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Female representation in the media
Media and women
Female representation in the media
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Could you picture comedy empowering women? This question would have only one kind of answer in the olden day but now that might be a whole different story. Just like how the world in politics and work environment change, I believed that the comedy world did too. However there are lots of sayings about how women aren’t funny. Those kinds of comments/statements are something men would say because they don’t want women to move into the comedy world. Women already have equal power in the political and work environment. Comedy represents feminist power.
Now a day’s comedy can come in many forms. Mostly comedies are appearing in medias. However, comedies are also found in books, comedy clubs, and comics/cartoon art. Some of the time women are diving
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Burns: Yes? Well, *I* have ten high-priced lawyers.
[He presses a button, opening a wall panel and revealing his ten lawyers standing in a row. Hutz screams in terror and dashes out of the room]”.
This quote shows that Marge drop the lawsuit against Mr. Burns was only because she cannot compete with his army of lawyers. Marge’s drop of lawsuit does not show that feminist power being lowered. Another reason Marge drops the lawsuit because her lawyer was the one who ran away.
Another example is given in the article “Fat Monica, Fat Suits, and Friends” by Amy Gullage. Amy Gullage starts off by giving us a summary on the show Friends and tells us which 4 episodes showed fat Monica. She then explains how the use of the fat suit making the actress look is a funny. She explained that people are laughing at fat Monica because we think we are better than her. She also showed how fat Monica can’t get any guy to like her and is easily hurt/bullied. Then at the end she is explained this is what our society is
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In the article it stated, “Friends employs a particular narrative structure through the use of Monica’s fatness. Her fatness is used primarily as a novelty, a visual spectacle that renders Fat Monica a one - dimensional, comedic gag.”(Gullage, 180) This quote showed that they want some comedy in the show so they decided to use a fat suit. When it comes to fat suit mostly everyone would find it funny. I do not believe that this should matter when it comes to femininity. It doesn’t matter if you are skinny or fat; all that matter is what you make of yourself. From this article it said that fat people are fat because they are lazy. I don’t disagree with that statement but I do not want to agree with it either. If a fat woman could be something great then they are a feminine in my book. Like the example use in the above dealing Monica from “Friends” she was fat long time ago, but because she worked hard she became skin and successful. Even though Monica was fat she made something of her self and in my book that is
Rebecca Krefting (2014), “an Associate Professor of American Studies, affiliate faculty to Gender Studies, and Director of the Media and Film Studies Program” (Skidmore), wrote an article called “Making Connections.” Krefting (2014) explains the connections between comedy and people, listing the reasons the world can build “Cultural Citizenship” through “charged humor” (p. 17-18)
The media is a powerful tool and has the ability to influence and change one’s overall perspective of the world and the position they play in it. Although Television shows such as Friday Night Lights are seen as entertainment by consumers, its storyline contributes to the social construction of reality about class in the United States.
Like a contemporary Dorothy, Romancing the Stone's Joan Wilder must travel to Columbia and survive incredible adventures to learn that she had always been a capable and valuable person. Romancing the Stone (Robert Zemeckis, 1984) is part of a series of 1980s action comedies that disrupted previous expectations for female heroines. These female protagonists manage to subvert the standard action narrative and filmic gaze, learning to rescue themselves and to resist others' limited vision of them. Not only did these action comedies present strong female characters, they also offered a new filmic experience for female audiences. The commercial success of comic action heroines paved the way for women to appear in serious action roles--without the personal sacrifices required of Sigourney Weaver’s Ripley. Figures like Joan Wilder serve as an important link between previous strong yet feminine screen personas and current female stars.
Steve Almond’s “Funny is the New Deep” talks of the role that comedy has in our current society, and most certainly, it plays a huge role here. Namely, through what Almond [Aristotle?] calls the “comic impulse”, we as a people can speak of topics that would otherwise make many of uncomfortable. Almond deems the comic impulse as the most surefire way to keep heavy situations from becoming too foreboding. The comic impulse itself stems from our ability and unconscious need to defend and thus contend with the feeling of tragedy. As such, instead of rather forcing out humor, he implies that humor is something that is not consciously forced out from an author, but instead is more of a subconscious entity, coming out on its own. Almond emphasizes
left behind their hilarious movies and stand-up shows. Adam Sandler and Chevy Chase are good examples of how comedy has helped shape the face of acting. Comedy is very important in today’s society, with famous actors and blockbuster hits. Comedy is fun for the whole family, and it is the most watched form of movie out there. Most people find enjoyment out of a good laugh with their friends and family. It is a form of entertainment that has been around for a very long time, and I don’t see it going away anytime soon. Famous comedians such as; Charlie Chaplin, and The Three Stooges, were way ahead of their time and were often looked down upon in the face of television. Comedy did not become very noticed until, Technicolor came out in the 1950s. This made comedic films more fluent and lifelike in the eyes of its viewers.These actors are known as the trendsetters of gate keepers of comedy for society in whole.One can see that Americans like comedy and crave it more and more.
Field-Springer, Kimberly. "Douglas, Susan J. Enlightened Sexism: The Seductive Message That Feminism's Work Is Done." Women's Studies In Communication 35.1 (2012): 120-121. Communication & Mass Media Complete. Web. 23 Apr. 2014.
Comedy differs in the mood it approaches and addresses life. It presents situations which deal with common ground of man’s social experience rather than limits of his behaviour – it is not life in the tragic mode, lived at the difficult and perilous limits of the human condition.
The film Bridesmaids exhibits the use of several principles of “comedy of a genre,” including happy ending, uplifting worldview and magnified disharmony/disorder. Comedy films tend to have happy endings, in which conflicts and challenges are resolved positively, sympathetic protagonists achieve their goals and gain rewards, antagonists have a change of heart or undergo moral conversion or receive due comeuppance, and there is communal and/or familial reconciliation. In Bridesmaids, we see all of these tropes exhibited in the ending - for example, Lillian’s wedding does end up happening successfully, Annie is able to get out of her “low point” and ends up with Officer Rhodes, and Annie and Helen become friends by the end of the film. An uplifting worldview in comedy films promotes a
A British sitcom is a situation comedy (sitcom) produced in the United Kingdom. The genre can be difficult to classify as it covers a wide range of styles and situations. A common factor is the exploration of social mores, often with a healthy dollop of satire or bathos, in contrast to the sometimes-uplifting sentiments of many American sitcoms. British comedies are typically produced in series of six episodes each. In the United States, British sitcoms are rarely seen on the commercial networks, but are often seen on the Public Broadcasting Service and increasingly on cable television, including BBC America. In the U.S., the genre is sometimes referred to as Britcoms, a portmanteau from the words British and comedy and a play on the word sitcom.
Language or the way in which words are used is one of the most important components of a comedy. Through an intelligent use of word play and the ability to add
For many years, gender stereotypes have been used as targets for comedic purposes, especially in the media. Television, in particular, displays a great amount of gender-focused humor, especially in sitcoms. Television comedy has kept current with the changing role of the sexes over time; this can be seen by the trend away from portraying male stereotypes as positive and female stereotypes as negative (as was typical in the 1950s and 1960s, for example), to commonly doing the opposite today. The Internet is another large media source that also displays a vast amount of gender-focused humor. Across the internet, gender-focused humor has progressed similarly to television by highlighting positive rather than negative female stereotypes. The method
Feminist theory was derived from the social movement of feminism where political women fight for the right of females in general and argue in depth about the unequality we face today. In the aspect of cinema, feminists notice the fictitious representations of females and also, machismo. In 1974, a book written by Molly Haskell "From Reverence to Rape: The treatment of Women in Movies" argues about how women almost always play only passive roles while men are always awarded with active, heroic roles. Moreover, how women are portrayed in movies are very important as it plays a big role to the audience on how to look at a woman and how to treat her in real life due to the illusionism that cinema offers. These images of women created in the cinema shapes what an ideal woman is. This can be further explained through an article 'Visual Pleasure and Narrative Cinema' written by a feminist named Laura Mulvey in 1975. She uses psychoanalysis theories by Sigmund Freud to analyze 'Scopophilia' which is the desire to see. This explains how the audience is hooked to the screen when a sexy woman is present. In a bigger picture, where Scopophilia derives from, 'Voyeurism' is also known as feeling visual pleasure when looking at another. Narcissism on the other hand means identifying one's self with the role played. It is not hard to notice that in classical cinema, men often play the active role while the women are always the object of desire for the male leads, displayed as a sexual object and frequently the damsels in distress. Therefore, the obvious imbalance of power in classical cinema shows how men are accountable to moving the narratives along. Subconsciously, narcissism occurs in the audience as they ...
One of the many differences between women and men is humor and you may think that humor is more of a personal trait an individual characteristic and that differs by person. However, speaking on more of a general view humor among women tends to have similar traits that are completely different from men humor. Women are more prone to use humor in a way of self-deprecating. They use it to make a situation that otherwise would be very sad become lightweight to speak of. Men sometimes don’t understand the line of when their humor has crossed the line or when humor shouldn’t be used. In occasions being serious is the best way to deal with the situation while laughter helps ease the mood it is not always the best thing to do.
Writers at the time such as Aristophanes and Menander wrote comedy similarly to how we do today, mocking politicians, fellow writers, and Greek philosophers (Mark Cartwright). The word ‘comedy’ is derived from Middle English, from Medieval Latin comoedia, from Latin, ‘drama with a happy ending’ (Merriam-Webster). This joyful type of performance may be why we commonly use the word ‘comedy’ to talk about jokes, humor, and hilarious performers. Comedy is meant to bring us joy and relief from reality’s negativity. Mary O’Hara wrote about comedy for a BBC article titled “How Comedy Makes us Better People”: “Comedy is more than just a pleasant way to pass an evening, humour more than something to amuse. They’re interwoven into the fabric of our everyday existence. Whether you’re sharing an amusing story down the pub, making a self-deprecating joke after someone pays you a compliment or telling a dark joke at a funeral, humour is everywhere. (O’Hara)” This is certainly an accurate statement about modern comedy. Comedy is not sadness, but rather a way to forget the woes of everyday life. What is the point in humorous incidents and ridiculous jokes if they do not make a person smile or laugh so hard their gut
Humor has been the source of entertainment throughout history. Today humor is practiced in movies, plays, songs, television shows and radio. Humor has brought fame and fortune to those who have mastered its power.