Before there was the Ringling Bros. and Barnum & Bailey and their Greatest Show on Earth there was just P.T. Barnum and the Ringling brothers each with their own traveling circus. Barnum’s circus was originally known as P.T. Barnum’s Grand Traveling Museum, Menagerie, Caravan and Circus, which was unveiled as the largest American circus in 1870 and quickly became a hit (Barnum’s Timeline). Then in 1881 Barnum, James Bailey, and James Hutchinson partnered up to create P.T. Barnum’s Greatest Show on Earth & The Great London Circus, which later became Barnum & Bailey’s Greatest Show on Earth in 1888 (P.T. Barnum). Sixteen years after Barnum’s death in 1891, the Ringling brothers bought out their competition, but the two shows continued to tour independently until they were finally combined in 1919 as Ringling Bros. and Barnum & Bailey, The Greatest Show on Earth (Bailey and the Ringlings).
Throughout the years of change for both of these famous American circuses, countless advertisements were designed to draw the public into the shows and many of them were created by the Strobridge Lithographing Company of Cincinnati, Ohio. The Cincinnati Art Museum houses a sizeable permanent collection of Strobridge circus posters among which are a few for the Ringling’s circus and also some from the many incarnations of Barnum’s circus. Despite being made by the same company, the posters created for the two circuses were overall very different in style, in the treatment of typography, and in the layout while still maintaining some basic similarities. The best example of this from the Cincinnati Art Museum’s collection can be seen through the comparison of two posters, one for the Ringling Bros. advertising The 9 Jordans and The Incomparable Cla...
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...P.T. Barnum." Ringling Brothers and Barnum and Bailey: The Greatest Show on Earth. N.p., n.d. Web. 8 Feb. 2014. .
Strobridge Lithography Company. P.t. Barnum's Greatest Show On Earth & The Great London Circus / The Only And Original Lulu: In His Original Gigantic Straight-up Jump. N.d. Circus Posters, Cincinnati. Cincinnati Art Museum. Web. 4 Feb. 2014.
Strobridge Lithography Company. Ringling Bros / The 9 Jordans / The Incomparable Clarkonians. N.d. Circus Posters, Cincinnati. Cincinnati Art Museum. Web. 4 Feb. 2014.
"The Gaylord Oscar Shepherd Collection of Strobridge Lithography Company Calendar Cards." The Gaylord Oscar Shepherd Collection of Strobridge Lithography Company Calendar Cards. N.p., n.d. Web. 7 Feb. 2014. .
For my research I decided to visit the Smithsonian art museum in Washington dc. The Smithsonian art museum has about 3299 art works on display for viewing. I was able to see many great works of art while the art museum. The trip was eye opening. I was exposed to different art techniques with varying use of contrast and depth. I noted the different brush strokes and drawing styles and how they varied between each artist. After viewing many works of art, I decided to compare Henry O Tanner’s painting “The head of a Jew in Palestine” with Alice Pike Barneys painting, “The head of a Negro Boy”
He sued all them and received victory but in this process he lost a lot of money. He also sued the management of the world's fair because he wanted a share of the profits. However he lost the case and at the end he had lost a lot of money. When large amusement parks asked for the wheel Ferris rejected them and put his wheel in a small park. It only lasted a couple years after it was dynamited. After doing this he didn’t get any profit and was bankrupt. Infact because of all the money loss Ferris’s wife left him. Couple months later in 1896 George Ferris died at the age of
Buster, Larry Vincent. The Art and History of Black Memorabilia (New York: Clarkson Potter/ Publishers) 2000.
At the time, signboards were an early form of advertising, meant to attract attention, establish a mental-visual association between sign and place, and seduce customers. Signboards indicated specific commercial establishments and provided information about the nature of the goods and services to be found within. The iconography for certain guilds and shops were apparent to the society and would be immediately understood. People used these signboards to find their way around the city and therefore were an important part of their everyday life. However, signboards were part of a commercial culture, not of a high culture. The painters of such signboards were not seen as high-valued artist; nevertheless, favourable public reception surrounding a sign could be evoked as an indication of the imminent inception of a successful career. This shows that the lowest, most despised kind of painting could, and did, serve as an entrée into the world of high art.
The Circus Maximus has a lot of history due to all of the events that had happened over the years of the Circus Maximus, the concept of chariots speeding around a track to see which horse would come in first. A chariot was a two wheeled, horse drawn vehicle. It was invented in the west in about 2,000 BC. The Circus Maximus started in approximately 50 BC. The Circus Maximus was first used for public games and entertainment by the Etruscan king of Rome. He built the Circus Maximus and made it out of complete wood. It measured 621 meters in length and 150 meters in width. It was capable of holding about 270,000 spectators to watch the races ("Circus Maximus princeton.edu") In 81 AD, Emperor Domitian connected his new palace on the Palatine to the Circus Maximus so he could have an easier view of the races. This happened to be a large action because they had to change around the whole racing course to fit in his window where he could watch. In 64 BC, they had a fire started from ...
The Columbus Museum of Art is a place rich in local history. A place where items of historical and artistic value are stored for safekeeping and allow access for public viewing. The museum has several locally named galleries. It also has a cute children’s area, complete with artwork from little local artists from several schools in the area. The children’s area has several pieces of art that children may touch, like Chicken George. I remember touching that chicken when I would visit as a child. The area also has a mini art studio to cater to the little creative minds that pass through.
The exhibit that I viewed at the Philadelphia Museum of Art was one about European Art between the years 1100-1500. This was a series of paintings, sculptures, architecture, and tapestry of the Medieval and Early Renaissance as well as objects from the Middle East. This exhibit was an important part of the history of the Philadelphia Museum of Art because for the first time, Italian, Spanish, and Northern European paintings from the John G. Johnson collection were shown. It gave me a good idea of what the paintings were like in these four centuries and reflected ideas of both the east and the west.
... hand in hand with Persepolis’ use of visual rhetoric to advertisements. The way Satrapi and advertisement companies convey their messages varies, they still contain similarities such as the underlining themes of oppression and desire to attract their audiences.
held in what was called The Circus Maximus. The chariot races held in the Circus Maximus were
"Big Time Stars Will Be Here for the Rodeo." The Chase County News 10 May 1939.
Andrist, Ralph K., and Edmund O. Stillman. The American Heritage History of the 1920s & 1930s. New York: American Heritage/Bonanza, 1987. Print.
The well-known comic The Family Circus by Bil Keane, which is run in over 1500 newspapers, shows the hectic life of an American family, giving meaning to the saying, "Kids will be kids." It is based on the actual life of Bil Keane’s family and his experiences as a child. The most commonly noted features of his comic are the circular shape he often encloses the pictures in, and the dotted line that follows the children around, giving away their every move. Many other cartoonists try to capture the Family Circus mood by incorporating these features into their own works.
From poster design, typography, production processes, and advertising, Art Deco was a combination of various styles that helped advance the way design was seen by the public. The style’s inspiration primarily developed through the analyzation of Modern, Neo-Classic, and Abstract concepts. A.M. Cassandre was known as one of the major contributors to the style, and helped develop an exaggeration of scale and form beyond previous comparison. His works during this time were typically presented in a multitude of travel posters, including his poster for the train Express Nord in 1927 (figure 1), as well as his poster for the ocean liner L’Atlantique in 1931 (figure
Sitting on the site of the former Florida tourist attraction, Circus World, in Haines City, Boardwalk and Baseball came to life as a result of Orlando-based textbook publishers Harcourt, Brace and Jovanovich desire to be a part of the theme park and entertainment business, in 1986. Feeling that the circus theme was losing its luster, HBJ closed the property and immediately started a complete makeover into a vintage, sports-themed entertainment park.
In the late nineteen- forties, Alex Osborn was a partner in the advertising agency B.B.D.O., which is where he decided to write a book where he shared all of his creative secrets. At the time the advertising agency was much known as the most innovative firm on Madison Avenue. Born in 1988, Osborn spent much of his career in Buffalo, where he started out working in newspapers, there he teamed up with and another man by the name of Adman who he met volunteering for the United War Work Campaign. By the forties, he was one of the industry’s grand old men, ready to pass on the lessons that he had learned over the years. His book “Your Creative Power” was published in 1948.