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Recommended: History of clarinets
Woodwinds:
1. Flute: The flute is made in the form of an open cylindrical air column about 66 cm long. Its fundamental pitch is middle C (C4) and it has a range of about three octaves to C7. Sound is produced from a flute by blowing onto a sharp edge, causing air enclosed in a tube to vibrate. The modern flute was developed by Theobald Boehm who experimented with it from 1832 to 1847, desiring to give it a bigger tone. He finally produced a parabolic (bowl-shaped) head joint attached to a cylindrical body with open-standing keys and finger pads to cover large finger holes. Since then, other minor improvements have been made. The modern flute usually has a range from middle C (C4) upward for about three octaves. In Europe flutes are often constructed of wood; silver is commonly used in the United States.
2. Oboe: The oboe is a soprano-range, double-reed woodwind instrument of length 62 cm. Its wooden tube is distinguished by a conical bore expanding at the end into a flaring bell. The modern oboe's range extends from the B-flat below middle C (B3-flat) to the A nearly three octaves higher (A6). Sounding a fifth below the oboe is the English horn and the bass member of this family is the bassoon. A melodic instrument capable of very gentle, expressive passages, the instrument
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It's mouthpiece holds a single reed, in contrast to the double reed of the oboe family. It is typically constructed of wood. The traditional wood is an ebony from Africa, Asia or South America commonly referred to as grenadilla wood. Hard and black, this wood is capable of taking a high polish. The instrument most commonly used today is known as the B-flat clarinet; the next most common is the clarinet in A. The B-flat clarinet is about 60 cm (23.6 in) long and has a range of more than three
The clarinet is a woodwind instrament consisting of a cylindrical wood, metal, or ebonite pipe with a bell-shaped opening at one end and a mouthpiece at the other end, to which a thin reed is attached. The clarinet has five different sections, the mouthpiece, the barrel, the upper section, the lower section, and the bell. The length of the entire instrument is 60 cm long. The mouthpiece section consists of a slotted cylinder, to which a reed is attached by a metal clamp called a ligature. The mouthpiece plugs into the next section which is a barrel. The barrel is simply a connecting cylinder to which the mouthpiece and the upper section plugs into. The upper section is a cylindrical pipe consisting of 4 holes and 9 keys placed in different locations along the pipe. On the back of the pipe there is a hole and a key that is used by the thumb. The lower section plugs into the upper section and is also connected via a special bridge key. This piece consists of 3 holes and 8 keys. On the inward facing side of the pipe, there is a protruding piece of metal called a thumb rest, which supports the entire clarinet. The bell plugs into the lower section. It consists of a cylinder that flares out into a bell shape and ends the clarinet.
Adolphe, the hero for the first part of the story, was born in Brussels on November 19, 1814. His father, Charles Sax, was Belgium's chief instrument maker and he was intent on passing the trade on to Adolphe. But, much like the history of the sax, Adolphe encountered many accidents to hinder these dreams. Adolphe wasn't a graceful boy and was prone to accidents like nearly drowning, falling down stairs, and the occasional fire in father's workshop. None the less by his teens he was showing exceptional skill at instrument making. In Belgium there was a convention every year, the Brussels Industrial Exposition. At fifteen Adolphe submitted a clarinet and two flutes of ivory (1830). Before he was twenty he had created a new fingering system on the soprano clarinet and redesigned the bass clarinet. Bass clarinets, beautiful and boisterous instruments, were once unreliable and unplayable instruments. Adolphe turned the monster into an elegant, regal low wind that (gasp) played in tune. But he was turned down from first place, not because of quality, but age. On the bias of age, judges roasted Adolphe, claiming he would not be appreciative of the honor at such a young age. Not appreciative of their conclusion, he turned to Paris.
Due to the different eras between the Harpsichord and the Piano, a significant difference in their design, function and role is presented. In order to understand how each instrument developed, an analysis of each era needs to be provided first.
Sound is produced in a saxophone by the player providing a constant flow of air at a pressure above the atmosphere. The constant flow of air from the player is the source of energy, causing the air to oscillate creating vibrations in the air. The vibrating is created by the reed, which controls air flow through the mouthpiece. Also the vibrating is controlled by the resonance in the saxophone. The vibrating then radiates energy out of the open holes of the saxophone. The ...
Theobald Boehm was credited for developing the standard flute structure. His flute is made of silver and has a cylindrical body shape. Boehm’s flute is played horizontally and has an enlarged embouchure, which means hole for blowing. The keys for notes have pad...
There were many instruments that led to the invention of the piano. The first was the zither. Located in Africa and Southeast Asia, the zither was a stringed instrument found around 3,000 B.C. during the Bronze Age. There were many different kinds of zithers including the ground zither, the bar zither, and the board zither. All zithers were plucked. After the zither came the monochord. It was a scientific instrument in the sixth century B.C. It was used by the Greek philosopher Pythagoras, who used it to try to prove that all laws of music are based on ratios. Originally, it only had one string, but more were added over time. When many strings were added, the monochord became the polychord. These two instruments were also plucked (Crombie 4-5).
The Irish flute produces high notes and has been a fixture in Irish music for centuries. Flutes were originally made out of bones. People simply carved holes into the bones to produce the different sounds of the notes. The standard classical flute dates back to the 19th century. Classical flutes were first used to play Irish traditional music.5 Irish people prefer to use the older wooden style flutes because of the mellower sound it produces. The types of flutes used today are ones with si...
Clavichord: This very simple German-made clavichord, in terms of stringed keyboard instruments, has a very unique sound,
...18th-century instruments, often incorporating the best of the 19th-century innovations. Electronic Organs Electronic and electric organs, developed in the 20th century, are not organs in the strict sense, for they do not produce sound by air vibrating in a pipe; rather, they are instruments in their own right. One kind, invented in 1935 by an American, Laurens Hammond, utilizes electrical circuits and amplifiers to produce and enlarge the sound. Another kind uses electronic devices such as vacuum tubes. Although such instruments are often designed to imitate the tone qualities of pipe organs, they are frequently criticized for a pinched or artificial-seeming sound. Electronic organs were widely used in the rock bands of the 1960s and after. In such bands, which use extensive electrical sound amplification and manipulation, the distinctive qualities of electronic-organ sound are exploited for their own sake. Reed Organs Keyboard instruments in which the wind supply is directed toward free metal reeds like those of a harmonica or accordion are called reed organs. They include the melodeon, developed in the United States about 1825, and the harmonium, developed in Germany about 1810.
The Vertical duck flute was the indigenous instrument that had two versions of it; it was either a hembra with five holes (the lead instrument) or a macho with one or two holes and was played along with the rattle (D’amico 2013: 29). These two versions usually functioned as one and are meant to sound like a bird. The cane flute was only played when the vertical duck flute was not (D’amico 2013: 33). The cane flute is considered an African decent instrument along with the rest of the instruments listed, which demonstrates the African influence in cumbia. However, once commercialization begun and the radio grew an interest on this genre, the elements that created traditional cumbia began to be
4. Tell them that it is a good idea to put the reed in their mouth while they put their instruments together, so it will be moist and ready for play by the time the clarinet is assembled.
If the clarinet could easily play chromatically, that tradition would be destroyed. Hyacinthe Klosé took the opportunity to adapt a previously existing French key model to the clarinet. German flute maker Theobald Boehm had already spent his life crafting the perfect mathematical location for the position of the tone holes and keys, and also perfected the ring key. Klosé, being a student of Boehm, developed a way to utilize his mentor’s system that has worked so well for the flute and oboe. Along the way he ran into the issue of the clarinet’s closed pipe acoustics. Up to this point developers had not yet embraced the overblown twelfth, let alone the third series of an overblown sixth, and the final fourth series of an overblown fourth. Klosé takes advantage of this by decreasing the diameter of the register key hole, creating a greater sense of equal temperament throughout the registers. The third register was then possible by lifting the left index finger and the final fourth register by simply over blowing. Since Klosé himself was French, he had an advantage when showcasing his model to the world standard Parisian Music Academy. The French quickly accepted the system with open arms, mostly due to its similarity to other traditional woodwind models. Klosé was then granted his own instrument manufacture called Buffet in 1839 (Pearson 204-212). The system, with minor improvements throughout the year, is the model still in use all over the world today. Although in German speaking countries the Müller model and its descendents are still being
The French Renaissance instruments were often built in families, or consort by sizes to cover different ranges. The five consorts included winds, plucked strings, bowed strings, bowed strings, keyboard, and percussion. The wind instruments were instruments that caused a reed to vibrate to create a sound, such as the cornett, sackbut, and shawm. The plucked strings and bowed string instruments are both string instruments, while one’s strings is plucked while the other is played with a bow. Examples of an plucked string instrument includes a lute, harp and cittern,and bandora, while fiddles, lira da braccio, and voils are bowed strings. The keyboard consort is an instrument that different notes can be sounded by pressing a keys, buttons, or levers, like large church organs, Clavichord, and Harpsichord. Lastly the percussion group, which is any instrument that can be played by being struck, such as a tabor, kettle drums, cymbals, triangles. The instrument during the French Renaissance was the core of the beautiful music made during this
The reeds in the oboe are tied together and therefore vibrate against one another rather than against the mouthpiece as with a clarinet. The English horn (or cor anglais) is an alternative to the oboe and has a deep, soulful, and mellow sound.
Stringed instruments, drums, and flutes are all made in my culture. Many variations and combinations of instruments were made in the Naturenian culture.