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Nature as a literary theme in Frankenstein
Nature as a literary theme in Frankenstein
Nature as a literary theme in Frankenstein
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Nature is a dominant theme throughout the romanticism period, which was at its peak between the 1800s and 1850. The novel Frankenstein, which was written by Mary Shelly was written in 1818, and the poem A Cottage in Grasmere Vale written by Dorothy Wordsworth was written in 1805, both the novel and the poem were written during the peak of the romanticism era, which would enlighten the clear evidence of nature throughout both pieces. Dorothy was William Wordsworth’s sister, who was always close with her brother. Nature is described as ‘the phenomena of the physical world collectively, including plants, animals, the landscape, and other features and products of the earth, as opposed to humans or human creations’ In this essay I will discuss the key elements of nature and the natural world in Frankenstein and A Cottage in Grasmere Vale. Dorothy lived in Grasmere in the …show more content…
Here she maintained the garden, and found a love for nature and all things to do with nature. With all the disruption in her life, Dorothy needed to find a safe haven out of all the disruptions, and she achieved this with nature. ‘When she sees a threatening scene, she attempts to find a way to redeem it with an image of protection or hope’
The setting in Frankenstein is vivid and on the opposite ends of the spectrum to the setting in the poem A Cottage in Grasmere Vale. In Frankenstein, the novel is bookended by the setting as it starts off in the Arctic and also ends in the Arctic. These two settings, are in contrast as in A Cottage in Grasmere Vale the setting is scenic ‘Peaceful our valley, fair and green, and beautiful her cottages’ and in Frankenstein the setting is described as ‘those icy climes’ Shelley uses nature to represent Dante’s inferno and the ninth innermost circle of hell, the ninth circle of hell is for people who have betrayed god which is what Victor does by trying to change nature, and the setting is in the Arctic, surrounded in ice. Victor is fascinated with
In these aspirations, whereas the Romantic poets value the permanence of nature in contrast to that of manmade creations, Frankenstein connects his Romantic sentiments with icy climates which shift and fade. The drastic change in tone from his speech to Walton’s crew to his final speech to Walton is an echo of the ice that melts a few days after his speech to Walton’s crew. Frankenstein’s sublime experience on the icy heights of Mont Blanc (Shelley 66) and his praise of the Arctic’s sublimity (Shelley 155) are also notable in that they both take place in the typically warmer months of August (Shelley 64) and September (Shelley 154). While such alienation from reality is typical of the Romantic poet, Frankenstein’s two experiences in these icy landscapes lead to his greatest failures: the Creature’s request for a wife (Shelley 101), which when Frankenstein refuses (Shelley 120), results in the “destruction” of his friends, family, and himself (Shelley 157). Frankenstein’s praise of the isolating sublime is characteristic of the Romantic poet, but the mutability of his icy landscapes leads to his demise rather than to the prosperous legacies the Romantic poets hoped
When you first open your eyes, take your first steps, or when you say your first words, these first encounters with the world were most likely observed or you were helped by another person. In the book Frankenstein by Mary Shelly the creature learns a lot about the world from the cottagers. The creature spends his first few months learning by himself but once he found the cottagers, he learned more than the basics of the world. The creature has conflicted feeling towards the cottagers because he thought of them as his “protectors” the one who taught him the ways of the world, but is afraid to show himself to them because he is afraid that they will not accept him due to the way he looked.
Mary Shelley’s novel, Frankenstein, illustrates the Romantic idea of the sublime naturalworld as an emotional experience for the characters of the novel. Within the text, Shelleyutilizes an allusion to the John Milton’s biblical story, Paradise Lost, to make a parallel betweenthe characters. Within the passage, the monster compares himself, as well as his creator, Victor,to the characters Adam and Satan. He comes to realize that he is more similar to Satan;ultimately, leading him to his reign of terror and the revenge he wishes to impose on Victor. Themonster realizes that he is similar to Adam in Paradise Lost in that they both do not want to bealone. The monster also realizes that there is good in the world that is deeply contrasted with
Throughout the Romanticism period, human’s connection with nature was explored as writers strove to find the benefits that humans receive through such interactions. Without such relationships, these authors found that certain aspects of life were missing or completely different. For example, certain authors found death a very frightening idea, but through the incorporation of man’s relationship with the natural world, readers find the immense utility that nature can potentially provide. Whether it’d be as solace, in the case of death, or as a place where one can find oneself in their own truest form, nature will nevertheless be a place where they themselves were derived from. Nature is where all humans originated,
' As he jumps from the window into the darkness, the reader is left to wonder what will become of him. Is the darkness and extreme cold a metaphor for the 'hell' he is now entering? Mary Shelley has enabled the reader to feel great sympathy with Frankenstein's monster. This was a creature who at first only desired acceptance from his 'master' but received loathing, hatred, and utter rejection. His change from an innocent being into a vengeful beast, we feel is the direct
Frankenstein was set in an isolated building in Ingolstadt, Switzerland "on a dreamy night of November" "as the rain pattered dismally against the panes". This creates tension as she is using the horror of the unknown in the isolated building. " Candle was nearly burnt out." Mary Shelley also creates tension in her novel by using the description she does when the creature has just been created, "His yellow skin scarcely covered the work of muscles and arteries beneath his hair were of a lustrous black and flowing". The way he describes this creature clearly gives you the impression it is evil.
Most Americans have some idea of who Frankenstein is, as a result of the many Frankenstein movies. Contrary to popular belief Mary Shelley’s Frankenstein is a scientist, not a monster. The "monster" is not the inarticulate, rage-driven criminal depicted in the 1994 film version of the novel. Shelley’s original Frankenstein was misrepresented by this Kenneth branagh film, most likely to send a different message to the movie audience than Shelley’s novel shows to its readers. The conflicting messages of technologies deserve being dependent on its creator (address by Shelley) and poetic justice, or triumph over evil (showed by the movie) is best represented by the scene immediately preceding Frankenstein’s monster’s death.
James Whale's Frankenstein is a VERY loose adaptation of Mary Shelley's 1818 novel. The spirit of the film is preserved in its most basic sense, but the vast majority of the story has been entirely left out, which is unfortunate. The monster, for example, who possesses tremendous intellect in the novel and who goes on an epic quest seeking acceptance into the world in which he was created, has been reduced to little more than a lumbering klutz whose communication is limited to unearthly shrieks and grunts. Boris Karloff was understandably branded with the performance after the film was released, because it was undeniably a spectacular performance, but the monster's character was severely diminished from the novel.
The novel “Frankenstein” is almost entirely set in remote and desolate locations. The book starts with Captain Walton meeting Victor Frankenstein in the Arctic Circle, where Frankenstein narrates the strange tale of how he got to where he was. His story includes his boyhood in remote and mountainous Geneva; his secluded studies at the University of Ingolstadt, where he creates the monster; Mont Blanc, where he first speaks to his creation; and the bleak Orkney Island, where he destroys the partner he was making for his original creation. Throughout the novel Victor seems isolated, Even when he is at the busy University of Ingolstadt, the setting still has a remote feel to it. Frankenstein becomes so focused on his work to create life that he shuts himself off from the world for months, without even giving himself time to appreciate nature or contact loved ones, as we can see when Victor Frankenstein imparts, “The summer months passed while I was thus engaged, heart and soul, in one pursuit. It was a most beautiful season; never did the fie...
Frankenstein, like other English Romantics, placed great emphasis on the power of nature. The Arve Ravine, and the Valley of Chamounix exemplify the harmony and beautiful serenity of nature, and add to the romantic quality of the novel while sharply contrasting with the chaos of Victor's troubled mind. The Romantic movement can be seen as a protest against the rapid industrialization that was occurring in England at the time of Frankenstein's publication. While many interpretations are plausible, the novel depicts the fear that technology (and the human obsession with technology) would ultimately prove disastrous. The characters of Walton and Frankenstein are shaped by Romantic idealism, as manifested in their ...
Mary W. Shelly’s classic book, Frankenstein, was written in the early nineteenth century. The setting that is taken place within the story has multiple locations. Amongst these multiple locations are Switzerland, Geneva, the home of Dr. Frankenstein, unknown villages/cottages, and the North Pole which was the exposition of the story to begin with. The style of the classic, Frankenstein, has a different style of writing due to not being written in the proper chronological nature. When Frankenstein, is adapted to motion picture film, the film focuses on the horror of Frankenstein’s monster, however the book is really about romanticism. Stephen Gould intertwines his opinion on the book Frankenstein. His opinion is
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
Victor Frankenstein and his creation are alike in several ways, one of them being their appreciation of nature. Victor embraces the nature for the quick moment that he escapes the creature as it “filled me with a sublime ecstasy that gave wings to the soul and allowed it to soar from the obscure world to light and joy” (Shelley 84). Vict...
Beginning with first wave ecocriticism, the focus on 19th century literature positions Frankenstein right in the radar of the early period of American "nature writing" as well as British writers dealing with humanity and nature as an effect of Romanticism, such as William Wordsworth, John Keats, Samuel Taylor Coleridge among others. Mary Shelley directly quotes Wordsworth and Coleridge through the voice of what could be considered the most "human" of the main characters within Frankenstein, Victor. While lamenting over the loss of his friend Clerval, Victor refers to a passage from Wordsworth's "Tintern Abbey" to express the high value he holds for his departed friend, highlighting important interactions between human interests and nature. Many of the images of beauty expressed through Wordsworth's lines shows the appreciation for nature and its importance over human concerns, and an examination of the deep connections between humanity and nature that ideally should b...
Nature is a key element in romanticism as the early romantics stressed the divine beauty they saw in nature. Mary Shelley uses the elements of nature to further the emotions of her characters and create a safe place for them to think. She also goes into the aspects of science and nature, "[Scientists] penetrate into the recesses of nature and show how she works in her hiding-places” (Shelley 33). In Frankenstein, Mary Shelley creates a novel based around science overreaching to boundaries. Many scientific experiments of the early 1800s make an excellent base in history for Frankenstein. Trials such as biomedical trials that began during along with the continuing studies into human anatomy and the natural world. Weather is an important element of nature which is commonly used to reflect and supplement human emotions. After William’s death, whilst Victor is returning to Geneva to talk to his father “the heavens were clouded, and [soon] the rain was coming slowly in large drops” (Shelley 62). Therefore, the storm reflects Victor’s mournful attitude and as the storm p...