Compare and Contrast - Stereotypes in Shakespeare's Merchant of Venice and Othello

In both of Shakespeare’s plays, "Othello" and "The Merchant of Venice", there are several instances in which the non-white and non-Christian characters are marginalized and are often the victims of prejudice and outright racism. This occurs in both "Merchant of Venice" and "Othello" particularly through the use and power of language and terms of reference. What is most fascinating about this seeming racism and bias against these characters, Othello and Shylock, is that they aren’t represented in either text as completely fitting the villainous or negative stereotypes other characters wish to put them in. Both Othello and Shylock are presented as sympathetic to varying degrees and although they posses several character flaws that some of the white and Christian characters wish to attribute to their race (Jewish as greedy and heartless and Moors as savage and barbarous) Shakespeare does not completely rely on these stereotypes to draw his characters of these two men. Although Shylock is indeed money-hungry, greedy, and oftentimes heartless, he is still portrayed sympathetically at points and his faults are not shown to be something associated with his race. Othello, most notably at the end of the play commits a savage act, but throughout the rest of the text, he is shown to be mild-mannered and exceptionally “civilized” as a general and aristocrat. This softening allows the characters to be represented as more rounded, but the fact still remains that racial bias and outright racism and prejudice are present in both texts.

In "The Merchant of Venice", the Jewish moneylender, Shylock (full character analysis here) seems to fit the stereotype common in Shakespeare’s time of the greedy and unfeeling Jew. Although we are not told ab...

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... is simply a text about a villainous Jew that is eventually “conquered” by his conversion, it is more rewarding to view it as a treatise on the fallibility of stereotypes since we are allowed to understand that Shylock’s actions are more a result of his anger at insult rather than because of something inherent in his nature. Similarly, we see that Othello’s final “savage” act of murdering his wife was not because he was inherently barbarous due to his color, but simply because he was driven to this final act because of base trickery. In light of this, it should also be stated that Shakespeare doesn’t attempt to form the idea that the white characters are any better than those who are subject to the discrimination. They are also, in both texts, prone to malice, trickery, and falsehood—perhaps even more so than those whom they detest simply because they are different.