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Mercutio character Analysis
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One day, just imagine a person was walking in a city. He then stops and manages to see a hundred dollar bill, across the street. He walks across the street, and even with thousands or even millions of people walking past him, he is stuck in a dilemma whether to pick up the money or not. This little dilemma in his head makes him an “everyman character”, a person who is an ordinary person that represents him in the human race. Even by being an everyman character, a person still has the slightest greed within them that makes them pick up that hundred dollar bill. Likewise, both Mersault from The Stranger and Sisyphus from The Myth of Sisyphus demonstrate themselves also to be an everyman character. Both protagonists have their own ideas that are …show more content…
First off, both Mersault and Sisyphus made mistakes and then only realized them once it was the end of their existence. In Part II of The Stranger, at the trial is where Mersault had some sense into his wrongdoings. The trial describes and even represents the act of absurdity where there is rational order in an irrational surrounding (the trial). Irrational order is meant to be a threat to society so that is why Camus created these characters that try to find the rational order. Sisyphus tries to find his own happiness but in the end, he doesn’t find happiness because he has achieved nothing. Although, Camus argues, “One must imagine Sisyphus happy” (Camus). But one must disagree with this because like it was said, Sisyphus has achieved nothing in his lifetime other than his crimes. Moreover, Camus describes the same happiness motif and applies it into The Stranger coincided with Mersault and his death. Mersault thinks he is not relatable to the world, but then the world is also different from him. As he was about die, “I had only to wish that there be a large crowd of spectators the day of my execution and that they greet me with cries of hate” (123). After his death, he will acquire peace and joy through his pain and struggle. But also, it allows him to enjoy his life because he knows that his mistakes cannot hold him back. With that mentality, he becomes happy and fulfills Camus’
In conclusion, the film “O Brother, Where Art Thou” by the Coen brothers and the “Odyssey” by Homer are very interesting works to compare to one another. Some events can be loosely interpreted while others are very obvious. The film is a very fascinating and entertaining way to see the “Odyssey”, and makes a person see it in a whole new way. The movie can make a person realize how the Greek myths can actually be compared to real life situations and events that people face. It was a great interpretation of the “Odyssey” and both the film and the book the “Odyssey” are very entertaining and powerful stories.
...inal moments. Secondly, by embracing his fate, he gains a sense of compassion from the reader, who, by default, will begin to feel pity for this tortured soul. Morally, it would be impossible to judge this sort of act "evil," but also equally difficult to label it "good." Again, this is Camus' personal philosophy emerging through his literature, almost seeming to beg the audience not to pronounce judgment.
The myths of David and Goliath and Odysseus and Polyphemos from the Hebrew bible and the Odyssey, respectively, are examples of the classic little hero versus large enemy story. From both the Hebrews and the Greeks we receive iterations of the same myth of how the gigantic antagonist belittles the seemingly frail young man simply because of his short stature compared to that of the antagonist’s, but in the end he is subdued by the young man with an uncommon method. Warrior Odysseus and shepherd boy David both encounter their own menacing giant, a Cyclops and the champion of Gath, who they bravely defeat which results in the increase of morale
Throughout history the themes of literature has stayed relatively the same; the situations have been updated to appeal to a modern audience. One common trait in great movies and literature is the presence of a heroic figure. Odysseus can be classified as a hero, because he departed from his home Ithaca the day his son Telemachus was born and leaving his wife Penelope to fight in the Trogon war. Odysseus starts out his journey with six hundred crewmen and twelve ships.
Finding Enlightenment in the Dark: An analysis of light in Camus’s The Stranger. In The Stranger, the protagonist Mersault becomes ostracized from his society due to his emotional separation and unwillingness to play by societal rules. His continual apathy and expression that everything “didn’t matter” eventually led to his death sentence (8). Mersault focuses on his physical surroundings, commenting on the light and the heat around him. He perceives the world through his senses, not through his emotions.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
Several philosophers have made differing viewpoints regarding the outlook of life. Richard Taylor and Albert Camus are notably known for presenting their thoughts on whether life is meaningless or not through the use of the Greek myth of Sisyphus. The two philosopher’s underlying statement on the meaning of life is understood through the myth. The myth discusses the eternal punishment of Sisyphus who was condemned by the Gods to take a large boulder up a hill, only to have it roll back down, forcing him to repeat this task endlessly. Each conceive the myth in their own way and ultimately end with a conclusion that differs from each other. Taylor’s ideals and his take on the meaning of life contrast with what Camus presents in his argument. While Taylor suggests that there is a subjective meaning to life, Camus states that life is ultimately meaningless.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
The climax of the novel The Stranger is reached when the jury declares that the main character, Meursault, is to be executed by gulliotine in the town square. The trial and its verdict are one of the important parts of the novel, as Albert Camus uses them as a metaphor to summarize the three main tenets of absurdism. Camus uses the trial and conviction of Meursault to express the absurdist ideals that truth does not exist, and human life is precious.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
At first it is seen as a story about man and the evils he can do, yet
Sisyphus knows his fate. He to Because he has the opportunity and does rationalize his fate, he has consciousness. As the rock rolls back down, he is able to look back upon his life and analyze it. Nothing could be more existentialist. Sartre’s Garcin wants to meet his fate face to face. So, Sisyphus, embodies this desire of Garcin, and is thus a hero to him. Similarly, Charles Dickens’ scrooge has the unique opportunity to become an observer to his fate in the past, present and future. While Camus’ Meursault does not care about his past, he expresses the same feelings as scrooge and Garcin in their desire to confront their fate. Indeed, this is why they are every man and Sisyphus is our hero - he has and will always confront his fate. He has the conscious power to contemplate and control his fate. Therefore, if we know that everyone faces death as their fate, consciousness equals the ability to deal with ones fate.
After only a few days of trial, the jury in The Stranger declares that the main character, Meursault, is to be executed by guillotine in the town square. The trial and its verdict are one of the important parts of the novel, as Albert Camus uses them as a metaphor to summarize the two main tenets of absurdism. Camus uses the trial and persecution of Meursault to express his belief that the justice system is flawed because of his absurdist ideals that truth does not exist, and human life is precious. In order to reform the justice system, Albert Camus believes that capital punishment needs to be abolished.
Camus believes that Sisyphus’s fortune is similar to human life. Through all the activities and events people do throughout life, simply nothing is accomplished in the end. Sisyphus is a direct ...
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.