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Nudity in art history
3 Similarities and differences between ancient Greece and ancient India
Nudity in art history
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During these captivating times in the years of 300-1900 B.C.E, where the most exquisite masterpieces were born between the revolution of the Greeks and India. The use of colors, beading, gems and stone had birth a new beginning that will last a lifetime to come. Of course, not all of India and Greek art forms exist in its original state some has been remade to preserve its natural existence. Take a dive with me as we capture and explore the relation between man and God, compare similarities and differences between India and Greek art sculpture and look at a modern art that can capture both arts in one. When comparing the two cultures, they differ in clothing, jewelry, sculpture, architecture, and so forth. These two unique creations of art The human body was used to bring out the different attributes of each God. According to Encyclopedia Britannica, the author writes, the nude was used both to represent the body as a symbol of spirit and to reveal the imagined shapes of the gods. The multiple heads and arms of sculptured Hindu divinities were thought necessary to display the many attributes of these gods’ power (encyclopaedia britannica, 2016). There is a reason as to why there is so much nudity present in Greek art and sculptures. The reason being is because that is what they’re accustom to. In the time of the Greek, there were a variety of athletic competitions were nude men would do multiple sportsman activities so it was no surprise when the Greeks began to paint and sculpt. This is also the reason why the Greeks have become so fascinated with human form. (Sayre, Body painting is not new to the industry of art but it draws heads to turn when displayed. Body painting and adornment is an art form, which may be even older. The function of body adornment is to symbolize social identity, social roles, and possibly a sexual signal (Unknown, 1999). This kind of art form is a combination of the ideology of India and Greek because it captures the perfect form of the body while at the same time capture the very essence of using various colors making the masterpiece quite
Around the time 530 bce a statue was carved out of marble and given the name Anavyos Kouros. It represents a male figure completely nude. It is a sculpture in the round and stands a height of six foot four inches. Starting from the top we see the man's head. His hair looks odd to that of a normal human, it does not look like it belongs on his head. Looking at his facial structure his eyes are large similar to art of ancient Egypt. His nose, lips, cheeks, and ears are well defined and proportional. His body is muscular and he looks to be in great shape. The sculptor who made this paid close
Greece is famously known world widely for its spectacular artworks. People are familiarized with its sculptures, paintings, and mosaics, but not many know how its art has been transforming from time to time. An explicit example would be the drastic changes from Aphrodite of Knidos to The Old Market Woman.
practice amongst the men, which is nudity. The sculptor depicted Dionysos with a slightly S-shaped body
Aegean art is very simple and plain but very beautiful. Their sculpture has very little detail carved into the art but that maybe because originally their statue was painted in very bright colors. The female figures are plainer and more compact the arms and legs are folded in there no gap in between their arms and legs. While the male figures like the “male harp player from keros, c. 260—2300 B.C.E., Early Cycladic period, marble, 22.5 cm high”, are more detailed but not by much. They are more rounded they aren’t as straight and stiff looking, like the female sculpture, the male statues head is tilted back like is he is singing along to the music he plays with his harp, the leg and arm are open and apart unlike in the female sculpture who is compacted into a rectangle like shape. But they must have looked much different and more alive when they were painted than they do now. But even without the paint they still look beautiful.
Greek artists showed value for the individual. All people were portrayed in Greek art, from the sagging old woman to the ideal athlete. Although early Greek art focused on the human ideal, their later art shows that the Greeks appreciated all forms, and found the human body in general to be a beautiful thing. Even the gods in Greek art showed how highly the Greeks valued humanity. The gods were depicted as humans, and were made to human scale; no huge overpowering deity was ever portrayed in their art. The Greeks appreciated themselves in their art as much as they appreciated the gods. Even on the most famous temple of all time, the Parthenon, humans were portrayed. The frieze that adorned the upper face of the Parthenon depicted the human procession in honour of the god Athena.
Art is also used for ritualistic purposes. Men's loincloths were painted and decorated with tassels to symbolize falling rain. Men also wore elaborate costumes that include special headdresses, masks, and body paints during ritual ceremonies and dances.
All in all, the artworks of Mesopotamia, Ancient Egypt, Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation, these cultures are vastly exclusive works ranging from triangular depictions of form, to breezy depictions of nature, to sturdy architectural innovations for their citadels. Because of the existence of these major cultures of art in our world, it has made what art is today. These four unbelievable time periods have learned from each other and improved the way they accomplish their art techniques. These amazing cultures set a foundation that we were able to build on for thousands of years now with much more to come.
In this article Winckelmann states that the good taste in art that is present in contemporary works stems from the work of the ancient Greeks. The beauty in the modern works of artists like Raphael (especially his Madonna and child with St Sixtus and St Barbara) hold such beauty, complexity of emotion, and good taste because he draws on the ideas set up by the great ancient sculptures and society in which they lived and drew inspiration from. Winckelmann categorizes the ancients greatness into two main ideas that are necessary for contemporaries to draw from in order to reach greatness: Natural beauty and noble simplicity and quiet grandeur.
The Greek believed the human body was the measure of all things, therefore the artists created sculptures in a very detailed fashion which made them very life-like although the size of
Hindu believes women are creator, caretaker, destroyer and a lover. Such beliefs are common in both eastern culture and western tradition that can be seen represented in different canvases of many famous artists. From renaissance Michelangelo Angelo to abstract Pablo Picasso, artists have always painted women in different circles of life explaining different paradox of emotional feelings, spiritual beliefs, and physical representations. Explaining such themes in balanced form and in limited canvases was not possible without abstract thinking and imaginative hard work. Such trend in art can be seen in artwork of different famous artists, which they created as per their thoughts and desire broadening meaning of visual arts pouring the spices of science and technology.
The primary focus of ancient Greek sculptures was that of the human body. Almost all Greek sculptures are of nude subjects. As the first society to focus on nude subjects, Greek sculptors attempted to "depict man in what they believed was the image of the gods and so would come to celebrate the body by striving for verisimilitude or true – likeness (realism and naturalism!)."(Riffert) Not only did the Greeks celebrate the human form in their art but also in everyday life. (Riffert) One of the favorite topics for sculptors was that of the athlete. In Greek culture athletes were described as "hero–athletes". (Riffert) This shows that athletes were revered and looked upon as heroes. The influence of athleticism is evident in many famous sculptures. I will attempt to show how the human form influenced Greek art. It is important to note that many of the Greek sculptures discussed do not exist in their original form but rather in Roman copies of the original bronze sculptures. (Riffert)
varied from designing coins, mosaics, gem engravings, architecture, pottery and sculptures. I’m also going to talk about what tools the sculptors used and the various methods used to make pottery and vases. The second part of my report will be about a day in the life of a Greek artist for example how they were treated were they considered middle class, upper class or were they looked down upon also what were their daily tasks, how did they would start their day and end it. The main reason I picked this topic is because art is a very important key to learning about a cultures history and beliefs. Greek art has influenced many other countries especially Rome most of their art and art from the Italian renaissance were copies of original Greek works of art.
Perhaps one of the most defining and easily identifiable aspects of the ancient Greek culture was the immortalization of humans and gods in sculpture. Sculpture had existed in the world for thousands of years before the ancient Greeks made their stake in the art, but the Greeks added an entirely new set of aspects to their sculptures. Unlike the Egyptian and Mesopotamian sculpture centuries earlier, the Greeks set forth not just to capture the image of a man but to capture that which made him a man. The Greeks set in place three base tenants to display the tone of a sculpture. Through the use of Humanism, Realism, and Idealism the ancient Greeks were able to capture humans and gods forever in marble.
Gandhara had absorbed Indian and Mediterranean influence in its art as well as its culture. This fusion of civilizations had taken place during the 6th and 5th century B.C, it was during this time period that the rhythm of civilizations was maintained. It was noted for the distinctive Gandhara style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. As mentioned earlier the Gandhara artists were said to have hand of a Greek but the head and heart of an Indian . During this period the devotees had dedicated themselves to the novel task of carving stone images of Buddha and Bodhisattvas. In their version of the Buddhist legends, the Gandhara artists, heavily favored the use of classical Roman art with bounteous of Greek mythology such as the angels that had garlands, Centaurs with human heads, arms and the body, spiral and flowing lines, Tritons with the fish tails and horse’s forefoot, scrolls and stuccos. The carving of the drapery showed the Hellenic influence on Gandhara art, for example the bright disc around the head of the Buddha or the half human being with the head of trunk of a women and tail of a fish. Similarly the wavy treatment of the hair, balance and distribution of weight considering the frame of human parts certain motifs and patterns all indicated a full close knowledge of
...f the world are deeply rooted in tradition and spiritual views. They see these body modifications as a rite of passage in many cases and not so much for aesthetic purposes, even though many of these body modifications are seen as beautiful to many people and many cultures. Western society have adapted some body modifications from the Eastern world, but have used them for aesthetic purposes most of the time. We are a society and a culture revolved around the way things look and how we view ourselves. When a person modifies their body in Western society, it is often for the pure purpose of the way one looks or how something looks on one’s self.