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An analysis of monet's contribution to impressionist painting
Claude monet analysis
Impressionism
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The painting selected for this assignment is a piece by Claude Monet, titled The Windmill on the Onbekende Gracht, Amsterdam. This artwork was painted in 1874, with oil on canvas, and the dimensions are 21 ¼ x 25 ½ in. (54 x 64.1 cm). The Windmill on the Onbekende Gracht, Amsterdam is housed at The Museum of Fine Arts in Houston, Texas. The form of this painting is representational, and realistic. The content of the painting depicts a windmill on a canal in a quaint and charming town in Amsterdam. Windmills are an important part of the Netherlands, and they add history and charm to this picturesque country. Monet was a French impressionist artist and he liked to capture the emotions created by a scene. Impressionists also like to capture …show more content…
He liked to capture the natural light at different times of the day. Monet used perceptual colors instead of the actual colors. He would not paint an object the color of the actual object, but he would paint the object the way the color appeared in the natural light. He would paint over and through a painted wet surface with wet pigment, or “wet on wet” and he painted with very intense colors. In The Windmill on the Onbekende Gracht, Amsterdam, Monet used the paint medium of oil paint on canvas. By using oil paint he was able to render the most subtle changes in light. Monet would paint in quick and small strokes of color to show the effects of the light. In this painting we can see the results of the short and quick strokes if we look closely as the painting. He liked to mix his colors on the canvas and would combine two or more pigments on a brush and would blend them as he brushed them onto the canvas. This technique created a continuous scale of tones and hues. Monet also liked to use the darker shades of a color, as seen in the blue house or on the dark orange roof which effect is due to the use of the oil paint. He used a complementary color scheme using the color blue and the color orange which are hues opposite each other on the color wheel. He also used the neutral colors of gray, brown
Claude Monet played an essential role in a development of Impressionism. He created many paintings by capturing powerful art from the world around him. He was born on November 14, 1840, in Paris, France. Later, his family moved to Le Havre, Normandy, France because of his father’s business. Claude Monet did drawings of the nature of Normandy and time spent along the beaches and noticing the nature. As a child, his father had always wanted him to go into the family grocery business, but he was interested in becoming an artist. He was known by people for his charcoal caricatures, this way he made money by selling them by the age of 15. Moreover, Claude went to take drawing lessons with a local artist, but his career in painting had not begun yet. He met artist Eugène Boudin, who became his teacher and taught him to use oil paints. Claude Monet
I think the color term objective (representational) best describes the painting by Monet. I believe this because we learned the artist records objective color without bias. The painting appears to be very natural and looks exactly how one would see it. The subject is looking out over the river and very soft blues and greens are used. These hues are considered cool colors and make me imagine a soft breeze coming off of the water. Monet does use some grey within his painting, which decreases the colors intensity but it portrays the clouds reflecting on the water and the realistic look of the houses in the back of the painting. Derain’s painting is more subjective I believe. Subjective color is colors that the artist chooses and not exactly
I visited Norton Simon Museum in Pasadena, California for the first time hoping to learn more about the European artworks this place has to offer. Norton Simon Museum holds the remarkable amounts of artwork by world-renowned artists: Vincent Van Gogh, Rembrandt van Rijin, Caravaggio, Raphael, and Pablo Picasso just to name a few. I observed many European paintings in the 18th to 19th century; I chose to discuss the artwork by the incredible Claude-Oscar Monet. Claude-Oscar Monet’s Mouth of the Seine at Honfleur, 1865 is an oil painting of a seascape on a canvas. The Parisian artist is considered one of the most influential artists in the late nineteenth to early twentieth century.
This painting of the industrial revolution is very thought provoking, and causes a person to think about of what was happening during the industrial revolution. He shows the horrors of the factories and the serenity of the nature. He makes someone want to go back in time where things were peaceful, and there was just nature. Everything was in it’s own natural state and peaceful.
We can see a clear representation of the impressionist that tended to completely avoid historical or allegorical subjects. In this painting, Monet’s painted very rapidly and used bold brushwork in order to capture the light and the color; include relatively small, thin, yet visible brush strokes. An insistence on what Monet called “a spontaneous work rather than a calculated one” – this in particular accounts for the sketchy and seemingly unfinished quality of the Impressionist paintings. In the texture, he played with the shadow and light and created variation in tone, he employs patches of depth and surface. The light in the painting come from back to the windmill, it is a light shines softly behind the houses and the windmill. He was shown each brushstroke in the painting. Balance is achieved through an asymmetrical placement of the houses and the most important the
himself through his mediums. He used oil on canvas for his medium in this painting. There are
Monet chose to depict exquisite landscapes from his own gardens and elsewhere, particularly in France. He uses small, elegant brush strokes and vibrant colour to match the scenes he paints. In the mid-1870’s, Monet’s influence over Degas lead Degas to lean his colour choices nearer to those of other Impressionists. In addition to this, Degas began employing pastels, which gave his works a more granular affect that more closely resembled those of other Impressionists. For numerous years in his life, after attempting to paint his the first of his famous “Haystacks” ,and, being unable to seize the right shading or colours due to the rising sun, Monet was intrigued by the affect of weather and light on his outdoor projects. On the other hand, Degas, although also concentrated mainly in France, based his works on people, nudes and ballerinas in particular. Monet never painted a nude.
Impressionism is very pretty and complicated. It was from 1860 to 1910. Monet is the perfect Impressionist. Impressionism had its basic tenants. Their subject matter was the middle upper class, the city, and leisurely activities. They painted on en plein air which means they painted outdoors. They painted in snow, rain, storm, just in order to record directly the effects of light and atmosphere. They painted with strokes and touches of pure color by using a great deal of white and rarely black. They recorded the shifting play of light on the surface of objects and the effect light has on the eye without concern for the physicality of the object being painted. They were influenced by Japanese art and photography. One of Monet’s works is titled Water Lilies. The medium of this work is oil on canvas. Monet is an impressionist. He puts up pure color just describe the water. He said, when you go out paint, the impression of the scene not the exact scene.
Painted by Vincent Van Gogh during a final burst of activity in Auvers before his suicide in July, Houses at Auvers features many of the characteristic elements typical of Van Gogh; the experimentation with color, texture, and thick brush strokes. This painting depicts the view and landscape in early summer, highlighting the patchwork of houses and the rolling greenery. Van Gogh’s unique, thick brush strokes lead the eyes through the painting, create texture and patterns and also highlight and shadow objects in the early summer sun, while his experimentation with color creates contrast and a bright, vibrant image.
Jean Francois Millet, who was a social realist painter who inspired Van Gogh, and he studied at the Barbizon School. He painted rural life to show the poverty stricken people, capturing the lives of peasants at work. Making a statement on what is taking place in the world. Communicating through art to expose the poor conditions and physical hardships that hard working people are enduring. It is an invitation, to look into the working class environment, which is gritty, real and true. This stirred up controversy, because of its honest approach.
The most prominent color in this painting is blue; it is used in the walls, the doors the articles of clothing hanging on the wall hook and some of the items resting on the nightstand. The other prominent color is green, used on parts of floorboards, the window, a part of one of the doorframes, parts of the hanging paintings and the empty vase on the nightstand. Brown is the only ...
Claude Monet made the art community address a revolutionary type of art called impressionism. In a style not previously before painted, impressionism captured a scene by using bright colors with lots of light and different shades to create the illusion of a glance. The traditional method of working in a studio was discarded and the impressionist artists carried any needed supplies with them into the countryside and painted the complete work outside. The manufacture of portable tin tubes of oil paints as well as the discovery of ways to produce a wider range of chemical pigments allowed artists to paint in a way unimaginable before this period in time (Stuckey 12). Monet and others, such as Pierre Auguste Renior, Paul Cezanne, Edgar Degas, Berthe Morisot, Edouard Manet, Camille Pissarro, and Alfred Sisley, took this style of art to a new level never seen before.
Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.
Like many of Van Gogh’s paintings, Olive Trees commences as a landscape and expands into a complex work, disclosing influences from other times and places. Using the color theory and separated brushstrokes of the Impressionists, the movement and vivid colors of the Romantics, and lighting and composition inspired by Millet, Van Gogh achieves the potency and significance that characterizes his work. Van Gogh’s paintings can’t possibly be mistaken for those of another artist of his time because, despite the fact that all of his means have criterion, his end results do not.
The invention of the windmill played an important role in the Dutch Golden Age, as it provided a virtually free source of energy to process grains, wood, and other necessities to sustain a civilization and help it prosper. The use of wind power to power the Dutch nation played an important role in the countries identity and pride, as the mastering of the elements was seen as both a testament of Dutch ingenuity and a manifestation of God blessing it. The towering impression given by the windmill in Windmill at Wijk bij Duurstede is an important example of the central relationship this piece of technology had to Dutch consciousness, as much of the Netherland’s industrial advances (such as constructing large ships in relatively short time periods, due to sawmills) that marked its Golden Age were thanks to having control over wind power (Westerman). The use of gathering dark clouds clashing with the sun (emphasized by the painter’s use of light) and reflecting starkly off the windmill can be seen as an expression of the religious meaning this technology was often culturally related to. The subtleness and low viewpoint of the painting may be allusions to Protestantism- the new religion of the Netherlands-which believed understanding of the human relationship with God was individually contemplative.