In Elisa Thompson’s Cold Blooded Murderer, a twisted tale of a young woman who killed six other girls, the captivated theatre audience hears the girl’s reasoning behind her serial killing spree. This haunting monologue, set in a police interrogation room, makes chills run down the audience’s spine by pulling on their heart-strings and making them relate to this misunderstood girl, a girl who also happens to be a murderer. Thompson’s use of polysyndeton, appeal to the audience’s sympathy , and direct address to the audience makes this piece so frighteningly relatable that the audience is left to introspect where their morals truly lie. Firstly, Thompson utilizes polysyndeton when describing the murderer’s circumstance to show the rush she gets …show more content…
“I just want someone to notice me,” she pleads, “ All my life I've stayed in the background. There's always been that one student who gets better marks than me, That one teacher who makes me feel stupid, that one friend who always shuts me down, that one parent who's not interested, that one sibling who overshadows my achievements with theirs.” This excerpt is relatable to any audience, because everyone, at some point, has felt like they were not good enough. Through Thompson’s use of a vague anecdote, this passage makes the audience forget the speaker’s fault, being guilty of six murders, and makes them feel bad for her. In this quotation, Thompson humanizes the murderer with backstory, making her character more relatable to the audience. In conclusion, Elisa Thompson’s Cold Blooded Murderer is a haunting story of a young woman who killed six other girls just to receive attention. Throughout the piece, the theatre audience experiences fear, guilt, and sympathy while listening to the girl’s justification for her crime. Thompson’s use of polysyndeton, appeal to the audience’s caring emotion, and direct address to the police officer provokes the audience to reevaluate their own morals in comparison to the
In the articles “A Genetic of Justice” by Julia Alvarez, “The text of Malala Yousafzai’s speech at the United Nations” and “On the Adoption of the Universal Declaration of Human” they talk about freedom and their human rights. The interesting thing about these articles is that they all fight for freedom. For instance, they are fighting for what they believe in. Also, these people were caring towards others because not only were they fighting for their rights, but others as well. In these articles, it displays the same rhetorical devices of diction and rhetorical device. Given these points these representatives like Minerva, Malala, and Eleanor are brave for standing up for themselves and others because it takes a lot of courage to speak up
In The Murder of Helen Jewett, Patricia Cohen uses one of the most trivial murders during the 1800’s to illustrate the sexiest society accommodations to the privileged, hypocritical tunneled views toward sexual behavior, and the exploitation of legal codes, use of tabloid journalism, and politics. Taking the fact that woman was made from taking a rib from man was more than biblical knowledge, but incorporated into the male belief that a woman’s place is determined by the man. Helen had the proper rearing a maid servant, but how did she fall so far from grace. Judge Weston properly takes credit for rearing her with the proper strictness and education. Was Helen seduced at an early age and introduced to sexual perversions that were more persuasive that the bible belt life that the Weston’s tried to live? Was Helen simply a woman who knew how to use what she had to get what she wanted? Through personal correspondence, legal documentation, census reports, paintings, and newspapers we are able to make our own determinations. Cohen provides more than enough background and history to allow any one to make their own opinion how the murder of a woman could be turned into a side show at a circus.
In Cold Blood, a novel written by Truman Capote and published in 1966, is, though written like fiction, a true account of the murder of the Clutter family of Holcomb, Kansas in 1959. This evocative story illuminates new insights into the minds of criminals, and how society tends to act as a whole, and achieves its purpose by utilizing many of the techniques presented in Thomas C. Foster’s How to Read Literature Like a Professor. In In Cold Blood, Capote uses symbols of escape and American values, and recurring themes of egotism and family to provide a new perspective on crime and illustrate an in-depth look at why people do the things they do.
Capote uses different voices to tell the story, creating an intimacy between the readers and the murders, the readers and the victims, and all the other players in this event—townspeople, investigators, friends of the family. This intimacy lead...
The main purpose of In Cold Blood by Truman Capote is to offer insight into the minds of the murderers of the Clutter family, Dick and Perry. However, asking an audience to be open-minded about men who have committed such heinous crimes is no easy task. Capote instead methodically and rather artfully combines imagery, parallel structure, and perspective in two separate passages found between pages 107-113 to contribute to his characterization of Perry and Dick where the former is deserving of sympathy and the latter, disgust.
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
I chose this word because the tone of the first chapter seems rather dark. We hear stories of the hopes with which the Puritans arrived in the new world; however, these hopes quickly turned dark because the Purtains found that the first buildings they needed to create were a prison, which alludes to the sins they committed; and a cemetery, which contradicts the new life they hoped to create for themselves.
This examination will look at the short story “Killings” by Andre Dubus and the main characters in the story. The story begins on a warm August day with the burial of Matt and Ruth Fowler’s youngest son Frank. Frank’s age: “twenty-one years, eight months, and four days” (Dubus 107). Attending the funeral were Matt, his wife Ruth, their adult children and spouses. Matt’s family is extremely distraught over the murder of their youngest son/brother, in their own way. There are implications of wanting to kill Richard Strout, the guy accused of being the murderer: “I should kill him” (107), as stated after the service. This comment is considered a fore-shadowing of what is to come in the thought progression of Matt and Ruth.
The film Capote, based on the how the writer of “In Cold Blood” did his research to write his book, a masterpiece of literature, has portrayed Capote’s behavior during his research vividly. Capote’s behavior during the years Perry waits on death row in order to get personal testimony of the night of killings is a controversial topic. Some argue that what Capote did was absolutely necessary for an ambitious writer to create such a master piece while other argue that human ethics is more important than the creation of an ideal “non-fiction noble” and the paths he took to get there are morally ambiguous. Even though he gave the world a milestone in literature, his behaviors seem unethical because he lied, pretended to be a friend of an accused murderer who was in a death row, and did not have any empathy to him.
In Truman Capote’s non-fiction novel In Cold Blood, the Clutter family’s murderers, Perry Smith and Dick Hickock, are exposed like never before. The novel allows the reader to experience an intimate understanding of the murderer’s pasts, thoughts, and feelings. It goes into great detail of Smith and Hickock’s pasts which helps to explain the path of life they were walking leading up to the murder’s, as well as the thought’s that were running through their minds after the killings.
Justine, too, is an ‘idealised figure’, described during the trial as having a countenance which, ‘always engaging, was rendered, by the solemnity of her feelings, exquisitely beautiful.’ She is the archetypal innocent, being beautiful, weak and entirely accepting of her fate to the point of martyrdom.
Truman Capote’s non-fiction novel, In Cold Blood, was a breakthrough in literacy in that it was accredited as the first non-fiction novel. There was a lot of controversy when the book was first published because of the incredibility of the work. This could be expected in that time, because people where not familiar with the concept of non-fiction novels yet, but this is where the beauty of this style of writing lies, the recreation of the truth. It would have been impossible for Capote to have documented the occurrence fully, because he only read about the murder after it had happen, after all, this was not what he wanted to do. Capote got a lot of criticism for the book, because of him bending the truth, putting in scenes that never happened and his ways of gathering information, but people still saw the talent that went into creating the non-fiction novel. Truman Capote will forever be recognized for this novel and the contribution he made to literacy. In this essay we will be discussing the strengths and weaknesses of In Cold Blood when it delivers facts and the credibility of the work. We will also be discussing the strengths and weaknesses of the novel when Capote bends reality and ad some parts of fiction.
The subject of death is one that many have trouble talking about, but Virginia Woolf provides her ideas in her narration The Death of the Moth. The moth is used as a metaphor to depict the constant battle between life and death, as well as Woolf’s struggle with chronic depression. Her use of pathos and personification of the moth helps readers develop an emotional connection and twists them to feel a certain way. Her intentional use of often awkward punctuation forces readers to take a step back and think about what they just read. Overall, Woolf uses these techniques to give her opinion on existence in general, and reminds readers that death is a part of life.
In Susan Glaspell’s play Trifles Mr. Wright’s murder is never solved because the two women in the story unite against of the arrogance of men to hide evidence that would prove Mrs. Wright as the murderer. The play Trifles is about the death of farmer Mr. Wright and how the town sheriff and attorney try to find evidence that his wife Mrs. Wright killed him. As the play progresses the men’s wives who had come along were discovering important pieces of evidence that prove the men’s theory but chose to hide from them to illustrate the point that their ideas should have been valued and not something to be trifled. The very irony of the play comes from its title trifles and is defined as something that isn’t very important or has no relevance to the situation that it is presented to. In this play the irony of the title comes from the fact that the men find the women’s opinions on the case trifling even though the women solve the crime which ends up being the downfall of the men as they would have been able to prosecute Mrs. Wright if they had listened which made the women’s opinions not trifling. Glaspell was born in an age where women were still considered the property of men and they had no real value in society in the eyes of men except for procreation and motherhood. This attitude towards women was what inspired Glaspell to write the play Trifles and to illustrate the point that women’s attitudes should be just as valued as men’s and to let women have a sense of fulfillment in life and break the shackles that were holding them only as obedient housewives. Trifles was also inspired by a real murder trial that Glaspell had been covering when she was a reporter in the year 1900. Glaspell is a major symbol of the feminist movement of l...
After casually meeting the rape victim, Teena Maguire, and then being called to her crime scene, John Dromoor goes on a hero’s journey, starting with the hearing in September 1996. When madness ensues in Judge Schpiro’s courtroom, “Dromoor had seen the derailment. Sick in the gut, had to escape” (Oates 75). It is just a month after that Dromoor begins to take matters into his own hands in order to protect Teena and her daughter. By shooting James DeLucca with deadly force, an act that can be considered by some one of a madman, Dromoor asserts himself as the family’s protector and ‘hitman’. In his further actions, seeking out and likely being the killer of the Vick brothers and Fritz Haaber, Dromoor does what he knows the Maguires are desiring: to feel safe. Dromoor has a serial killer gene in his body, using his victim’s weaknesses to lure them to their death (i.e. Fritz Haaber’s affection towards young girls), but the reader knows that he is so meticulous because he wants the best for the Maguires. When the young daughter of the victim feels sad, Bethel Maguire calls the man that she knows can protect her, John Dromoor, and says, “Help us please help us John Dromoor we are so afraid” (Oates 120). Then, after seeing the convict that scared her the most, Fritz Haaber at the mall, Bethie confides in her grandmother to make her aware of Haaber’s presence at the mall purely because she knows that her