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Conclusion of lust by susan minot
Female roles in literature
Female roles in literature
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Comparing Bharati Mukherjee's The Tenant and Susan Minot's Lust
The protagonists in both Bharati Mukherjee's "The Tenant" and Susan Minot's "Lust" are extremely promiscuous; both have many sexual relationships with little emotional involvement and no commitment. While the two protagonists display many of the same behaviors and often have similar motivations, their reasoning and reactions sometimes differ. "The Tenant" and "Lust" offer two different perspectives into the social expectations that would lead someone to be so irresponsible with their relationships.
Both Maya, the protagonist of "The Tenant", and the unnamed protagonist of "Lust" have many relationships in the course of the stories. These relationships are characterized by a lack of depth, commitment, and emotional involvement. Maya "has slept with married men, with nameless men, with men little more than boys, but never with an Indian man" (106). "Lust" goes through the various sexual exploits of the main character, who views sex almost as a courtesy; she explains that "If you go out with them, you sort of have to do something" (292).
The reasoning behind the promiscuity of both women is rooted in the desire to rebel against the cultures in which they were raised and, at the sam...
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...least aware of the effects on herself.
"The Tenant" and "Lust" are insights into the minds of two women who have similar motivations, but react differently to the same behavior. Their backgrounds and their emotional reactions give hints to why they choose to live the way they do, and why they feel it is appropriate or necessary. For both women, their motivations all lead back in some way to social expectations, although one woman is trying to conform to them and the other is trying to defy them.
Works Cited
Meyer, Michael, ed. The Bedford Introduction to Literature. New York: Bedfort/St. Martin's, 1999.
"They turn casually to look at you, distracted, and get a mild distracted surprise, you're gone. Their blank look tells you that the girl they were fucking is not there anymore. You seem to have disappeared.(pg.263)" In Minot's story Lust you are play by play given the sequential events of a fifteen year old girls sex life. As portrayed by her thoughts after sex in this passage the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the likeness of a list. Whether it's a list of things to do on the weekend or perhaps items of groceries which need to be picked up, her lust for each one of the boys in the story is about as well thought out and meaningful as each item which has carelessly and spontaneously been thrown on to a sheet of paper as is done in making a list. This symbolistic writing style is used to show how meaningless these relationships were but the deeper meaning of why she acted the way she did is revealed throughout the story. Minot cleverly displayed these catalysts in between the listings of her relationships.
The setting of both stories reinforces the notion of women's dependence on men. The late 1800's were a turbulent time for women's roles. The turn of the century brought about revolution, fueled by the energy and freedom of a new horizon…but it was still just around the bend. In this era, during which both short stories were published, members of the weaker sex were blatantly disregarded as individuals, who had minds that could think, and reason, and form valid opinions.
In “‘A Language Which Nobody Understood’: Emancipatory Strategies in The Awakening,” Patricia Yaeger questions the feminist assumption that Edna Pontellier’s adulterous behavior represent a radical challenge to patriarchal values. Using a deconstructionist method, Yaeger argues that in the novel adultery functions not as a disrupting agent of, but, rather, as a counterweight to the institution of marriage, reinforcing the very idea it purports to subvert by framing female desire within “an elaborate code [of moral conduct] that has already been negotiated by her society.” A reading of The Awakening that can envision only two possible outcomes for its heroine – acquiescence to her role as good wife/mother or “liberation” from the marriage sphere through extramarital passion – suffers from the same suffocating lack of imagination that characterizes the most conventional romance tale. Thus, Yaeger contends, Edna Pontellier’s extramarital dalliances with Alcée Alobin and Robert Lebrun are hardly “emancipatory” or “subversive” as critics such as Tony Tanner would see them.
Finally, even though, for a long time, the roles of woman in a relationship have been established to be what I already explained, we see that these two protagonists broke that conception and established new ways of behaving in them. One did it by having an affair with another man and expressing freely her sexuality and the other by breaking free from the prison her marriage represented and discovering her true self. The idea that unites the both is that, in their own way, they defied many beliefs and started a new way of thinking and a new perception of life, love and relationships.
In the short story “The Cheater’s Guide to Love” by Junot Diaz, the author pinpoints on the Yunior’s life as a writer and college professor who is also struggling with his romantic relationships. The short story is filled with his experiences of using women for his beneficial needs and how it negatively affects him. It focuses on Yunior’s downfall through life after the destruction of his relationship with his fiance. The diction includes the narrator’s hateful consideration of women and a paradox of his own endeavors which prevent him from pursuing a meaningful relationship, but he grows to realize that he treats women awfully and his ex did the right thing by leaving him due to his untruthfulness.
Accordingly, I decided the purposes behind women 's resistance neither renamed sexual introduction parts nor overcame money related dependence. I recalled why their yearning for the trappings of progression could darken into a self-compelling consumerism. I evaluated how a conviction arrangement of feeling could end in sexual danger or a married woman 's troublesome twofold day. None of that, regardless, ought to cloud an era 's legacy. I comprehend prerequisites for a standard of female open work, another style of sexual expressiveness, the area of women into open space and political fights previously cornered by men all these pushed against ordinary restrictions even as they made new susceptibilities.
play is set in 1912, only 2 years before the outbreak of WW1, and in
Governed under the principles of male supremacy and superiority, it is comprehensible as to why female sexuality has been coined a “dangerous mechanism”
In the Victorian society, love, sex and desire were the unspeakable subjects, especially for a young, unmarried woman in care of two young children. The governess herself can not imagine thinking about or mentioning her sexual needs. Her desire for love is so strong that she immediately falls in love with the man she hardly...
From the moment a woman is born, she is automatically expected many things from her. Wear a dress, have no body hair, be with a man, don’t be too loud, etc. The list of “norms” that a woman is anticipated to uphold to goes on for days. And often times, women that decide to branch out from those “norms” are viewed as less valuable or obscene. In Robyn Ochs essay, “Bisexuality, Feminism, Men and Me”, she discusses the revolutionary moment when she realizes that living up to the assumptions of what it means to be a woman systemically limits us from our true potential. As presented in the movie “Frida”, a brilliant artist is often times overshadowed by her promiscuous relationships with women and men. A woman’s life does not dwindle down to the
...opin’s idea in each story was very contradictory. At first the women were almost held captivate and dissolved of happiness in their marriages, but without a man in their lives they almost become nonexistent. In each of the women’s lives they are looking for attention, lust, and freedom. Once each woman is given all or one of those things, she may enjoy them for a moment and then her victory is snatched away in a flash.
Boa, Elizabeth. "Wedekind and the 'Woman Question'." Boa, Elizabeth. The Sexual Circus: Wedekind's Theatre of Subversion. New York : Basil Blackwell Inc. , 1987. 167-202. Print.
Moderate amount of gun regulation is necessary. Federal back ground checks go a long way in making it difficult for criminals, violent offenders, or mentally disabled individuals from obtaining guns. There are currently almost 310 million guns in possession of civilians in the United States (Krouse, William J. 2012. ‘How Many Guns Are in the United States?’). Restricting lawful gun ownership as a solution to reduce gun crime is highly counter-productive. Criminals will get a gun regardless of the law, and simply restricting g...
A calm crisp breeze circled my body as I sat emerged in my thoughts, hopes, and memories. The rough bark on which I sat reminded me of the rough road many people have traveled, only to end with something no one in human form can contemplate.
Showing such major differences between these two cultures with little overlap between the two strongly suggests that the differences in sexuality are due to cultural constructions. Seeing the immense differences and encountering difficulty trying to find similarities between these two cultures, it is clear that all human beings come into this world via the same process: sexual intercourse. It is also clear that, commonly, men are larger and stronger than women. These traits exist everywhere in the world. However, the physical violence of the machismo is not observed globally, nor is the extreme suppression of women observed everywhere. These ideals exist alone, in their separate cultures. Human sexuality may have some biological influences, but it is largely and almost completely a construction of culture.