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Here we are going to be comparing and contrasting two pieces of artwork, the first piece being Guernica by Pablo Picasso and the second being Execution of the Third of May,1808 by Francisco de Goya. There are many differences in each of the artist styles but they also can be very similar when it comes to content. When you first look at the two paintings, the visual elements are very different, but after analyzing them you can see many similarities that bring you to the true content of the work of art. Visual elements are the foundation that helps bring life into the subject matter that is why visual elements are very important. Line, shape, and form are three visual elements that I am going to look at today. The lines in Executions of the
Third of May,1808 are soft faint but also precise and direct where as the lines in Guernica are very curvy and free which gives the painting movement. When we are looking at the shapes that make up each, Francisco de Goya’s painting is in more of a realistic fashion pertaining to people and places because we know we are seeing people and animals from the suggestions of the lines and Picasso’s is very abstract and representational at the same time Many geometrical shapes are used to direct the eye across the surface and the shapes. In Francisco de Goya’s we know we are looking at some sort of battle, where as in Picassos it’s for us to interpret the violence that’s going on so in a way it’s only a suggestion. All in all both of the work of art paintings are similar. They both portray violence that harms people and ruins places and things.
amazing drawing skills. There is a sense of line , contours and forms that existing in 3
· Chipp, Herschel B. Picasso's Guernica: History, Transformations, Meanings. Los Angeles: University of California Press, 1988.
My friends, after traveling through the Asian continent and Japan, I continued on to the Americas. The art in the Americas has three regions, North America, Central America, and South America. Each region has a very distinct aspect to their forms of art. All cultures have some kind of art. Being curious about art, I have collected samples from five different areas. The following works of art are very different from European art, but there are still some similarities. The similarities of the human spirit are evident in the following images.
...m able to recognize them as certain tools used by the painter. It is very possible that if I had not been raised with a religious background or had not taken my art history class, my perspective towards the painting would be very different. I might look at the painting and simply see a man about to be killed. I might not see the sacrificial element of it. My understanding of art and the language of art would be lacking. Without the knowledge of these things I would probably see a more general picture, and I might have missed the aspects of Goya's masterpiece that make the painting so moving to me.
Rose, Gillian. Visual Methodologies: An Introduction to the Interpretation of Visual Materials. Sage Publications (CA), 2001. Print.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
The formal analysis of The 3rd of May, 1808, Francisco Goya, 1814, oil on canvas. In the following written composition I will examine The 3rd of May, 1808 in a context which will allow me to identify formal elements that Goya manipulated to influence the viewers with a specific outlining message. This work was completed in 1814 using oil on canvas medium. This piece of art stands at approximately 266 by 345cm. This was common for historical paintings to be substantially grander in size. Goya’s goal in this specific painting is to depict the sorrow and heartache connected with the Peninsular war. In this specific work The 3rd of May 1808 he highlights the honor of the massacred Spanish rebellions opposed to the savage French troops. This formal analysis will examine the important technique used by Goya to organize societies depiction of the visual information. Within this work I will concentrate on these elements of color, texture, shape, lines, space, and the value to bring about my own opinion of Goya’s work. Using this strategy applied to The 3rd of May, 1808 work I hope to demonstrate a comprehension how to translate what I see into written words.
With just a quick glance, Guernica may look like it was painted from a standard Cubist point of view but once you examine it closely, it gives off a whole other meaning to it. The first thing in particular was of the colors that Picasso
“Compare the ways in which the authors of the two texts convey ideas about art through their central characters?
-Scott McCloud examines lines and the way they are formed. Then he translates them into feelings and actions. The type of line used to draw a character, especially their face, also holds meaning in V.
The similarities are striking. This is probably due, in no small part, to the inspiration for both works. Picasso and Eliot shared a common inspiration for their masterpieces the atrocities of war. Guernica was a response by Picasso to the German Luftwaffe's bombing of the Basque town of Guernica during the Spanish Civil War. During this 1937 attack hundreds of civilians were killed.
Throughout history art has presented itself in many different forms. Two forms of art are poetry and paintings. William C. Carlos’ poem “The Dance” paints a picture while Pieter Brueghel’s painting “Peasants’ Dance” tell a story. The odd thing is that both the poem and the painting have many similarities as well as many notable differences. Tone, image, and imagination show the many similarities and differences between William C. Williams’ poem “The Dance” and Pieter Brueghel’s painting “Peasants’ Dance.”
Module 05 Media Analysis Project - Final Paper This media analysis project analyzes the great paint: The 3rd of May 1808 in Madrid. Oil on canvas, 268 x 347 cm, finished in 1814 by the Spanish painter Francisco Goya, now in the Museo del Prado, Madrid. It is a representation of the execution of patriots from Madrid by a firing squad from Napoleon´s army in reprisal for their rebellion against the French occupation on the second of May 1808 (Museo del Prado, 2017). The Executions as it is also named is acclaimed as one of the remarkable paintings of all time and has even been called the world’s first modern painting.
Painting in the 19th century, still highly influenced by the spirit of Romanticism, proved to be a far more sensitive medium for the kind of personal expression one should expect from the romantic subjectivity of the time. At the very beginning of the “modern period” stands the imposing figure of Francisco Goya (1746-1828), the great independent painter from Spain. With much indebtedness to Velazquez, Rembrandt and the wonders of the natural world, Goya occupies the status of an artistic giant. His artistic range goes from the late Venetian Baroque through the brilliant impressionistic realism of his own to a late expressionism in which dark and powerful distor...
Lines are paths or marks left by moving points and they can be outlines or edges of shapes and forms. Lines have qualities which can help communicate ideas and feelings such as straight or curved, thick or thin, dark or light, and continuous or broken. Implied lines suggest motion or organize an artwork and they are not actually seen, but they are present in the way edges of shapes are lined up.