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Term paper on war poetry
Features of war poetry in English literature
Term paper on war poetry
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The two poems ‘Anzac’ by John Brereton and ‘Who's for the Game?’ by Jessie Pope are both written around the time of World War I. The two poems contain both differences and similarities in how they convey attitudes to war some ways that this is achieved are language, structure and the themes of the poems. One way the two poems differ is in the theme and tone of the poems. In Jessie Pope’s poem she has produced war propaganda which is designed to encourage people to go to war. This means that she is unlikely to talk negatively about war. As shown in the poem by the quotation ‘who’ll toe the line for the signal to ‘go’?’ This implies that the war is a race because the signal ‘go’ is often associated with the start of a race. Furthermore, the …show more content…
quotation ‘toe the line’ this is often used to describe the moment before a race where the athletes are waiting to start. Therefore, this quotation implies a sense of excitement as they can’t wait to go. This is an example of propaganda poetry which explains why Pope has compared War to an exciting race as she is try to encourage people to join the army. As Jessie Pope is a woman she will not have fought in the war so she is not a reliable source for what the war actually looked like. On the other hand John Brereton’s poem ‘Anzac’ portrays the war in a more depressing tone. An example of this is ‘within my heart I hear a cry.’ This example suggests damage to health, represented by the heart. The poem ‘Anzac’ is also written by a male who fought in the war so this is account of how he felt during his experience of the war. As you can see the poems differ significantly in theme and tone while ‘who’s for the game?’ shows Pope being positive about the war, shown by the patriotism in the poem whereas in ‘Anzac’ Brereton portrays a negative image of war suggesting he disliked his involvement in it. A further way the two poems differ is in structure.
‘Who's for the Game?’ is 15 lines while ‘Anzac’ is 22 lines. This may be a metaphor as Brereton might be suggesting, in his poem ‘Anzac’, that the war is long. Whereas ‘Who's for the Game?’ is a much shorter poem suggesting that Pope was trying to show that the war will be short and over soon which fits with propaganda as more people will be happy to fight if they think the war will be over soon. These two poems also have different rhyme schemes with ‘Who's for the Game?’ using an ABAB rhyme scheme, rhyming words every other line, while ‘Anzac’ uses an AABB rhyme scheme, rhyming words in pairs. The rhyme scheme in ‘Who's for the Game?’ rhymes lines that are associated with bravery such as ‘who’ll give his country a hand?’ with lines that imply fear ‘and who wants a seat in the stand?’ This technique makes the reader compare the two options with the bravery on obviously being sensationalised to encourage people to join the war. However one similarity between the two poems is that they are both one long stanza. As you can see the two poems differ in rhyme scheme and length which means that they can create different tones to the …show more content…
poem. A third way that the two poems contrast is in the language used.
While in the poem ‘Who's for the Game?’ by Jessie Pope euphemistic language is used, which can be illustrated by the description of war as a ‘show.’ This is an example of euphemistic language as shows are form of entertainment that many aspire to perform in. Furthermore, shows are often associated with glamour and luxurious lifestyles. This shows how the poet wants to portray this poem has fun for everybody. This shows how Pope feels that war is an enjoyable experience which is family friendly like most shows. Additionally, the poet uses multiple poetic techniques such as personal address ‘And she’s calling for you.’ The poet also uses other techniques such as metaphors, by describing the war as a game. The use of these techniques show how Pope wishes to spread the message, war is great, to all those around her. On the other hand the poem ‘Anzac’ by John Brereton uses dysphemistic language to create a depressing atmosphere. This can be illustrated by the quotation ‘Their own hearts drummed them to the fight.’ This example shows how John feels that the war was scary. This is implied by the fact that a heart beating hard against the chest, like a drum, is a reaction often associated with fear and anxiety. In addition to this Brereton also uses other poetic techniques such as onomatopoeia shown by the quotation ‘clang’, assonance which can be illustrated by this quotation ‘noble hope’ and repetition depicted by
the quotation ‘Praise, praise’ as well as many other examples. Overall it is clear to see how the contrast in language helps to convey the two poets conflicting views. While on one hand ‘Who's for the Game?’ uses personal address and euphemistic language to create a more speech like poem that advocates war showing how Pope was pro-war. On the other hand ‘Anzac’ uses metaphors and dysphemistic language to depict what he saw this exemplifies how Brereton was anti-war. ‘Anzac’ and ‘Who's for the Game?’ present the attitudes of the poets to war in very different ways. This is largely to do with the purposes of the poems with Pope producing propaganda which explains why she is so positive towards war because the better she is able to depict war the more likely they are to join the war and Brereton’s poem is designed to inform the public of what the war was actually like from someone who experienced it therefore it’s his opinion of the war. As you can see these are two very diverse poems albeit with some structural similarities.
Over many centuries, Poetry and song has been a way for people to explore their feelings, thoughts and questions about War & Peace. Rupert Brooke's “The Soldier” and Cold Chisel’s “Khe Sanh” provide two different insights into the nature of war. . “The Soldier” conveys a message of bravery for soldiers to go into war and fight while “Khe sanh” conveys a message about post-traumatic stress and the horrible factors of coming back into civilization after war.
Good morning, Ms Dowdeswell and 9b, today let us have a look at how much have contemporary historians challenged the ANZAC legend, my hypothesis is some contemporary historians do challenge the ANZAC legend to a great extent. Wait, what is ANZAC? ANZAC is the acronym formed from the initial letters of the Australian and New Zealand Army Corps. This was the formation in which Australian and New Zealand soldiers in Egypt were grouped before the landing on Gallipoli in April 1915. Everything started with WWI. But, how WWI began? Well, the direct cause of WWI was the assassination of Archduke Franz Ferdinand at Sarajevo on 28 June 1914. However, historians feel Militarism (Main),Alliances, Imperialism and Nationalism are the main factors which contributed to the rivalry between the Great powers that allowed war on such a wide-scale to break out. As we know during WWI, Europe was divided into two alliances — Triple Entente (Britain, Russia and France) and
The powerful poem ‘Weapons Training’ showcases a sergeant, through malicious words, guiding his troops. However it is through ‘Homecoming’, where Dawe exposes the brutal hopelessness brought forth by the futility of war. Therefore it can be seen that war has an emotional toll on both families and the soldiers. Both poems have a recurring message that all war does is bring loss, death and mourning, showcasing Dawes strong opinions about a futile
Tim O’Brien states in his novel The Things They Carried, “The truths are contradictory. It can be argued, for instance, that war is grotesque. But in truth war is also beauty. For all its horror, you can’t help but gape at the awful majesty of combat” (77). This profound statement captures not only his perspective of war from his experience in Vietnam but a collective truth about war across the ages. It is not called the art of combat without reason: this truth transcends time and can be found in the art produced and poetry written during the years of World War I. George Trakl creates beautiful images of the war in his poem “Grodek” but juxtaposes them with the harsh realities of war. Paul Nash, a World War I artist, invokes similar images in his paintings We are Making a New World and The Ypres Salient at Night. Guilaume Apollinaire’s writes about the beautiful atrocity that is war in his poem “Gala.”
Both Stephen Crane's "Do Not Weep, Maiden, For War Is Kind" and Wilfred Owen's "Dulce et Decorum Est" use vivid images, diction rich with connotation, similes, and metaphors to portray the irony between the idealized glory of war and the lurid reality of war. However, by looking at the different ways these elements are used in each poem, it is clear that the speakers in the two poems are soldiers who come from opposite ends of the spectrum of military ranks. One speaker is an officer and the other is a foot soldier. Each of the speakers/soldiers is dealing with the repercussions from his own realities of the horror of war based on his duty during the battle.
In the poem “Who’s for the game?”, the author Jessie Pope uses an extended metaphor to toy with prideful behaviour to insinuate a challenge for men, in order to convince them to enlist for the Great war. The metaphor “Who’s for the game”, compares the great war to a enjoyable activity. Most games are usually fun and an exciting pass time that many people are eager to partake in. The comparison of a thrilling activity makes the war sound more appealing to the men who are considering to join the war effort. In the quote “Who’ll grip and tackle the job unafraid.”, Pope uses vocabulary that is associated with sports to bring an uplifting and an exciting tone to the poem. This is a crucial poetic device in the poem that assists to convince men to
Through the meaning behind these poems are different. They each share a similar point of view which is that they are talking to young men about war. For example in The Call Pope expressed the glory that young men would get by going to war in stanza three, Who'll earn the Empire's thanks / Will you my laddie? (17-18) Jessie Pope beliefs on war is that by young men going to fight for their country they will be treated as heroes. If they chose not to join they would be considered disrespecting their country. Furthermore, Wilfred Owen does the same thing in Dulce et Decorum Est though his views on war are inverted as opposed to what Jessie Pope believes. He personally feels the war is not the best thing that young men should to do for gratitude
One similarity between the two poems is that they both have titles which express positive feelings about war. However, the titles are both used in different ways; 'Who's for the game?' is an extended metaphor, as it is repeated again during the poem, ‘Who’s for the game, the biggest that’s played…’
From sunrise to sunset, day after day, war demolishes men, cities, and hope. War has an effect on soldiers like nothing else, and sticks with them for life. The damage to a generation of men on both sides of the war was inestimable. Both the novel All Quiet on the Western Front by Erich Maria Remarque, and the poem “I Have a Rendezvous with Death,” by Alan Seeger, demonstrate the theme of a lost generation of men, mentally and physically, in war through diction, repetition, and personification.
World War One was a massive event. It affected millions of people from all walks of life, and inspired countless written pieces. Nevertheless, without being there, it is impossible to truly be able to tell what the war is like. Therefore the use of setting is very important in giving the reader an idea of the circumstance. This is not to say that everyone is in agreement over how the war should be displayed. Quite one the contrary, the two Poems “In Flanders Fields” and “Dulce et Decorum Est” use their settings to create two very contrasting images of human conflict.
Autobiographies, diaries, letters, official records, photographs and poems are examples of primary sources from World War One. The two primary sources analyzed in this essay are the poems, “Anthem for Doomed Youth” by Wilfred Owen and “In Flanders Fields” by John McCrae. Primary sources are often personal, written from the limited perspective of a single individual. It is very difficult for the author to capture their own personal experience, while incorporating the involvement and effects of other events happening at the same time. Each piece of writing studied describes the author’s perception of the war. Both of the poems intend to show to grave reality of war, which often was not realized until the soldiers reach the frontlines. The poems were both written at battle within two years of each other. However, the stark difference between the two poems is astonishing. “Anthem for Doomed Youth” gives a much different impression than “In Flanders Field” despite the fact that both authors were in the same war and similar circumstances. The first two lines in “In Flanders Fields” “…the poppies blow, Between the crosses, row on row.” are an image o...
War can not be fully described in just words, humans have to experience it to know how it really is. In passage 1 from “The Things They Carried”, a fictional memoir by Tim O'brien, the narrator describes the contradictory nature of war. O’brien uses rhetorical strategies to characterize the experience of war. O’brien uses imagery, anaphora, and paradox to guide readers understand the experience of war through fictional writing.
Therefore, although both poems are written on similar topics, the poems are quite different, mainly only agreeing on the fact that war is wrong.
The simple definition of war is a state of armed competition, conflict, or hostility between different nations or groups; however war differs drastically in the eyes of naive children or experienced soldiers. Whether one is a young boy or a soldier, war is never as easy to understand as the definition. comprehend. There will inevitably be an event or circumstance where one is befuddled by the horror of war. For a young boy, it may occur when war first breaks out in his country, such as in “Song of Becoming.” Yet, in “Dulce et Decorum Est” it took a man dying in front of a soldier's face for the soldier to realize how awful war truly is. Both “Song of Becoming” and “Dulce et Decorum Est” are poems about people experiencing the monstrosity of war for the first time. One is told from the perspective of young boys who were stripped of their joyful innocence and forced to experience war first hand. The other is from the perspective of a soldier, reflecting on the death of one of his fellow soldiers and realizing that there is nothing he can do to save him. While “Song of Becoming” and “Dulce et Decorum Est” both focus on the theme of the loss of innocence, “Song of Becoming” illustrates how war affects the lives of young boys, whereas “Dulce et Decorum Est” depicts the affect on an experienced soldier.
When considering the structure of the poems, they are similar in that they are both written loosely in iambic pentameter. Also, they both have a notable structured rhyme scheme.