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Classical Hollywood cinema
Essay on classical hollywood cinema
Classical Hollywood cinema
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Classical Hollywood Cinema Classical Hollywood cinema is a character-centered cinema. Its characters are more or less stable, knowable, and psychologically coherent individuals who possess clearly defined, specific goals. Although this cinema is also a plot driven or action cinema, characters stand in the center and interact with them. Over the course of the narrative characters struggle to achieve their goals or solve their problems. They overcome those who stand in their way (villains), triumphs over adverse circumstances (such as physical disabilities, nature or some other force) and /or transcend their own limitations (such as individual fears or weaknesses). The narrative ends with the character's triumph or failure, with the resolution...
Breathless is in many ways the antithesis of the classical Hollywood cinema; the changes have a direct effect on the relationship the film has with the viewer. Classical Hollywood cinema includes standards such as continuity editing, highly motivated, character-driven stories and a coherent narrative structure. Breathless defies these elements of traditional filmmaking, instead defining what we know as French New Wave.
A Bronx tale is a story of a father who tries to win back the love and pride of his son from a showy neighborhood mob boss. In my opinion this film is the best portrayal of work ethic. Lorenzo, played by Robert DeNiro, plays a father who tries to teach his son that discipline and hard work pay off from working, in the long. His son Calogero, played by Lillo Brancato, is exposed to the life of a mob boss Sonny, played by Chazz Palmenteri,, and doesn’t understand why he should live a life of difficulty when he can have a life of luxury. He tries to explain to his son that the men in the community don’t look up to him, but rather they fear him He also tries to make clear that it’s easy to do what he does, but try waking up every morning and working everyday, that’s a real man.
The first characteristic of Classical Hollywood Elements is character. Characters are meant to learn from the difficulties they go through. For instance, there is character revelation in Lost in Translation through the relationship between Bob and Charlotte. They talk and get to know each other better by sharing life experiences. Bob is depicted more as a mentor than Charlotte mainly in the bedroom scenes. The second characteristic of Classical Hollywood Elements are crosscutting. Crosscutting is establishing an action that is happening at the same time but in two different locations. The film Lost in Translation is not organized in subtitles, and this puts the audience in the position of the character. The third characteristic of Classical Hollywood Elements are eye line matching. The audience is interested in seeing what the character sees. For instance, the opening scene shows Bob driving as he looks at billboards. Lastly, the final characteristic of Classical Hollywood is screen direction. Charlotte’s back is shown as she lays like a monolith knocked in a sideways
Classical Hollywood movies are important to the film making. They have set a guide and standards to be followed by filmmakers to come. Making films is not only a business but an art. It reflects the directors and writers imagination of what the film should be. Classical Hollywood films encompass many formal elements. One such film that encompasses these elements is the film Casablanca. IT is a classical Hollywood film because it uses the formal elements in a way to convey its message and has been critically acclaimed for generations.
Movies are an important part of modern entertainment and is a great way to pass on myths and stories from earlier times. Most movies follow a similar pattern in the plot process. There is a hero, trials, and the hero eventually saves the day and possibly a damsel in distress. This common plot line is mainly called the Hero’s Journey, and is used in myths, books, movies, and even T.V shows. The cycle is important if you are trying to create a plot for a movie about a hero or a group of heroes and how they saved the day. This cycle is even used in some of the most popular movies these days. Movies like Avengers, Batman, Star Wars, and even Harry Potter. The movie that I chose that fits the ancient formula of a hero’s journey is titled The Hobbit
The portrayal of art cinema is to some extent accurate when considering the time period of this film. Art film was first introduced to the American film industry during the period of time when this film came out. Art cinema utilizes its own set of artistic expression. Hollywood classical films on the other hand, are at odds with the artistic concept, and are considered to be mainstream. When we look at Classical films, we think of the basic Hollywood movie where there is a beginning, middle and end, and the whole movie comes together at the end, with a little bit of romance. In this specific movie, the audience is faced with a confusing dilemma of choosing whether this movie is an art film or a classical film. Most even think it has a documentary approach, but what makes this movie even more successful and even more entertaining, is that it is both art cinema and classical cinema.
Women’s roles in movies have changed dramatically throughout the years. As a result of the changing societal norms, women have experienced more transition in their roles than any other class. During the period of classical Hollywood cinema, both society and the film industry preached that women should be dependent on men and remain in home in order to guarantee stability in the community and the family. Women did not have predominated roles in movies such as being the heroin. The 1940’s film Gilda wasn’t an exception. In Gilda, the female character mainly had two different stereotypes. The female character was first stereotyped as a sex object and the second stereotyped as a scorned woman who has to be punished.
The nineteenth-century was an explosion of industry and technology. Evidence of how these advances made an impact on people's lives and how they viewed the world was prevalent in the art of the time. The influence of the Freudian revolution, having given artists insight into the human psyche, would give birth to movements in art such as Expressionism and Surrealism. As the nineteenth-century came to a close, an entirely novel mixture of art and technology found its inception, cinema. Beginning with French filmmaker Georges Melies' fourteen-minute silent film, A Trip to the Moon, released to the public in 1902 and based on a Jules Verne novel, the art of motion pictures would become the epitome of modern medium. As new technology continued to emerge, artists in this field would make of it a revolutionary industry deeply rooted in modern culture.
From 1960-1980, Hollywood went through a critical period. There were many events going on political and socially such as the presidencies of JFK and Lyndon B. Johnson, the Civil Rights Act, the role of women and counterculture, the assassinations of MLK, Robert Kennedy, and Malcolm X, the massacre at Kent State University amongst other social tensions and political movements. As a means to engage the younger generation, the Hollywood industry made countercultural films which brought forth in creating an American art cinema.
The postmodern cinema emerged in the 80s and 90s as a powerfully creative force in Hollywood film-making, helping to form the historic convergence of technology, media culture and consumerism. Departing from the modernist cultural tradition grounded in the faith in historical progress, the norms of industrial society and the Enlightenment, the postmodern film is defined by its disjointed narratives, images of chaos, random violence, a dark view of the human state, death of the hero and the emphasis on technique over content. The postmodernist film accomplishes that by acquiring forms and styles from the traditional methods and mixing them together or decorating them. Thus, the postmodern film challenges the “modern” and the modernist cinema along with its inclinations. It also attempts to transform the mainstream conventions of characterization, narrative and suppresses the audience suspension of disbelief. The postmodern cinema often rejects modernist conventions by manipulating and maneuvering with conventions such as space, time and story-telling. Furthermore, it rejects the traditional “grand-narratives” and totalizing forms such as war, history, love and utopian visions of reality. Instead, it is heavily aimed to create constructed fictions and subjective idealisms.
Citizen Kane (Welles, 1941) challenged the traditional narrative and technical elements of classic Hollywood cinema through the successful use of mise-en-scene. According to (Wikipedia) traditional narrative focuses on chronological order of history it is event driven and tends to center upon individuals, actions and intentions. Additionally (Wikipedia) also states that the title “Classic Hollywood cinema” were terms used in film history which designates both a visual and sound style for making motion pictures and a mode of production used in the American film industry between 1927-1963. This period is also known as the “Golden age of Hollywood.”
Classical Hollywood is a tradition of methods and structures that were prominent American cinema between 1916 and 1960.Its heritage stems from earlier American cinema Melodrama and to theatrical melodrama before that. Its tradition lives on in mainstream Hollywood to this day. But what is it?
recently watched “Percy Jackson and the Olympians: Lightning thief”, and I was surprised by all the recent settings. I for all liked it because it felt more real and interesting. Movies that have modern day settings are better, because when you see something that happened in the movie you can be like “oh this happened here” or “ I wanna go there someday ” and you could, because it's in a “ modern day ”. Also you could relate it to something that is going on today in life. . If we were watching ancient Greek and there were old settings, then it would be boring because you don’t have a clue where things happened or can't relate to the setting. For example the Hollywood sign, you would know that it’s big and that it’s in the mountains. If it were old you wouldn’t know
Bollywood cinema encompasses a variety of genres. It’s superior ability to create a connection between all strata’s of viewers gives us a reason to explore the hidden representations in Bollywood cinema. Not long after India regained its independence, a new era of Indian Cinema began. This era put forth heart wrenching movies, filled with patriotic messages and a very clean concept of national progress. The main concept of the nation-state was integrated in almost every Hindi cinema that was created ever since. Nationalism meant protecting the accrual of wealth within the nation, countries like India were going through a phase of protectionism. However, a significant problem arose, within India, the nation consisted of diverse culture and many languages, so creating the homogeneity that was needed to drive this concept of nation-state, would just fall through the cracks, unless some kinds of unification methods weren’t evolved.
Although there is broad diversity within modern European drama, there are parallels, common threads, and reactions linking them. This assortment of links is sometimes tenuous, at others blatant, but always in some form connecting plays from different European playwrights.