Loyalty causes suffering in the characters of Antigone. Within Antigone, the characters battle against one another for what they believe is right. In other words, the characters are loyal to beliefs and figures, which have a certain definition of what is perceived as truly 'right' to them. This leads to conflict, and in turn, suffering for all parties involved, save the gods. The divisions of loyalty among the characters, despite there being a universal loyalty to the gods, causes them to hurt one another. They do not truly know what it is that will appease the gods and assume things based on what they feel is right.
The characters in Antigone begin the play by having a one-dimensional view of loyalty. They don't seem to have any regard for
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what others think and believe that their course of action is just. Of course, this is not easy to see. However, the interactions between characters can shine some light upon this. "I should not want you, even if you asked to come." (Parados.54) Antigone is clearly hostile towards her Ismene when she chooses not to go against the King's wishes. Despite Ismene's concern for her sister, Antigone fails to see and value it because of a slight differ in values, not loyalties. Both sister's share the same loyalties. However, Ismene is not currently willing to put her life down in order to bury her brother. "Think what Creon will do!"(Parados.34) Antigone views this as a traitorous act and will not accept any help from Ismene as a result. Speaking of Traitorous acts, Creon views the rebel brother, Polyneices, as a traitor and refuses to bury his body. "You will give no support to whoever breaks this law." (1.54) Creon's loyalty lies with the gods and his kingdom. From this, we can see how we have a simple conflict with simple loyalties between 2 main characters, Creon and Antigone. As the play continues, the loyalties start to get more complicated.
The addition of minor characters, such as the Sentry, Haemon, and Teiresias, cause loyalties to be questioned. The first minor character to cause a major disturbance is the Sentry. When the sentry brought bad news, Creon immediately accuses him of burying Polyneices. He questions the kings judgment on the matter when the king accuses him of treachery. "Are you sure that it is my voice, and not your conscience?" (1.133) The Sentry hints at him making a poor decision, which brings the law that he created into question. In Creon's eyes, there are people that are loyal to the state and those that are against it. The sentry falls in the latter category due to his comments against Creon, who views himself as the state itself. Creon's son Haemon also falls in the same category, however Haemon is truly loyal to the kingdom. "Do not believe that you alone can be right." (3.74) When Haemon says this, Creon replies by saying that his son had been seduced. Despite Haemon's best interests for everyone, the King does not approve and stands firm on his decisions solely based on pride. When Teiresias comes to talk to Creon, his pride vanishes for an instant. This does not last long though, because Teiresias brings a prophecy that goes against Creons law.
The theme of suffering is emphasized when the motif of loyalty is analyzed throughout the play. The loyalties of all the characters involved seem to work against them and
end up causing their own destruction, with the cause for all of this left alive to see what was destroyed. The true loyalty, in this case, should be to the gods. This was ignored, however, and the gods responded with a painful punishment to the person who did not care to listen. Loyalty can indeed turn a person from logical to volatile.
In the story The Odyssey, Odysseus showed many traits. I believe the most important trait he showed was loyalty. He showed it in multiple situations. Odysseus showed loyalty when dealing with the sirens, the louts eaters, and the cyclops.
Creon has forgotten that the ruler is supposed to do what is best for the city and its citizens. Creon is under the impression that he is always correct in his judgments and his beliefs. Before the sentry even explains the event that has occurred, the sentry states that he is only a messenger and has not committed the crime. Yet Creon still accuses the sentry of receiving money to do the crime and threatens to punish him.
basically serves as a building block to her being admirable. Certain examples through out the play
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to the state because he attacked his brother. Creon's first speech, which is dominated by words such as "authority” and "law”, shows the extent to which Creon fixates on government and law as the supreme authority. Between Antigone and Creon there can be no compromise—they both find absolute validity in the respective loyalties they uphold.
Antigone is loyal to her family readers can see that when she says “ Their it is, and now you can prove what you are: A true sister , or a traitor to your family” ( PR. 26-27). This quote shows that Antigone is loyal to her family because she wants her sister to be a true sister like her because she is going the break the law for her brother. Antigone is also seen as loyal to the gods when she says “ That final justice, that rules the world below makes no such laws” ( 2. 57-58). Antigone is seen as loyal because she says the final justice of her being killed doesn’t matter because she did something good for the gods, so they will be loyal back to her. In the greek tragedy Antigone, Antigone has the tragic flaw of loyalty to her family and to the gods, which leads to her
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Although Antigone has a bad reputation with Creon, and possibly Ismene, for being insubordinate, she stays true to her values throughout the entire play by following the law of gods, not so that she could appease them, but because she admired its value of honor and respect to loved ones that have passed away. This devotion and determination to give her brother a proper burial shows the true essence of her being: that loyalty to family is in fact hold above all else.
Antigone holds her love of family, and respect to the dead, elevated beyond the laws of Creon, whom she believes, has no righteous justification to close his eyes to the honor of the deceased. In her determination to fulfill Polynices' rights, she runs directly into Creon's attempts to re-establish order. This leads to encounters of severe conflict between the dissimilarities of the two, creating a situation whereby both Creon and Antigone expose their stubbornness and self will.
In the play Antigone, there are many situations in which loyalty is involved, and in some, conflicts arise. The first example of this is the relationship between Haimon and his father Creon. This unusual relationship between them is incredibly superficial in that Creon is only proud of him because he is kissing up and says what his father wants to hear. It is blatantly obvious during their conversation where Haimon states; “I am your son father. You are my guide. You make things clear for me, and I obey you. No marriage means more to me than you continuing wisdom.” This statement is basically what Creon expects to hear out of his son. His reply of, ”Good. That is the way to behave: subordinate everything else, my son, to your father’s will.” Creon is used to having people do everything he wants them to do. The second example is the relationship between Antigone and her dead brother Polyneices. She is incredibly loyal to him and is willing to risk her life in order to preserve his honor as a warrior and bury her against Creons order. It is evident in her statement of, “But I will bury him; and if I must die, I say that this crime is holy: I shall die down with him in death, and I shall be as dear to him as he to me.” She will do whatever it takes, even if it is death, to bury her violated brother. The third example is the relationship between Haimon and Antigone. Although Haimon was loyal to his father, he later broke away from his grasp and went to the aid of his fiancée Antigone. He felt that he betrayed her by siding with his father when he was obviously wrong and being stubborn. He signifies his loyalty to Antigone with the statement of, “But her death will cause another.” He will openly defy his father in order to stand by her side. There are numerous examples of loyalty in the play Antigone.
This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be in conflict with everyone, in his mind he has to stand alone in his views in order to set himself apart as king. Before he took to the throne Creon took advice from the prophet Tiresias who had so often had been his spiritual and moral compass, and yet in this matter concerning Antigone he will take advice from no one, not from the elders of Thebes, or even his own son Haemon.
In Antigone, unmoderated love is prevalent throughout the play, and it is best demonstrated in three main characters: Antigone, Creon, and Ismene. Antigone has a very strong love for her brother and the gods, Creon has an extreme love for power, and Ismene has a deep love for her sister, Antigone. Each of these characters suffers greatly because of this love, and as a result, they all suffer dire consequences.
Antigone shows throughout the play that she is always thinking that she must do what is best for other’s and not just herself. She is willing to do what is needed to follow the law of the gods, even if it is breaking the state law.... ... middle of paper ... ...
bury her sib Polyneices who was taken to be abandoned near a hill to die miserably. Afterward,
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.