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History of freak shows
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The Ringling Bros. and Barnum & Bailey Circus is one of the most popular shows in the United States. One of the founders of the circus, Phineas Taylor, or PT Barnum, did start running shows with a circus. Instead, he began with the famous American Museum in New York. He also became well known for forming a group of “freaks” who he would take on tour around the world. The American Museum became an incredibly popular entertainment venue in New York until it burned down in 1865 (Maher). A very popular modern equivalent of Barnum’s freak shows is the Venice Beach Freakshow. One major difference between Barnum’s freak show and the Venice Beach Freakshow was the goal of the owners. PT Barnum focused solely on making money and used people for money, while the Venice Beach Freakshow is focused on providing entertainment for visitors and treating the performers …show more content…
with respect. PT Barnum opened the American Museum in January 1842. The American Museum was advertised as a way to break free from the boring professionalism of life, and as a place for families to learn about topics like art and nature. The popularity quickly escalated and the number of pieces in the museum grew as well (Maher). Barnum began his show of strange and odd performers by hiring a child named Charles Sherwood Stratton. He was 4 years old and weighed only 25 lbs. He was brought to the museum and advertised as an 11-year old boy from England named Tom Thumb. Charles’s popularity took off and Barnum planned a tour of Europe with Charles. When they returned to the United States, Barnum began to attract crowds of thousands of people to see Charles perform. As the popularity of the Tom Thumb show increased, so did the curiosity and demand for more odd acts. After his success with a one-person freak show, he began to assemble a large group of “freaks” and “monsters” who he knew people would pay to take their families to see. Some were willing to be a part of the group, and even got paid extremely well, for example Charles Stratton (Maher). But others were forced to be a part of the freak show as children. One way Barnum attracted more and more people to his shows was by tricking them with false stories about how they were “created” and how he found them. He even went as far as to forge newspaper article to back up his false claims. Barnum’s performers included conjoined twins, a man with 338 tattoos, a “dog-faced boy”, and Charles Stratton, the 2-foot tall celebrity impersonator from England (Asma 136-137). Barnum’s goal was simply to make money. He didn’t care about the ethics of taking advantage of people for personal gain as long as he was paid properly. He didn’t care if he had to make up false stories in newspapers to get people to come to his shows. All he cared about was making money off his performers. He continued to find new ways to make money and was well-known for his brilliant and sometimes fraudulent advertising. He became one of the wealthiest men in New York by the time he stopped running freakshows and began focusing on running a circus. A modern equivalent to Barnum’s American Museum and freak shows from the late 1800s is the Venice Beach Freakshow in Santa Monica, California.
It was started in 2006 by music producer Todd Ray. He used PT Barnum as inspiration when he first thought of opening a freak show. One similarity to Barnum’s shows was how Ray started his show. He began with a small show and museum. His museum has small, odd attractions, and the only performer was his daughter who would lay on a bed of nails. As more and more people heard about the show, Ray began to hire more performers. Today, his freak show is one of the most popular in the United States, and even has a TV show on AMC called Freakshow. The museum currently has many odd exhibits, such as a collection of disfigured animals. Some of the new performers Ray has hired throughout the years include a bearded lady, a sword swallower, and the “Hairiest Man Alive”. The Venice Beach Freakshow attracts thousands of visitors per year. Similarly to PT Barnum, Ray knows how to bring people through the doors, by appealing to their curiosity and amazement at “freaks” who are different to
us. Ray’s Freakshow does not focus only on making money. Ray’s main goal is excite people and show them some amazing artifacts they might not have had the chance to see without coming to the museum. Ray makes sure all his performers are happy and makes sure they are able to communicate any issues they may have with him. He wants his performers to have a place where they can feel free to perform without being judged for being different. Ray and his performers are a team who work well together. When Ray was pitching the idea of his show to different networks, they wanted to make his somebody he’s not. They wanted to portray Ray as the stereotypical freak show owner, similarly to PT Barnum. They wanted to make Ray seem like he was making a fortune by using other people. But Ray didn’t want this, because it doesn’t represent him and his performers. This is one of the major differences between Ray’s Venice Beach Freakshow and other freak shows like the ones ran by PT Barnum. It may seem like all people who run freak shows don’t care about the performers and only care about making money. But that is not true in Ray’s case. Ray focuses on a show that anyone of any age can enjoy instead of capitalizing on other people’s misfortunes, like PT Barnum did. Ray’s show promotes a positive way of thinking about people who are different than we are and helps to show that they aren’t “monsters”. He wants to open people’s eyes to the fact that somebody being different from what society views as normal does not make them a monster. PT Barnum was a leader in New York’s entertainment business. He knew how to attract people to his shows by exciting their curiosity about strange objects and performances. His focus, however, was only on making money. He wanted to capitalize off of his performers who were often underpaid and not treated well. Todd Ray and the Venice Beach Freakshow changed the way freak shows are viewed. His show challenges the thought that all performers in freak shows are “monsters”. Ray does not focus on using his performers and taking all the money from their performances. The Venice Beach Freakshow is continuing to prove that not all freak show owners fit the stereotype established in the 1800s by PT Barnum.
A crime is a serious offence such as murder or robbery. A punishment is a penalty imposed on somebody who is convicted of a crime. The two movies that are being compared and contrasted is I soliti ignoti (Big Deal on Madonna Street, 1958), filmed by Mario Monicelli and Ladri di biciclette (Bicycle Thieves, 1948), filmed by Vittorio De Sica. Both Bicycle Thieves and Big Deal on Madonna Street ushered in a new era of film. This allows two movies to accomplish similar goals in two completely different ways. What the movies have in common is the neorealist settings, character structure, and the genre. These are the reasons that make Big Deal on Madonna Street and Bicycle Thieves have similarities yet two completely different movies.
The movie begins in New York, in 1843, with a gang fight. Bill “the butcher” Cutting’s gang of “nativists” have challenged the “dead rabbits” (a gang of mostly Irish immigrants) to a fight to settle once and for all who is the most powerful gang in the area. After an intense battle the “nativists” win by killing the leader of the “dead rabbits”, also Amsterdam’s (the main character’s) father.
86). I like his definition of the word freak show, which is “an elaborate and calculated social construction that utilized performance and fabrication as well as deeply held cultural beliefs” (p. 86). The freak show was a place in which white people could come and recognize their difference and privilege and reaffirm their superiority over individuals who were different from them, who fall into the realm of the ‘other.’ It causes me to wonder that if some individuals saw this as a morally unjust thing, why was it such a popular phenomenon that had a great turn out? And it takes me back to what a friend said, that the only way things sell, is because there is a high demand for it. These freak shows were able to thrive in society, because some individuals needed to know and confirm that they were indeed higher than some other saps out there, whatever they had, they had it better than others. Yes these spectators were being duped into pay high prices to see people with highly exaggerated features, but they did not mind, because why they were there, was to have an opportunity to look at themselves and say Thank God, we are not like them and to reassert their dominance over the
Before there was the Ringling Bros. and Barnum & Bailey and their Greatest Show on Earth there was just P.T. Barnum and the Ringling brothers each with their own traveling circus. Barnum’s circus was originally known as P.T. Barnum’s Grand Traveling Museum, Menagerie, Caravan and Circus, which was unveiled as the largest American circus in 1870 and quickly became a hit (Barnum’s Timeline). Then in 1881 Barnum, James Bailey, and James Hutchinson partnered up to create P.T. Barnum’s Greatest Show on Earth & The Great London Circus, which later became Barnum & Bailey’s Greatest Show on Earth in 1888 (P.T. Barnum). Sixteen years after Barnum’s death in 1891, the Ringling brothers bought out their competition, but the two shows continued to tour independently until they were finally combined in 1919 as Ringling Bros. and Barnum & Bailey, The Greatest Show on Earth (Bailey and the Ringlings).
The Coliseum is really cool place to look at. The Coliseum was finished around 80 A.D.; it took 10 whole years to build it. It is made of marble and limestone. Within the Coliseum they had seat around the edging of the building. It could seat about 45,000 – 50,000 people in it. People would gather to the coliseum to watch Gladiators swing swords to kill each other to death. They also came to watch warriors kill animals in the arena, and to watch animals attack each other. Along with all of the fighting, people were able to receive free food at the coliseum. Get free food and get free fights to watch. It would be a great place to have fun. But all of this is the origin of Panem et Circenses Latin for “Bread and Circuses.”
One of the most popular forms of entertainment during the Gilded Age was theater, particularly Vaudeville, which was a type of variety theater prominent in late 19th century America. Of course, similar types of variety shows had existed much earlier, before the 1830's, but they experienced a growth thanks to Benjamin Franklin Keith, "the father" of American Vaudeville. He spent his earlier years working in traveling shows and circuses, before establishing his own museum of oddities in 1883. His success allowed him to finance the building of his own theater, and he became the subject of his own "rags to riches" story, one of many that were so common in the Gilded Age. Keith was a savvy businessman who knew...
In the essay, “At the Buffalo Bill Museum, June 1988”, by Jane Tompkins, the author describes her trip to the museum and her perspective on the Buffalo Bill Historical Center. In her essay, she expresses her thought of the museum as, “the most disturbing places I have ever visited. It is also a wonderful place” (588). In the Whitney Gallery of Western Art, she admires the beauty, details, and veracity of paintings. However, she feels arts are not respected in there, for their meanings are altered. As Tompkins claims, “someone had taken the trouble to ferret out Remington’s statement of horror” (588). Moreover, she perceived, “Remington’s paintings and statues … are imperialist and racist” (590). In the Buffalo Bill Museum, there is no sign
Stanislaus excited to see the building’s architecture thanked him while he looked out the windows. The carriage traveled up Broadway, crossed over to Fifth Avenue, and passed a large arena, the Hippodrome, covered by a red, white and blue canvas. This structure would be housing P.T. Barnum’s circus opening shortly. The carriage dodged and weaved past other Horse Drawn wagons, carts, and men on horseback and pulled up to a large building still under construction.
Why does the theme teenage rebellion seem to appear so frequently in movies, literature, and music? One may see this theme appear in William Shakespeare’s, “The Tragedy of Romeo and Juliet” as well as in Something Rotten the musical and Ferris Bueller's Day Off. There are many reasons that this theme emerges in media substantially, such as to teach a moral lesson as well as the actuality that any audience can relate to the theme. Whether it be disagreeing with a parent’s demand or belief, or because of the yearning for independence, striplings have all experienced some sort of yearn for rebellion. When commenting on what one may learn from this theme, many stories of teenage rebellion teach unique, yet important, morals that all focus around
In a statement released by the director of the museum, Lonnie G. bunch, “Visitors will leave the exhibition knowing more about Mr. Cosby’s impact on American entertainment, while recognizing that his legacy has been severely damaged by the recent accusations.”
So there is this man named Joe. Joe is an Australian entrepreneur, author, filmmaker, and wellness advocate. He is most known for his documentary Fat, Sick & Nearly Dead in which he tells the story of his 60-day juice fast. Joe’s problem is that he’s 100 pounds overweight. In other words Joe was fat, sick,and nearly dead. Joe is loaded up on steroids. He is also suffering from a debilitating autoimmune disease.Cross filmed his juice and travel through America.
The article When School Was Scary and the poem Ballad of Birmingham share the common theme of celebrating diversity. Both share the once well-known problem of segregation. Both tell of events that helped change America forever. In When School Was Scary, the Little Rock Nine was a group of black kids who just wanted to go to school. In Ballad of Birmingham, a black girl dies in her mother’s attempts to protect her. These show celebrating diversity because the hate was because of skin color.
If you have been the Museum of the City of New York, say a few words about your
Looney Tune and Tom & Jerry are both classical comedy cartoons. The both shows have around for about 80 years. Tom & Jerry began in 1940, 76 years from now and still producing. Whereas looney tune started in 1930 and ended in 1969, so it has been 86 years since created but was around for 39 years. Both these shows are made by the same company the warner brothers. Also these shows are funny and bring a smile to people around the world.
My adventure started off with a google search of the The Ringling Museum to find directions and hours of the museum. I chose the Ringling Museum because it was the closest museum that I have not ventured. Before looking on the museum’s website for the details I thought it was just a circus museum but to my amazement the Ringling Museum was so much more. It has a Museum of Art, CA’D’ZAN (“House of John”), education center, FSU Center for performing arts and the Bayfront Gardens.With it being so much more than a circus museum I was excited to get this adventure underway.