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Animation in modern cinema
Animation in modern cinema
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The three movies Abbott and Costello Meet Frankenstein, Young Frankenstein, and Monster House were very popular when they were released and received lots of good reviews. They were all considered “state of the art” in the animation that each of the movies contained. Although they were all created and produce at different times they have many similarities and differences. These are shown through the animation, storyline and the audiences each was produced for. The animation in each of the movies was very interesting in the different ways it was made. In the movie Abbott and Costello Meet Frankenstein it had stop motion animation when the man transforms into the werewolf. This is different from the animation in Young Frankenstein. In Young …show more content…
Abbott and Costello Meet Frankenstein the story follows two men who have to deliver two boxes that supposedly contain mannequin of the Frankenstein monster and Dracula. They are actually alive and Dracula is trying to take control of the monster to use him to do Dracula’s will. Young Frankenstein is about Frankenstein’s grandson who at first isn’t interested in creating a monster but he ends up doing this and he is successful in doing so but soon realizes that the wrong brain is in the monster and he has transfers so of his knowledge to the monster to make it smart and is successful and ends happily. Monster House is the story of a house that has the spirit of a deceased woman that takes control of the house. Three kids try to destroy the house with the help of the owner of the house and successfully do so in the end. They are all Halloween themed and consist of monsters. The first two are similar in that both are about Frankenstein. The movies are different in that they each use the monsters in a different way. In Abbott and Costello Meet Frankenstein the monster is a bad guy but in Young Frankenstein the monster ends up being a good guy. In Monster House no one believes the kids but in Young Frankenstein the whole town believes that there is a monster. It’s the same in Abbott and Costello Meet Frankenstein until they actually see that
stupid. He was unable to talk or read. The monster would just rome the world
Nature is a dominant theme throughout the romanticism period, which was at its peak between the 1800s and 1850. The novel Frankenstein, which was written by Mary Shelly was written in 1818, and the poem A Cottage in Grasmere Vale written by Dorothy Wordsworth was written in 1805, both the novel and the poem were written during the peak of the romanticism era, which would enlighten the clear evidence of nature throughout both pieces. Dorothy was William Wordsworth’s sister, who was always close with her brother. Nature is described as ‘the phenomena of the physical world collectively, including plants, animals, the landscape, and other features and products of the earth, as opposed to humans or human creations’ In this essay I will discuss the key elements of nature and the natural world in Frankenstein and A Cottage in Grasmere Vale. Dorothy lived in Grasmere in the
Many similarities can be found between Mary Shelley's 1816 novel, Frankenstein and the 1982 movie Bladerunner . The number of similarities between these two works, created more than two hundred years apart, is staggering. A cursory look at both works reveals these similarities:
Frankenstein and Of Mice and Men Frankenstein and Of Mice And Men are different in almost every way. They are written at different times, by different classes Frankenstein and Of Mice and Men. Frankenstein and Mice And Men are different in almost every way. They are written at different times, by different classes of people. and in different areas of the world where life is dissimilar to the extreme.
Frankenstein is a horror movie that tells the story of Dr. Henry Frankenstein’s experiment. In search for the fame and glory of playing to be god, he reaches a point where he is able to revive dead people. In this version of Frankenstein’s monster we see a selfish and careless scientist that created a creature with his intelligence. The way the character is shown reflects how ambitious someone can be to reach to be known in the world. This movie makes the people who are watching to feel empathy on the poor creature. This poor creature that did not want to live in a life where everyone is going to hate him for having a horrible aspect and not following rules that he has no idea about.
Frankenstein Over Time Mary Shelley’s novel Frankenstein is impressive, entertaining, and fascinating, so it is no surprise there have been so many films and artworks influenced by her novel. Many of which have put their own spin to the horror novel, especially the character of the creature that remains one of the most recognized icons in horror fiction. However, there have been critics who argue modern versions and variations have lost the horror and passion that is an essential to the creature. The start of the Creature is bound to be one book. However, public impression of the Creature has changed severely since the publication of the original novel, leading to diverse styles and plot lines in its diverse film adaptations.
Another difference between the movie and the book Frankenstein is that, in the novel, we are told that, Frankenstein created the creature from scientific principles of building up human body parts. However, we are not told how he got t...
Both characters from the novels Prometheus and Victor Frankenstein were similar because they were both intelligent. Victor loved science, he sued to go on journeys to seek more information about life and death, because at home he had nobody to teach him.” My father was not scientific, and I was left to struggle with a child's blindness, added to a student's thirst for knowledge. (Victor Frankenstein quotes on education). And he even studied abroad to see more knowledge on his favorite subject. This created major conflicts with his professor at the university but also admiration among professors and peers.
The characters in Frankenstein are a collection of those in Paradise Lost. Frankenstein parallels Eve in the Garden of Eden in that they would do whatever it takes to gain the knowledge of all things. While, the Creature corresponds to Satan because they both wanted to break free from their creators and receive a chance at their own decisions. In Chapter 15 of Frankenstein, Shelley alludes to Paradise Lost in order to establish a connection between the Creature and Adam, when the Creature tries to 'sympathize with [his] feelings and cheer [his] gloom.' However, he then realizes that it was all a 'dream, no Eve soothed [his] sorrows, nor shared [his] thoughts, [he] was alone.' The creature meets with the fact that Frankenstein abandoned him, and ?in the bitterness of [his] heart [he] cursed him.' Yet, earlier in Chapter 10, Shelley suggests an affiliation between the Creature and Satan. He feels like a 'fallen angel, whom thou drivest from misjoy.' Both Satan and the Creature make a vow to destroy something good. In Book I, Satan vows to 'seek to bring forth evil' out of good. Similarly, the Creature declares that 'if [he] cannot inspire love, [he] will cause fear. This network of characters aids the reader in identifying the intertextuality of the two pieces.
James Whale's adaptation of the story of Frankenstein, while it is clearly and deservedly a horror classic, is tremendously less than it could have and SHOULD have been. There are unexplainable deviations from the novel, such as the fact that Dr. Frankenstein's name was, for some reason, changed from Victor in the novel to Henry in the film, and the film itself really only covers about a quarter to a third of one chapter in the book - that's how much has been left out. There was probably only about 5% or 6% of the full story included in this film, and I am willing to guess that the sheer magnitude of ignored material in the original story is at least as much of a reason that there were so many subsequent Frankenstein films (and Re-Animators and whatnot) as was the film's commercial success. This may, in fact, be one of those rare cases where the imitators may have just wanted to do it right, or at least tell the REST of the story.
Frankenstein by Mary Shelley became widely known as one of the best horror novels of her time and the basis for films that branched out of Shelley’s novel. Frankenstein was heavily inspired by the Industrial Revolution and the Romanticism. Therefore, Frankenstein’s monster appears to be Shelley’s representation of the Industrial Revolution and the society’s fears and anxieties regarding the rapid growth of science and technology.
Frankenstein and the monster are also similar in that they are isolated and outcasts of society. Frankenstein is
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
Frankenstein and Paradise Lost Striking similarities between a duo of novels are not unusual. The novel Frankenstein, by Mary Shelly, deals with a scientist named Victor Frankenstein who embodies a creature, who eventually wreaks havoc on his life. The novel Lost Paradise, by John Milton, exposes the cruelty of Christianity or the Christian God within the characters God, Satan, Adam, and Eve. Victor Frankenstein and God have many similarities, as they are both creators of incarnations. Victor's creature, known as the monster, shows striking similarities with Satan and Adam.
Free will is an inherited ability everyone obtains from birth. This ability allows humans or any living being the freedom to act on their own behalf without being influenced or forced by an external medium. However, this fragile, yet powerful capability is susceptible of being misused that may result in unsavory consequences to the one at fault. In Paradise Lost and Frankenstein, both texts feature powerful figures who bequeathed the characters in focus, the freedom to do whatever they desire in their lives. Satan and Adam and Eve from Paradise Lost, and the monster from Frankenstein are given their free will from their creators, all encounter unique scenarios and obstacles in their respective texts however, have distinctions in how they handle