Comparing Heroes and Villains in Measure for Measure, Othello, and Hamlet
According to John Steinbeck, "Heroes are innocent; villains are cunning." This statement likely regards the internal aspects of characters, such as intellect, reasoning/motivation, and morality/responsibility, as indicated by consistency in action and/or articulation, as in direct speech or soliloquy. An examination of the heroes and villains in Measure for Measure, Othello, and Hamlet can determine whether Steinbeck's generalization is applicable.
Although Measure for Measure is not a tragedy by standard conventions, Angelo can be considered a tragic hero since he falls because of his hamartia, hubris. While he fits into Steinbeck's generalization of "innocent" as a victim of the circumstances created by the Duke, Angelo is responsible for his own fate. When asked "Whether you had not sometime in your life/Err'd in this point which now you censure [Claudio]," (14-15, II.i) Angelo affirms he has never felt love or passion, nor had sex. Thus, being a man of virtue, Angelo believes he has the right to impose morality upon the city: he unquestioningly enforces the law forbidding fornication. Since he is righteous, Angelo's motivation is not wrong or immoral; however, once he begins to manipulate sexual morality in his favor, his innocence decreases. Angelo offers to spare Claudio's life should Isabella engage in sexual relations with him; he claims to be tempted by Isabella's virtue, and does not recognize his own hypocrisy in proposing there is charity in sinning to save Claudio. The reduction of Angelo's virtue and righteousness continues as he sends Claudio's death warrant after he has had sex with Mariana, who he believed to be Isabella. In additio...
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...le to comedies, when considering A Midsummer's Night Dream, As You Like It, and Measure for Measure, in which the heroes are mostly virtuous ("innocent"), and the villains are devious ("cunning"); however, since the Duke and Iago are both cunning villains, Steinbeck's notion of villains is also appropriate for tragedy. More importantly, though, as previously noted, these “heroes” are directly responsible for their fall, and therefore challenge readers to consider the roles of heroes and villains in tragedy less traditionally; Othello is not cunning, nor is he innocent, and so Steinbeck's parameters exclude him. Thus, a more encompassing generalization would be that tragic heroes are responsible, and "villains are cunning" (Steinbeck).
Works Cited
Shakespeare, William. William Shakespeare: The Complete Works. Ed. Alfred Harbage. 1969. Baltimore: Penguin, 1994.
All these literary pieces are plotted so intelligently that it takes a moment before one can distinguish between the monsters and the men. Macbeth was a tragic hero. Traditionally, a tragic hero is someone who is born as an example of greatness, but somehow along the way they acquire a flaw in character that brings about his own downfall.... ... middle of paper ... ...
- - -, dir. “Air Force Special Operations Command.” The Official Web Site of the United Stated Air Force. U.S. Air Force, 20 Sept. 2011. Web. 9 Feb. 2012. .
The embarkation of the hero’s journey is more than a call, it is taking control of your life and discovering the hero who dwells inside you. Each hero who enters the journey is tested to the very end of the cycle, where the hero must choose rebirth or death. Othello is man of many fortunes, but he does not have what it takes to complete the Hero’s Journey.
Northrop Frye once said, “Tragic heroes are so much the highest points in their human landscape that they seem the inevitable conductors of the power about them, great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divisive lightning.” Othello is the pillar of tragic heros, first playing the part of a loving husband with a beautiful wife, then being manipulated into believing his wife was cheating on him and killing her. Throughout the play, he played the part of the protagonist, everyone hoping he would figure out Iago was lying to him. Othello being the protagonist made the fact he was also a villain bittersweet. His apparent love for his wife Desdemona, his ‘just’ reasoning for killing her, and Iago’s deserving end all contribute to the tragic work as a whole.
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The comedy, “Much Ado About Nothing” depicts the story of a group of high-ranking soldiers who travel through a town called Messina. They had been to the town before, and this time Claudio confesses his love for the governor’s daughter, Hero. Because Leonato is so fond of Claudio, the wedding is set to be a few days away. This gives Don John, Claudio’s bastard brother, a chance to show his true hatred for Claudio. He comes up with a scheme to make Claudio think that Hero is cheating by dressing Margaret in her clothing and perching her near the window with another man. When Claudio sees this, he says that he will humiliate Hero instead of marrying her.
Healthcare professionals associated with medical billing and coding know the progress the technology has made so far. In the last few decades, medical billing and coding has switched from being a paper-based system to a computerized format. Under HIPAA laws, medical practitioners had to develop new software in order to send out electronic bills. With the advent of electronic medical records (EMR), with one touch of a button, doctors, Nurse Practitioners and PAs can gain access to all the care a patient has ever received from every healthcare facility the patients visited previously and can figure out possible illnesses. This enables statistical documentation of the population as a whole as well. EMR can also make the healthcare system more transparent and allow integration with reimbursement data. As the healthcare system changes, this will prevent unnecessary costs and make it easier to get the reimbursements needed to treat a patient.
Within Measure for Measure, the character of Angelo can be seen as a case study of will over moral nature. Angelo, a deputy, is given the Dukes authority to act in his behalf while the Duke is away. The story unfolds as Angelo uses the agency he's been given in ways that many men in authoritative positions have done. It is interesting to follow his line of thought and to realize that this is a man who is not unlike many others. The main conflict between Isabella and Angelo is a contemporary problem. Measure for Measure is a unique opportunity to investigate the personality types of the characters involved in the conflict, and the study of these complex characters can give meaningful insights into the nature of human emotion and action.
Othello as Tragic Hero I would agree that it is helpful to an understanding of Othello's character to think of him as a tragic hero. On the surface, the opinion may be different because he kills his wife and commits suicide to end his anguish. However, if we look deeper the suffering that Othello has to go through, and the way that this powerful and heroic character is tricked and knocked off his high perch by Iago (a lower status member of the army) he can be seen as a tragic hero. All Shakespeare's tragic heroes seem to have certain qualities that put them in this category.
Hamlet. Romeo. Othello. These men not only star in some of Shakespeare’s finest plays, but they are all classic examples of tragic heroes. A tragic hero is one who is courageous and admired but who has a tragic flaw that leads to his downfall. Othello was one of the greatest military men of the time. He was highly respected among his superiors for both his military prowess and level headed nature. This was a man who could be in the heat of a battle and would remain collected. Though this great hero also had great shortcomings. Othello was naive, jealous, and concerned with public appearance. Othello is truly a dynamic character. As the play continues and his jealous increases, Othello gradually changes from a flawless military general into
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Dual Nature of Characters in Othello Many of the characters in Shakespeare's tragedy, Othello, are duplicitous to the extent that how. they are perceived in public is not how they behave in private. The perception of the public plays.
There are obvious benefits to the technology such as quick access to patient information, efficient and faster billing, and lower storage costs. In addition, there are huge advantages to linking laboratory, radiology, and pharmacy information to the larger EHR. According to Murphy (2011), linking this data is very patient-centric as it lessens the likelihood of repeating tests, thus better care decisions happen when current data is available. However, there are cons to the technology that are hampering its full acceptance. In the digital age, the public is becoming aware of how pervasive computers are to our everyday lives. Computers run our cars; manage our financial matters, and numerous other daily functions. In addition, computers and electronic information allow medical devices to function and more often than not, track our medical footprints. When the shift to EHR was nearly mandated, the one consideration not taken into account is the public’s mistrust of how the healthcare industry uses this information. Certainly, those in the healthcare industry want to keep their patients healthy, heal them when illness develops, and develop better ways of treating disease; however, the medical industry, like all businesses, are motivated by profit. According to Blankenhorn (2010), medical records, from pharmacy records
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