comprehending the consequences of defying Creon's ruling do not restrain the intensity of Antigone's self will, yet it feeds her hunger to achieve her principles. Losing sight of her future, Antigone allows her stubbornness to consume her life, taking with it, the prospect of marriage, motherhood and friendship. As the story continues, we find that Antigone focuses more on the need to establish her human ethics in spite of Creon, rather than proving the incorrectness of man defying god's laws.
The characters in Antigone begin the play by having a one-dimensional view of loyalty. They don't seem to have any regard for
In the beginning of Antigone, we see Antigone struggling with the conflicting expectations between divine law and man’s law. The problem throughout the play is Antigone is a believer in divine law while Creon is a believer in man’s law. In the first scene, Antigone tells her sister that she will defy Creon’s law and bury her brother. Antigone says, “He has no right to keep me from my own” (Sophocles 1008). She believes in divine law even if it means breaking man’s law. Creon commanded no one to bury her brother. Antigone knows it is not the right choice according to divine law and she should be able to bury her own brother, but Creon believes no one should break the law he has put before everyone. Ismene replies, “ The law is strong, we must give in to the law, in this thing and in worse. I bet the dead to forgive me, but I am helpless: I must yield to those in authority” (Sophocles 1009). Antigone ...
Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
In order for a play to be considered a tragedy, it must achieve the purgation of fear and pity. In the play “Antigone”, Sophocles does a great job of bringing out these two emotions in the reader. At the beginning of the play, there is a conversation between Antigone and her sister Ismene. During the conversation, the reader learns the two girls lost their father in battle and both of their brothers at the hands of one another. Then the reader learns that one of the brothers, Polynices, has been left to die without a proper burial.
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.
The concept of pride and arrogance resides in the Agamemnon and the Antigone is a form a violence: violence to the character who owned pride, Agamemnon and Clytemnestra, Creon and Antigone, and violence to one’s children. At a glimpse of “while I tread his splendors dye red in the sea” (Agamemnon, 943), Agamemnon brought curse on himself by gaining what he did not deserve: tapestries, which is the honor only gods deserve. Defy over gods also brought reasons for Clytemnestra’s murder later in the scene. Yet later in the scene where Clytemnestra questioned by the Chorus, Clytemnestra irritated the Chorus by defying the law: “Here is Agamemnon, my husband made a corpse by this right hand – a masterpiece of Justice”