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Writing technique of john steinbeck
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Old versus Modern — a comparison of literary styles and content
The purpose of this assignment is to compare two books of the same genre. One book published before the 1950s, and one book published around this century. I have chosen to read two fiction books, the first one being Tortilla Flat by John Steinbeck. It was published 1935, and it is about a Mexican American man named Danny Alvarez who inherited two houses from his grandfather. Alvarez offers his friends to stay with him, and the story follows their lives after the end of the First World War. The writing style was unsuprisingly very old-fashioned. In the introduction, they stated that Steinbeck was heavily influenced by the Arthurian saga, which can be noted in the way that he
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One strange detail that is worth noting is that all of the characters would every so often use a lot of old-fashioned english words like thee or thou whilst they spoke. That is quite unusual for the time period that they were in. The story took place in a district called Tortilla Flat, and back in the day a person was well- respected if they owned a property or had a lot of money. An example of that kind of person was Alvarez’s grandfather as he was rich, and owned two properties. If we compare this to how society currently works it is very similar. Nowadays, having a lot of money still equals higher popularity and higher power. When Alvarez found out that he inherited the two houses from his grandfather, he felt burdened by the responsibility that came with it. He did not identify with having a high status like his grandfather did. That is why, when one of his houses happened to burn down, he instead felt relieved as this meant that he would lose some of his status in the community. This could be interpreted as Alvarez finding it more important to keep his integrity than being perceived as wealthy. If we compare it to current times, I think that it would be the other way around for the majority of people. Unfortunately, society is more concerned with getting a higher rank in society, and becoming more successful, than keeping their
He does this by stealing six million dollars from the house of Senator Zapatana, a fat man who does not care about the impoverished. The gardener of the Senator laughs as he tells the boys about how the money was stolen. “How did you let your houseboy walk out of the door with six million dollars?” he questions. (Mulligan 136) Jose works for the senator for years all the while planning to deceive him by stealing the money. Senator Zapatana’s gardener also declares that Jose just talks his way past all of the guards at the gate and takes the money freely. (Mulligan 138) Jose knows that he is taking advantage of the staff and the Senator for the good of the population of Behala. The author chooses this example to portray the poor manipulating others because it shows how someone can conceal their true motives with a false exterior. Jose comes up with a plan to rob the Senator for the good of the poor of Behala, and hides his intentions with a false exterior for
The Carrillo Adobe is in a dire situation. It has not only fallen into disrepair from the many years of weather and use by so many individuals, but by visitors and citizens have been less that kind and considerate of its age and the prominence that it deserves. After Carrillo’s death her house was given to three of her daughters, Marta, Juana, and Felicidad. Then her belongings were distributed between all of her children. In the first decade after her death her different children each occupied the house at different times. One of her daughters, Juana and her husband ran the home as a tavern. They then converted the adobe into the first post office in the town of Santa Rosa. After her daughters no longer had a need for the adobe it was turned into a trading post where numerous individuals...
Conflict between the main characters in fictional stories can be so thick, you need a razor-sharp knife to cut it; that is definitely the case in the two literary texts I recently analyzed titled “Confetti Girl” by Diana Lopez and “Tortilla Sun” by Jennifer Cervantes. In the first text, tensions mount when a social butterfly of a teenage girl and her oblivious father lock horns over the subject of homework. In the second passage, drama runs high when a lonely child and her career-driven mother battle over the concept of spending the summer apart. Unfortunately, by the end of both excerpts, the relationships of these characters seem damaged beyond repair due to their differing points of view - the children end up locked behind their barrier-like
it is unmistakable that life situations inspired Juan Rulfo to write this story. He like no other person had a greater understanding of how to portray the theme of family especially missing a father as a role model, death, survival and revenge. Moreover, through the use of local Mexican language it furthermore developed the society in which peasants had to live during the post-revolution. Additionally Juan Rulfo tries to add all five senses in the story forming magical realism and a vivid picture that the readers can understand. Overall, the readers learn a lot about peasant’s approach to life after revolution that the main drive was
Enrique grows up pretty much an orphan living with his grandmother while his sister is put in a nice caring home. He is constantly being switched around from family to family and due to his drug problems, he is finally kicked out by his aunt for stealing her jewelry to pay off a dealer. The rich get richer and the poor stay the same is something that Enrique came to understand. He knew that in order to get out of this corrupt society he ...
Within four pages, Steinbeck greatly clarifies and expands upon his story by examining the different emotions and reactions of his general character groups. He takes two sides of an argument and applies them to a third body rather than pit them against each other. By mastering the use of the intercalary chapter, he is able enrich his story with deeper thought and explore it outside the boundaries of his main characters. In this manner, Steinbeck is able to write a four-page chapter which holds great meaning to a 581-page novel.
Throughout the time I spent between the covers of The Prince of Los Cocuyos, I was astounded by Richard Blanco’s dynamic relationship with the novel’s sole “antagonist”: his abuela. It seemed that no matter how many times he was chagrined at her attempts to negotiate the English language, or was forced to repress his very personhood to meet her traditional standards of manhood, she never ceased to be a pillar of support for a young Richard Blanco. But beyond his grandmother, Mr. Blanco made it quite clear that he was surrounded by a pueblo of family and friends throughout his childhood and adolescence, a village that would confound his “becoming” but foster his growth, make him question his identity and yet be intricately connected to it. It
Due to an awful circumstance, in which a wealthy man attempted to rape his young sister, Pancho Villa killed the transgressor. Pancho Villa had no choice but to change his name, hide in the mountains, and live as an outlaw. Over the years he gained the public’s attention for being sneaky and cunning towards the wealthy, and generous amongst the poor. His popularity as a modern day Robin Hood caught the attention of Francisco Madero who promised change to the lower class if they fought alongside him. Azuela recounts some of the problems the poor people faced “…
young. Vicente was poor, but he wanted to achieve something greater, like money or fame: “He had been an ambitious boy 60 years ago… there was not much for a Spaniard to do in his country of Spain” (Wuorio 158). He was dissatisfied with his living conditions and he eagerly wanted to ...
Steinbeck manages to create a novella comprising of mainly just conflict but uses it on numerous levels to allow not just the characters but their stories as well to develop as a whole. All of the characters have suffered conflict in one way or another, whether inner or outer conflict but all caused by the conflicted period of time, the Great Depression. Steinbeck's wide variety of literary techniques and effective use of the conflicted time period in a novella manage to create an almost domino effect of conflict, transferring from one to another.
With assertive shouts and short tempers, the prominent character, Ricardo, is characterized as a feisty townsman, doing nothing except trying to protect his town and its members from the judgments of the western world. For example, the characterization of the “‘…quaint’” man is exemplified through the simplicity of his life and the fact that he is “‘…employed’” and is full of knowledge, not a “‘cow in the forest’” (55, 29, 32). Ricardo desperately wants to establish the notion that he is not a heartless, feebleminded man, only an indigent, simple man striving to protect his friends and family from the criticisms of callous cultures. Incessantly Ricardo attempts to make it clear to the photographer the irritation elicited by his prese...
Levant, Howard. The Novels of John Steinbeck: A Critical Study. Columbia: U of Missouri P, 1974.
The most important component of the story is Abuelo. Arturo is forced by his mother to visit Abuelo in Golden Years nursing home and figures his time will be slow, dull, and stodgy. Arturo complains that he needs time to study to get into AP English due to his declining grades. In addition to that, he hates the place as expressed in the statement, "Besides, I hate the place, the old people's home, especially the way it smells like industrial-strength ammonia and other stuff I won't mention, since it turns my stomach." However, Arturo eventually gives into his mother's request and goes into the building. He then sees Abuelo writing in a notebook and waits until time passes.
Life in Mexico was, before the Revolution, defined by the figure of the patron that held all of power in a certain area. Juan Preciado, who was born in an urban city outside of Comala, “came to Comala because [he] had been told that [his] father, a man named Pedro Paramo lived there” (1). He initially was unaware of the general dislike that his father was subjected to in that area of Mexico. Pedro was regarded as “[l]iving bile” (1) by the people that still inhabited Comala, a classification that Juan did not expect. This reveals that it was not known by those outside of the patron’s dominion of the cruel abuse that they levied upon their people. Pedro Paramo held...
Gabriel Garcia Marquez’s short story, “One of These Days,” describes the disparity between everyday working class people and higher class politicians. The story focuses mainly on two contrasting characters: a humble dentist, Aurelio Escovar, and an aggressive and abusive mayor who takes advantage of his townspeople. Deep in this piece, the situation between the two characters symbolize the corruption of power and the negative influence it can put on society. Though the mayor owns all of the dominance out of everyone in the town, the dentist receives influence for a period of time, taking advantage of it at all cost. We learn at the end of the passage that no matter the identity nor class of an individual, the excess of power can lead to corruption.