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Summary of culture in relation to consumer behavior
The Rise of Consumer Culture
The Rise of Consumer Culture
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The reduction of well-known people to their image leads to a process of commodification, and of course, consumption of that commodity. The role of capitalism in the west, and it’s rapid adoption in America, creates a culture of consumption; though the rise of technology surely provided additional tools, Amy Henderson draws a clearer line between the creation of celebrities and consumption, arguing that celebrities mark a nation’s transition from a producing society to a consuming one [Henderson, 1992]. But while the commodification of the celebrity image makes it consumable, and leads to celebrities being employed by companies to market products to us (from credit cards to airline tickets), it also makes it disposable; celebrities today have to strive to outlive the sell-by dates of the products they are employed to promote. The commodified celebrity image can be thrown out as quickly as it can be created; the fate of any singer with a one-hit song, or actor who became pigeon-holed by a single role. The fodder can suffer just as much as the devouring hordes, who spend their time and money on fictionalized ideals. Regardless of the destructive nature of celebrity culture, it still begs the question of whether there is an evolutionary basis from which this celebrity status is springing from. Dr. Jamie Tehrani, an Anthropologist at the University of Durham, thinks there is an evolutionary reason we follow celebrities. He works off of the notion of prestige and social status, which can be bestowed upon someone for a particularly beneficial adaptive skill, like a hunting technique; just as hunters will try to imitate the most successful hunter of the group, by sharpening their tools with the same motions, or performing the same ritual... ... middle of paper ... ...t as for who remembers Sean Connery, or John Wayne, or John Lennon, people whose greatest accomplishment was to provide simple entertainment to the masses, and the answer becomes very different. Sure, Jan Oort did get the Oort cloud named after him, but again the number of people who even know what the Oort cloud is, is sadly few compared to the numbers of people who have memorized the lyrics of any Coldplay song. On a certain level, given these challenges of existence, it makes perfect sense to want to be a celebrity; who wouldn’t want a captive audience willing to care about the things they care about, or hold their opinion above others? There is immense communicative power involved in such a master-slave voice relationship; to the celebrity’s followers, that celebrity carries more weight than most humans on earth, and that can be an intoxicating drug for anyone.
A celebrity is not a person known for his/her talent or achievement, but an individual recognized for his/her reputation created by the media. The phase of stardom is slippery, and media may choose to represent celebrities varying from exaggerated admiration to mockery. The three texts chosen, movie "Sunset Boulevard", feature article "Over the Hilton" and television show "Celebrity Uncensored Six" are texts presenting different perception of celebrities than their usual images - either corrupted by the encircling media, overloads oneself with self-indulgence, or just mocks celebrity in a broad spectrum. Such media items empower and impresses the audience by perceiving celebrities as people who pay the price of privacy to gain well knowness, signifying the vanity of stardom from the commonly accepted images.
Marshall P. David (1997). Celebrity Power; Fame in Contemporary Culture. May 16, 2010. Electronically retrieved from
“Posts.” Fame is a dangerous Drug: A Phenomenological Glimpse of Celebrity.” N.p. ,n.d. Web 15. Feb 2014
The Celebrity as a Commodity Hurst introduced the idea of a commodity in the text. By definition, a commodity is something that is of use, advantage, or value. More directly, Hurst showed how people by use of their skills, looks, or names, could be used as advantages in society. He uses the examples of celebrities, sports figures, and beautiful people to show that people can be commodities. All of these groups bring some sort of recognition or attraction that is beneficial to a company, firm, or individual.
The star text of a celebrity can help to decipher their image and transitions they may undergo. In order to better understand these transitions, one must know the definition of a star text. A star text is the sum of everything we affiliate with celebrities, which includes their body of work, promotion, publicity, and audience participation (Jackson, 08/09/16). One must note that “celebrity doesn 't happen because someone has extraordinary qualities – it is discursively constructed by the way in which the person is publicised and meanings about them circulate” (O 'Shaughnessy and Stadler 424). Destiny Hope Cyrus, “an American singer and actress, became a sensation in the television series
It is believed that American people in the lower and middle classes have needs for status mobility. For example, when browsing through a fashion magazine, one can find numerous sections that are dedicated to creating ways to look like the featured model or actress for half the price. The intention of the article, in most cases, is to give others the impression that you are of high social status. In addition, advertisers often use people in the entertainment business to model their products so that the viewer may purchase the product. For example, when mimicking the purchases of hotel heiress, Paris Hilton one may believe, “If I buy this, I’ll look cool just like Paris Hilton!” The fact that this method is usually successful is a product of the anxiety felt by lower and middle class families. For those reasons, it is likely that Domhoff’s statement that the upper class “creates respect, envy, and deference in others,” is true. It seems that many of America’s lower and middle class families would like to create those same feelings of respect and envy in others.
The deception of media consumers allows for the abuse of economic infrastructures of society. An obsession with celebrities’ lives passifies ordinary people in accepting the stratification of the elite businesses and the ordinary citizens. Though pseudo-events and celebrity worship may not be exactly complementary, the similarities of both leaves the public to be utterly vulnerable unless they begin to critically think for themselves.
According to Epstein, a celebrity is something or someone who can be talented and full of achievements and yet wish to broadcast ones fame further through the careful cultivation of celebrity, while one can be the total opposite of achievements and be less talented and yet still be made seem otherwise through the mechanics and dynamics of celebrity creation (Epstein2). Celebrity culture today is epidemic; some might agree that it is sweeping up America in a harmful way, while one might argue that it is beneficial to our society. Over the last few decades, celebrity and fame has changed dramatically, from Alexander the Great to Kim Kardashian. Talent and achievements no longer play a huge role when it comes to celebrities. “Much modern celebrity seems the result of careful promotion or great good looks or something besides talent and achievement” (Epstein2) with that being said celebrity-creation has blossomed into an industry of its own.... ...
Alot of people do not have the exact same opinion about everything, and not everyone thinks the same exact way because thats what makes us individuals; right? Thats what I think, but I seem to see everybody's starting to lose their originality in this world due to the media. I see it in the hallway, the classrooms, I see it outside of school. People are scared, their terrified, afraid of acceptance. People want to be accepted so bad that they even go to extra lengths just to fit in, just to be apart of something. They even begin changing their own opinions even if it is not exactly what they feel,thats the way they think they need to do, and how they should act, they even start to dress different and soon they just lose themselves.
In today’s day and age we live in a society obsessed with celebrity culture. This however, is not a new addiction; our society’s fascination with celebrity culture has been around for decades. Through the years, we’ve seen fandom come in various forms, shapes and sizes. From the groupies of the 60s, to the more recent digital-followers, one thing common among all fans is the pedestal on which they’ve put their favorite celebrity. Some people would argue that fans are not only the most important part of a celebrity’s life, but fans are quintessential in their success. Fans admire them, follow their every move: physical or electronic, and purchase anything and everything that might bring them in looking/feeling more like their desired celebrity. Many experts even believe that fan and fan-clubs often resemble religions. One can easily note the similarities between fans and a religious cult; from worshipping to organizing conventions and event recruiting new followers. To some it might even sound like a disorder, and Dr. Lynn McCutcheon after her intense research, was the first one to coin the term: (CWS) Celebrity Worship Syndrome. According to Psychology Today, CWS can be described as a mental-disorder where an individual becomes completely obsessed with the details of the personal life of a celebrity (Griffiths). A celebrity, as defined by Mark Griffiths, can be any person who is present in the ‘public eye’, including Politicians, authors, and journalists, but according to Dr. McCutcheon research they are more likely to be someone from the world of television, film and/or pop music. Continuing on Justin Bieber’s ad campaign, this paper examines the peculiar relationship between consumers and God-like celebrity figures. It showcase...
There was once a time when there were more simplistic views on life; where truth and justice prevailed above all and the main concerns of society were much more primitive. However, those times have long vanished and have now been strategically replaced by the commodity that celebrity culture fully encompasses. Guy Debord writes in The Society of the Spectacle, that the “spectacle is not a collection of images, but a social relation amongst people, mediated by images” (Debord, 4). By this, he simply means that the spectacle is constructed by the daily images devised by celebrities, reality television, and pseudo-events. And those images have altered and strongly influenced the way people perceive themselves and others, as well as the social
We are part of a generation that is obsessed with celebrity culture. Celebrities are distinctive. Media and consumers alike invented them to be a different race of super beings: flawless, divine and above all the real moral world. In a 1995 New York Times article “In contrast, 9 out of 10 of those polled could think of something
"Whats the harm in being famous?." . N.p., 12 april 2012. Web. 20 Feb 2014. .
Movie stars. They are celebrated. They are perfect. They are larger than life. The ideas that we have formed in our minds centered on the stars that we idolize make these people seem inhuman. We know everything about them and we know nothing about them; it is this conflicting concept that leaves audiences thirsty for a drink of insight into the lifestyles of the icons that dominate movie theater screens across the nation. This fascination and desire for connection with celebrities whom we have never met stems from a concept elaborated on by Richard Dyer. He speculates about stardom in terms of appearances; those that are representations of reality, and those that are manufactured constructs. Stardom is a result of these appearances—we actually know nothing about them beyond what we see and hear from the information presented to us. The media’s construction of stars encourages us to question these appearances in terms of “really”—what is that actor really like (Dyer, 2)? This enduring query is what keeps audiences coming back for more, in an attempt to decipher which construction of a star is “real”. Is it the character he played in his most recent film? Is it the version of him that graced the latest tabloid cover? Is it a hidden self that we do not know about? Each of these varied and fluctuating presentations of stars that we are forced to analyze create different meanings and effects that frame audience’s opinions about a star and ignite cultural conversations.
Have you ever think about the influences of celebrities that affect in people life. Celebrity is a kind of pop-culture that combines between interpersonal communication and media, and it creates desires from the people assumption or expectation. Celebrities are the important tools to attract audiences. The media scholars produce the celebrity content from what people expect from life. Celebrities may drive the directions of living such as habits, tastes, attention and ambition among people (Turnere). Nowadays, celebrities are all around us. They are one of the important people who can influence the media such as movies, drama, music magazines, news or even represent the nation. According to the William’s note celebrities are one part which