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Coco chanel influence on fashion
Coco chanel influence on fashion
Chanel's impact on women wearing fashion article
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The house of Chanel, a legendary house in today’s time is a luxury brand making billions of dollars as profit. The spirit of Chanel since the time it began was to empower women and give them the position in society that men acquire. The men have business suits and the women have the Chanel suit, both bean a beacon of power yet Chanel having the edge of style over it. In today’s time the brand is seen as a status symbol and as a power symbol to have. Started by Gabrielle Coco Chanel in the early 1920’s - she changed the fashion industry and the way women dressed one pearl at a time.
Gabriele “Coco” Chanel was a pioneer and one of a kind fashion designer, her designs were influenced by episodes in her life. She channeled her passion, experiences
At a very young age her mother passed away, making her winding up in a orphanage after her father abandoned her. Her inspirations were heavily affected by the catholic orphanage that she was brought up in. The roman styling of the church giving her the taste for black and white, the heavy baroque medium used to add an aesthetic appeal to the churches were seen in her garments - with gold, colored gems and embroidery. As she grew up and towards her younger years she spent her nights and singing and sewing in the Trocadero amongst army men, who gave her the name “Coco” as her signature song was “Who has seen coco” which popularised her name, and she pretended it was a nickname given to her by father who she dearly missed after growing up.
With a rough childhood and lack of affection or individuality, she felt inferior towards men making her embark on her journey to dress and be out of bounds that society put women in. She dressed unusually for the society by dressing and using mens clothing in womanly style, adding shorter and simpler cuts, giving freedom to movement, pockets, patches and fabrics that men used which were more practical and comfortable, hats without feather and jewels to make them simpler lighter more beautiful but more
During her time in Moulins Chanel met and courted Etienne Balsan, an affluent textile hier. For three years she lived with him at his castle in Compiègne serving as his mistress. There Chanel lived a life of wealth and luxury that would not have been possible without Balsan. Later in her career it was those riches that inspired many of her iconic designs; her times spent on yachts lead her to incorporate those traditionally sailors looks of striped shirts and bell bottoms into her later
“From Lieutenant Nun,” a memoir written by doña Catalina de Erauso, tells an intriguing story of a young Spanish female and her advantageous journey through Spain and the New World. Her family intends for her to become a nun but, that is not the life she seeks for herself. Therefore, she breaks away from the convent in hopes of finding somewhere to make her fortune by passing as a male. Catalina’s story is noteworthy because it gives readers another perspective of exploration focusing on self-discovery during the seventeenth century emphasizing how passing as a male is the only thing that secured her ability to explore. In the memoir, Catalina repeatedly reminisces about clothing and, whether she consciously or unconsciously does so, she allows the reader to see that this is an important aspect of her exploration. Throughout Catalina’s journey, clothing plays an increasingly important role not only in her travels but, also her personal life because it symbolized ones status, role, gender and privileges.
Even the broadness of traditional Spanish culture could not remain untouched by the divide of gender roles. Though de Erauso was a Basque born in Spain, putting her at the top of the hierarchy, the fact that she was a woman lowered her societal ranking (Lecture 2/4/2014). The first step in de Erauso’s transformation from woman to man involved stepping over the divide in cultural roles and changing her clothing from one style to another. As a woman, she wore a bodice and petticoat, but in order to disguise herself as a man, she cut these items into a pair of breeches, a doublet and hose (Erauso, 4). This shows that her transformation involved not only a psychological change, but a physical costume as well. Another large part of Spanish culture that impacted de Erauso on both ends was the tradition of marriage. As de Erauso dodged potential marriages throughout her journey, the weight of matrimony became clear. Young women wanted to marry a successful, capable man because the title of wife entailed a step up in the societal hierarchy. In one potential marriag...
...s far as the author is concern, the fact that CoCo Chanel left the Victorian ideas and lived a life of her own made other women admire her. According to the author, clothing design was her star that raised her above other women. It would be better if other women would emulate her character and moral beliefs that should attract other women.
The article focuses on Individualization and uniqueness and how it has begun to find its way into current advertisements. By allowing a woman to express her individuality it shows boldness, fearlessness, and confidence and that is refreshing in today’s world of fashion.
Working at her father’s clothing shop, she became very knowledgeable about expensive textiles and embellishments, which were captured in her works later in career. She was able to capture the beauty and lavishness of fabrics in portraits of aristocratic women.
Caterina van Hemessen was born around 1528 around the Flemish city of Antwerp in modern day Belgium. She is the earliest female painter of the Northern Renaissance to have work attributed to her. In the Renaissance era, education and training in art were reserved almost exclusively for men. This idea was reinforced by the types of training aspiring artists were subject to in their early years. Potential artists would be required to move in with and learn from an experience professional from a very young age. Additionally, artists in training would be required to extensively study the nude form of the human body, something which was bel...
When noticing a person who wears a similar clothes everyday, one may wonder what their intentions behind their attire is. In Isabel Allende’s story “Simple Marie” featured in The Stories of Eva Luna, the clothes are taken in a figurative sense just as much as in a literal function. Just as clothes are made to cover up one's physical body, clothes can be interpreted as a covering of one’s soul and true identity. Although, not very evident on the surface of the story, one can discover the intentions of Maria, by correlating the situation to her attire. The symbolism that Allende creates within the clothing of Maria illustrates a deeper sense to her vulnerability and reasoning within the situations of her life.
Gabrielle Chanel remains one of the most well-known fashion designers of all time. She was born on August 19, 1883 in France and died in 1971. Chanel revolutionized the fashion industry with her distinctive style. After the death of her mother, she spent much of her childhood in an orphanage. The challenges of her early life helped build her strong character which influenced her path in life. Chanel was nicknamed “Coco” after a lost dog in a popular song she loved to sing. Her early career was funded by a succession of her rich lovers. This allowed her to open her first shop in Paris in 1910. She sold hats as well as some garments. Coco developed a significant following of clientele who enjoyed her practical sportswear creating great success.
Shortly after Louis XIV’s death, Louis XVI came into power. King Louis XVI’s wife, Marie Antoinette was also a pioneer in the French fashion culture. As the Queen of France from 1774-1792, her life was full of extravagance and luxury and she wanted her fashion to be representative of her lifestyle. In fact, she w...
Gabrielle Bonheur Chanel was born August 19, 1883 to Albert Chanel and Jeanne Devolle, a stallholder and a laundrywoman at the time of her birth. Gabrielle was the second daughter born to the Chanel’s. She had five siblings, her two sisters Julie and Antoinette, and her 3 brothers Alphonse, Lucien, and Augustin. "Chanel rarely talked about the circumstances of her birth, but she did occasionally mention a train journey that her mother had undertaken just before, in search of the elusive Albert." (Picardie 15). Chanel claimed that her mother was dressed were no one could determine if her mother was pregnant or not. When the passengers acknowledged the fact that she was pregnant they took her into their home and sent for a doctor. When the doctor arrived they took Devolle to the hospital were later Chanel was born. At her birth she was baptized and given the name Gabrielle Bonheur. The name was given from a nun that worked in the hospital and became her godmother as well. At the age of 5 Chanel's mother became ill and she and her sisters were taken to her uncle's house to stay. Chanel explained too many that her mother died of tuberculosis but Devolle actually died of poverty, pregnancy, and pneumonia. Chanel was put into a Roman Catholic orphanage by her father who later left the family behind. She was raised by nuns who taught her how to sew and would later lead to her life’s work. There was no future; for a poor girl being brought up in an orphanage but the dream was established at an early age. She began working with her sister in a milliner in Deauville. Throughout her glamorous and luxurious life she never mentioned to the world her upbringing and the trials life brought her. She repeatedly erased all of the saddened traces of...
...e meeting the world with new bold designs, and will live on as an icon for future designers to aspire to for years to come. (“Coco Chanel Photos Prove the Designer was her own Muse”)
“a beautiful instance of what is reverentially called ‘a true woman.’ Whimsical, capricious, charming, changeable, devoted to pretty clothes and always ‘wearing them well,’ as the esoteric phrase has it. She was also a loving wife and a devoted mother possessed of ‘the social gift’ and the love of ‘society’ that goes with it, and, with all these was fond and proud of her home and managed it was capably as – well, as most women do (57).”
Fashion plays an important role in the lives of billions all over the world; people, as part of a status craving society, turn to “fashion capitals” of the world for ways in which to dress and carry themselves. New York, Milan, and Paris are leaders among this fierce industry that the world lusts after. Fashion can speak volumes about ones personality, or also about the condition the world is in at the time. In France, fashion changed rapidly and feverously as the times changed.
The story of Coco Chanel's rise from obscure beginnings to the heights of the fashion world.