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Review of Literature: Feminism Within The Simpsons
Seeking to institute equal opportunities for women, Lisa Simpson, a self-proclaimed feminist from the animated television series The Simpsons, persistently promotes the rights and equality of women. The mother figure, Marge Simpson, is Lisa’s opposing female role when it comes to advocating feminism. In this show, both characters provide insight into the stereotypes of suffrage and domesticity in American culture. Homer Simpson, on the other hand, gives the viewer an atmosphere of the chauvinistic role of a father/husband in response to Marge’s mother/housewife title role. These attributes also show how gender roles are affected. In the typical modern American lifestyle, men are no longer the bread-winners of the household. Women are increasingly breaking from their past title roles of housewives, and becoming liberated from their monotonous “womanly” practices. The societal structures within The Simpsons mirrors some of the realities about the average American family. These animated feministic characteristics offer windows into the roles of not just the females, but also of the males who attempt to preserve their preferred standard of living. The purpose of this review is to bring to light the issues portrayed in The Simpsons about feminism, gender roles, and domesticity in past and present American culture.
Feminism
Since its debut in 1989 (Neuhaus 761), The Simpsons have defined every aspect of feminism; from the beliefs that men and women should have equal rights, to organized activities in support of women’s rights and interests, and even the theories of the political, economic,...
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...-Webster.com. Merriam-Webster, n.d. Web. 27 Apr. 2014. .
Field-Springer, Kimberly. "Douglas, Susan J. Enlightened Sexism: The Seductive Message That Feminism's Work Is Done." Women's Studies In Communication 35.1 (2012): 120-121. Communication & Mass Media Complete. Web. 23 Apr. 2014.
Hammond, Joyce D. "Gender Inversion Cartoons and Feminism." Journal of Popular Culture 24.4 (1991): 145-160. Academic Search Complete. Web. 11 Apr. 2014.
Henry, Matthew. “Don't Ask Me, I'm Just a Girl”: Feminism, Female Identity, and The Simpsons." Journal of Popular Culture. 40.2 (2007): 272-303. Academic Search Complete. Web. 22 Feb. 2014.
Neuhaus, Jessamyn. "Marge Simpson, Blue-Haired Housewife: Defining Domesticity on The Simpsons." Journal of Popular Culture 43.4 (2010): 761-781. MLA International Bibliography. Web. 22 Feb. 2014.
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Rampton, M. (2008, September 1). The Three Waves of Feminism. - Fall 2008. Retrieved May 28, 2014, http://www.pacificu.edu/magazine_archives/2008/fall/echoes/feminism.cfm
In American culture today, women continue the struggle of identifying what their roles in society are supposed to be. Our culture has been sending mixed messages to the modern day female, creating a sense of uneasiness to an already confusing and stressful world. Although women today are encouraged more than ever to be independent, educated, and successful, they are often times shamed for having done just that. Career driven females are frequently at risk of being labeled as bossy, unfeminine, or selfish for competing in many career paths that were once dominated by men. A popular medium in our culture such as television continues to have significant influences as to how people should aspire to live their lives. Viewers develop connections with relatable characters and to relationship dynamics displayed within their favorite shows. Fictional characters and relationships can ultimately influence a viewer’s fashion sense, social and political opinion, and attitude towards gender norms. Since the days of Bewitched and I Dream of Jeanie, where women were commonly portrayed as being the endearing mischievous housewife, television shows have evolved in order to reflect real life women who were becoming increasingly more independent, educated, and career oriented throughout the subsequent decades. New genres of television are introduced, such as the workplace comedy, where women are not only career oriented, but eventually transition into positions of power.
The role of women in society has been promoted as subservient and inferior to men. This concept is still upheld as a standard. Women are less likely, “consulted as ‘experts’” (Lee and Shaw 67) on a topic than male counterparts. Women not being regarded as “experts” (Lee and Shaw 67) reinforces women as inferior to men. In the media men are regarded as “spokesperson” (Lee and Shaw 67); this idea are competent and trustworthy to represent a product. Society labels women as incompetent and does not accept women having authority. The lack of women holding authoritative positions reveals the discomfort American society feels with women and power. This concept has persisted throughout time; women are seen as inadequate to males. In the media news women are substantially “underrepresented” (Lee and Shaw 67). The trend presents women as undesired and disassociated from society. The disassociation implies to women they are not valued. The under representation of women in the media enforces a patriarchal society. The society is represented by men. Stories in the media associate women with “family, looks, or romance” (Lee and Shaw 67). Those stories enforce the view of women being care givers and only valued for physical...
The purpose of the essay is to answer the question: How has Archie Comics reflected changing gender norms in the United States of America from World War II to the present of women in contemporary American society, in its eventual challenge of the position of men as the dominant sex, and in its inclusion of previously marginalized sexual orientations? As entertainment primarily targeted to middle-class America, Archie is a helpful avenue by which to understand acceptable views. This paper will present gender roles portrayed in Archie Comics in three different time frames: the Forties, the Sixties, and the new millennium. It will analyze the establishment of traditional gender roles set forth in the earliest Archie Comic strips. Next it will critique the ways in which it responded to the challenges to these traditional norms and assess whether the comic incorporated these challenges or rebuffed them. Finally, this paper will evaluate the role of modern-day Archie Comics as a vanguard in the new discussion of gender roles and sexual orientation in America. For the purpose of analysis, issues of Archie representative of the era will be examined in conjunction with larger historical developments. These include: the sexual revolution of the 1960s, the post-feminist world following the 1970s, and the rise of LGBT acceptance.
For a large part of the history of TV sitcoms women have been portrayed as mothers or as having to fulfill the woman's role in the private sphere. Family based sitcoms were one of the forms of sitcom that keep women in these roles, but what is interesting is that even in other forms of sitcoms women do not truly escape these roles. Sitcoms, like Sex and the City and Murphy Brown showcase women whom have seemingly escaped these roles, by showing liberated women, but that does not mean that both do not fall into the gender role showcased in family sitcoms. It draws the similarities between ensemble sitcoms and family sitcoms when it comes down to the role of women. The starring women in both Sex and the City and Murphy Brown, and even the Mary
McBride, Kari Boyd. “A Boarding House is not a Home: Women’s Work and Woman’s Worth on the Margins of Domesticity.” The University Book second edition. 472-487.
Allyson Jule’s article on feminism in conjunction with Mary Tyler Moore establishes that the show can be used to teach the American movement of second wave feminism (123). She looks at the show as more of a historical teaching tool rather than just a comedy. On the other hand, Willa Paskin explores another view of the show, the comedy.
First of all, in The Simpsons, the scene where we get into the actual plot of the story opens with Marge and Lisa walking into a department store that sells dolls. The gender stereotype that girls are only interested in playing with dolls is reinforced here as a huge selection of Malibu Stacy dolls is on display with a throng of screeching, bloodthirsty girls tearing the store apart. Lisa says, “I’m warning you mom, I might get a little crazy.” and immediately knocks down a girl and snatches another in a choke-hold to be the first in line for the new Malibu Stacy doll. In the very next scene we have the whole family in the car with Homer driving. He is baking a cupcake with an easy-bake-oven that he bought from the mall. Marge advises him that he should not be doing that. The stereotype here is that men are more impulsive as demonstrated by Homer and his baking while driving without any concern of his or his family’s safety; and that women like to play it safe and think before acting as demonstrated by Marge. Another noteworthy observation is the fact that Homer completes his gender stereotype as the bread-winner of the family. He works at the Nuclear power plant while Marge plays the role of the proud homemaker who is rarely seen outside the home and who has little friends. Homer on the other hand, is not confined to his domestic role and his frequently shown at Moe’s Tavern with his friends, at work, or doing something that is stupid and dangerous. This enforces the stereotype that women have few friends and stay close to domestic life whereas men have lots of friends, are more independent, and bring home the bacon. Moreover, Bart and Lisa are in accordance with their gender stereotypes as well. For instance, in the backseat, Ba...
Misogyny is not the result of the physical state of womanhood; it is the product of the conventions that a society has established for how a woman should compose herself (Rey). These societal rules were created with the intent of perpetuating a patriarchal system in which women cannot express themselves freely. Misogyny is an attempt at enforcing these rules, and misogynistic behaviors can be performed by anyone. While The Gender Knot discusses how the limitation of female sexual expression and the enforcement of gender roles are forms of misogyny, “Girl” and “Mona Lisa Smile” indicate how these practices affect women.
Feminism has tackled gender inequality in the workforce, within politics, education and various institutes. Within the 20th century some of these issues faced in western culture have been completely reformed due to certain feminist movements that have encouraged women to fight for equal rights. (Crofton: 2011: 272-273) The first and second waves of feminism have proven to be successful by increasing equal rights between men and women. (Kaplan: 1992: 7) Despite these successes which include allowing there is still the fact of the matter remains that women are still objectified by their gender. ()The generalization of gender roles, have proven to be challenging within the feminist movement, this is often due to the objectification of women in the media. Also as feminism, is an ideology it has various schools of which have conflicting ideas of the ‘empowerment of women’ making it difficult to clarify on what is not acceptable in establishing women’s rights. (Fraser: 2014)
One thousand years go by and an abundant amount of people still view women in a stereotypical type of way. On the opposing view, if women did not overstretch the slightest of things, this wouldn’t be such an enormous issue. Women may be overreacting to what the media has to say about them. It is not affecting everybody but a vast majority of successful women from continuing to moving forward said Marianne Schnall. Important to realize, women are capable of doing jobs men can do. Such jobs as being an engineer, physician, mechanic, lawyer and even top notch business women! Up to the present time there is an ongoing public debate on women suffering from double standards. If it makes a female feel threatened or belittled than it may be sexist. A very interesting article this came to be because the writer had numerous accountants to keep her argument steady. A worthy writer brings up present time activities, statistics, and people being affected by the scenario and provides the reader some closure. With a devastatingly crucial issue such as women being shunned by the media, it’s not okay to have the ideas of other people in your work. In the article, “Controversial Hillary Cover of Time Illuminates Sexism in the Media” by Marianne Schnall, implies that the media is negatively affecting the chances of women becoming successful with all the sexism it is portraying. Marianne Schnall is a published writer and professional interviewer with many influential credentials that she in not afraid to use.
Men do not have the benefits of equality either, they are also limited by societal expectations and having to fulfill the requirements of what it means to “be a man”. Gender roles shape the fabric of our society. In the documentary Tough Guise, Katz chronicles the socialization of boys from the moment they are born and as they grow up. Tough guise explains how the entertainment industry feeds messages about masculinity which exclude basic human qualities such as compassion, and vulnerability. These are portrayed as feminine with a negative connotation implied (Earp, Katz, Young and Rabinovitz 2013). In American modern culture children of both sexes are consuming large amounts of media on a daily basis. The documentary MissRepresentation explores the media’s role in the shaping of our society; specifically the media’s treatment of women. When it comes to girls and women, marketers have made substantial profits from objectifying women and setting an unattainable standard of what it means to be beautiful. Hyper-feminized women are all over the covers of magazines, hypersexualized in advertisements, and in movies. Women have to walk a very thin tightrope and the expectations for a good woman are contradicting (Newsom, Scully, Dreyfous, Redlich, Congdon, and Holland
As women, those of us who identify as feminists have rebelled against the status quo and redefined what it means to be a strong and powerful woman. But at what cost do these advances come with?... ... middle of paper ... ... Retrieved April 12, 2014, from http://www.feminist.com/resources/artspeech/genwom/whatisfem.htm Bidgood, J. 2014, April 8 -.
Women – beautiful, strong matriarchal forces that drive and define a portion of the society in which we live – are poised and confident individuals who embody the essence of determination, ambition, beauty, and character. Incomprehensible and extraordinary, women are persons who possess an immense amount of depth, culture, and sophistication. Society’s incapability of understanding the frame of mind and diversity that exists within the female population has created a need to condemn the method in which women think and feel, therefore causing the rise of “male-over-female” domination – sexism. Sexism is society’s most common form of discrimination; the need to have gender based separation reveals our culture’s reluctance to embrace new ideas, people, and concepts. This is common in various aspects of human life – jobs, households, sports, and the most widespread – the media. In the media, sexism is revealed through the various submissive, sometimes foolish, and powerless roles played by female models; because of these roles women have become overlooked, ignored, disregarded – easy to look at, but so hard to see.