Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Themes of the outsider camus
Themes of the outsider camus
Themes of the outsider camus
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Themes of the outsider camus
Fate in The Stranger (The Outsider) and Myth of Sisyphus
In his works, The Stranger (The Outsider) and Myth of Sisyphus, Camus addresses the consciousness of Meursault and Sisyphus through their fate.
Sisyphus knows his fate. He to Because he has the opportunity and does rationalize his fate, he has consciousness. As the rock rolls back down, he is able to look back upon his life and analyze it. Nothing could be more existentialist. Sartre’s Garcin wants to meet his fate face to face. So, Sisyphus, embodies this desire of Garcin, and is thus a hero to him. Similarly, Charles Dickens’ scrooge has the unique opportunity to become an observer to his fate in the past, present and future. While Camus’ Meursault does not care about his past, he expresses the same feelings as scrooge and Garcin in their desire to confront their fate. Indeed, this is why they are every man and Sisyphus is our hero - he has and will always confront his fate. He has the conscious power to contemplate and control his fate. Therefore, if we know that everyone faces death as their fate, consciousness equals the ability to deal with ones fate.
If we know our fate, do our lives hold meaning? Meursault remarks, “Nothing, nothing mattered, and I know why.” He knows he will be executed by a society in which he cannot exist, but he resigns and thereby assures himself that the middle is meaningless. Before his arrest, he knew he would die. Perhaps this knowledge justifies his living moment to moment. His statement compares to Beckett’s Vladimir when he laments, “Nothing happens, nobody comes, nobody goes, it is awful!” Both Meursault and Vladimir understand their insurmountable fate, but Meursault desires to confront it. This reveals Meursault to have the heroic qualities of Sisyphus. So, what Vladimir recognizes, Meursault confronts, and Sisyphus transcends. Sisyphus conquers his fate in spite of his immortality.
Camus addresses the consciousness of Meursault and Sisyphus through their fate. By the ability to recognize his past, Sisyphus shows how Meursault lacks unhappiness. Meursault has nothing with which to compare the pleasure he feels instantly, so he is at the least continually content and possibly perpetually happy. Conversely, Sisyphus understands his past yet chooses not to compare his past to the present or his known future. When the priest asks Meursault if he would prefer a different life to his own, he remarks he wants a life “where I could remember this one.
Meursault, an unemotional, a moral, sensory-orientated character at the beginning of the book, turns into an emotional, happy man who understands the "meaninglessness" and absurdity of life by the end of the book. Meursault realizes that the universe is indifferent to man's life and this realization makes him happy. He realizes that there is no God and that the old codes of religious authoritarianism are not enough to suffice man's spiritual needs. One has to create one's won meaning in an absurd, meaningless world.
The Allegory of the Cave, and The Myth of Sisyphus, are both attempts at explaining some aspect of the way people think or why humans do as observed. Both stories illustrate the same idea: without necessary and proper exposure to change, thinking is limited and ignorance is the direct product.
...iod when Camus writes this novel. Camus obviously knew the time period and explored different ideas and philosophies about pointless of life in people which comes out in his character, Meursault. In prison Meursualt also realizes that he’s trapped, and there’s no way out as he remembers what the nurse once said to him. His growth in self reflection results in unimportance of emotional values of life and help focus what’s directly ahead of him. This significant change results him in understanding himself and his voice, and figuring out his capabilities and philosophies. Time spent in prison helps Meursault finally understands himself, the meaninglessness of life, and the unimportance of time which shows the shift in the character after sent to prison.
Taylor is careful to identify exactly which features of Sisyphus predicament account for the lack of meaning. He argues that the facts that Sisyphus task is both difficult and endless are irrelevant to its meaninglessness. What explains the meaninglessness of Sisyphus’s life is that all of his work amounts to nothing. One way that Sisyphus’s life could have meaning, Taylor proposes, is if something was produced of his struggles. For example, if the stone that he rolls were used to create something that would last forever then Sisyphus would have a meaningful life. Another separate way in which meaning might be made present is if Sisyphus had a strong compulsion for rolling the stone up the hill. Taylor points out, though, that even given this last option, Sisyphus’s life has not acquired an objectives meaning of life; there is still nothing gained besides the fact he just ...
Several philosophers have made differing viewpoints regarding the outlook of life. Richard Taylor and Albert Camus are notably known for presenting their thoughts on whether life is meaningless or not through the use of the Greek myth of Sisyphus. The two philosopher’s underlying statement on the meaning of life is understood through the myth. The myth discusses the eternal punishment of Sisyphus who was condemned by the Gods to take a large boulder up a hill, only to have it roll back down, forcing him to repeat this task endlessly. Each conceive the myth in their own way and ultimately end with a conclusion that differs from each other. Taylor’s ideals and his take on the meaning of life contrast with what Camus presents in his argument. While Taylor suggests that there is a subjective meaning to life, Camus states that life is ultimately meaningless.
She not only lost a newfound love, but she was also being torn away from her father, mother, and sister. However, her troubles had only just begun. Kieu and Scholar Ma left for his home—a brothel he owns and operates alongside a woman named Dame Tu. Kieu was shocked to find out how little she knew about the man she married. After learning of Kieu’s misfortune and the reason she is there, Dame Tu allowed Kieu to live in the brothel, but not be obligated to host guests (Thong 66). After many meaningless, dreary days, a man visited the brothel that appeared to be taken with Kieu (Thong 68). He offered to come under cover of night and rescue her. He came to her as promised, put her on her own horse, and they rode away. Soon into the ride, he abandoned her, and she was left lost and alone. A band of men on horses surrounded her and dragged her back to the brothel (Thong 70). It was then Kieu realized she was set up by Dame Tu, and the man never had any pure interest in her at all. Dame Tu brutally beat Kieu upon her return (Thong 70). Kieu’s heart was broken once again over her twisted fate. After her attempt to run away, Kieu was no longer allowed the privilege of not welcoming guests. Dame Tu taught her the ways to charm and ensnare men,
It wasn’t until two years later, after the introduction of the Anarchist Exclusion Act, that Goldman reentered the scene, lively as ever. The Anarchist Exclusion Act, or the Immigration Act of 1903, was a law introduced in the United States and signed by then president Theodore Roosevelt. Anarchists, along with people with epilepsy, beggars, and those who worked in the sex work industry, were all included in the revised list of inadmissible immigrants, which means the people who fell into these categories were not to be allowed into the country. This unfair and misrepresentation of anarchism is what inspired Goldman to leave her reinvented life as a nurse, and once more join the anarchist revolution. After her comeback, Goldman founded an anarchist journal, called
However, upon deciding to kill a man, he quickly learns that his previous unconcern will not diminish the consequences for his deed. Put to death, Meursault remains stagnant on his opinion of justice, refusing to ever consider that justice possesses any worth. Upon receiving a visit from a chaplain hours before his execution, he merely uttered “I had been right, I was still right, I was always right” (Camus 121) Meursault did not understand why the chaplain wanted to force him to turn to God and gain a moral sense about life. Thus he simply reiterated the motto that he lived by: an apathetic, self-absorbed idea that nothing in life means anything. Meursault’s continual refusal to accept the moral standards of the world prohibited him from every truly finding a true sense of
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
... his mother and the idea of God which is again supported by his close relationships. Those relationships are with people who don’t believe in a higher being or who show no true morals. Camus accommodates white with many objects and people, yet purposely excludes Meursault and refers to him as dark. All of these techniques show Meursault as a nonreligious man with potential to harm without remorse. This leads up to his interaction with light where he feels uncomfortable just as he does with God. Meursault’s history and personality lead up to the murder of the Arab, the distraction of the light, and in the end, accusing God, “the light”, for his criminal behavior. Human nature needs moral standards or the world would be as corrupt as Meursault’s life.
...everyone is surrounded by death. Camus explains that life isn’t about what is not envisioned, but it’s about what is evident. Meursault’s feeling of apathy is directly related to his conviction that life lacks necessary order and meaning, “As if that blind rage had washed me clean, rid me of hope…I opened myself to the gentle indifference of the world,” as he awaits his impending death, he finally recognizes that life is the most complex entity in the universe and one only has one life to live, so live it wisely (122). In the end, Meursault changed spiritually because he didn’t concentrate as much on the physical world because while he was in prison, he thought about life’s gifts and (although still atheist) realizes that faith in yourself and life is very important. There is also some irony here; he finally realizes the meaning of live just as he awaits his death.
“But from the moment he knows, his tragedy begins.” Meursault is not unlike Sisyphus. In the novel, The Stranger, by Albert Camus, we watch this character change from a carefree man who loves being alive and free to a man who is imprisoned for a meaningless murder he commits but who eventually finds happiness in his fate.
Based on the data of the interviews from the participants that have various cultural backgrounds, there is a need to reform on the social work profession. Due to the social work career having mostly western views on what is acceptable and what is not, there is no surprise that there are conflicts of cultural tension between the social workers and their clients. I believe that the authors acknowledged the cultural variables in a meaningful way because it was not centered on just race and ethnicity. It was mentioned for a brief paragraph but it did not revolve around it. The study explored the cultural tensions within people of the same cultures and race and it would seem that there would not be any cultural tensions since they could identify with each other, but there are. It was a nice spin to explore that some social workers feel rejected by their own people since they have to adhere to the values and beliefs of the social work profession, that has western values. Thus, leaving the social worker to feel conflicted a good majority of the
From those actions stems the character of Meursault. In writing, Meursault is painted as an indifferent, honest, and very strange man. He completely embodies the absurd and in many ways he can be considered a reflection of the absurd artist in the Myth of Sisyphus. Meursault expresses all of the absurd characteristics outlined in the book : revolt, freedom, and passion. Revolt- By not partaking in social customs or following c...
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.