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History of the film industry
History of cinema Essay
Short essay on the history of film
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The nineteenth-century was an explosion of industry and technology. Evidence of how these advances made an impact on people's lives and how they viewed the world was prevalent in the art of the time. The influence of the Freudian revolution, having given artists insight into the human psyche, would give birth to movements in art such as Expressionism and Surrealism. As the nineteenth-century came to a close, an entirely novel mixture of art and technology found its inception, cinema. Beginning with French filmmaker Georges Melies' fourteen-minute silent film, A Trip to the Moon, released to the public in 1902 and based on a Jules Verne novel, the art of motion pictures would become the epitome of modern medium. As new technology continued to emerge, artists in this field would make of it a revolutionary industry deeply rooted in modern culture.
Cinema began as short, silent films, spinning away on cellulose. Audiences would follow the plot through mime and title cards in cramped theaters, projectors clanking loudly. It wasn't until the late 1920's that sound would be introduced to the motion picture experience. With the release of The Jazz Singer in 1927and the new Vitaphone system, “talkies” would replace the silent film. Actors and directors of the Silent Era had to adapt quickly to the new technology but would literally find a voice in their art and use it to speak directly to their audience.
As “talkies”, or film with spoken dialogue, made their debut, Americans were struggling through the Great Depression. Being a relatively inexpensive form of entertainment, many people across the nation would attempt to escape into the fictional worlds that movies provided. In the 1934 film, It Happened One Night, the audience embarks o...
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... is given insight into this stark reality as a soldier looks directly into the camera and says, “We're not ready for this.”
The statement Junger and Heatherington made with their film Restrepo was a powerful one. This is exactly the purpose of Cinema Verite, to give voice to the truth. Many argue that the verite style presents a manipulative version of reality because the editing is used to influence the audience, dramatizing the events on screen, focused on eliciting a certain emotional response. It is also often criticized for being more reportage that artistic expression. However, as with all modern art, especially that in the film industry because of its wide audience and influence, Cinema Verite reflects the zeitgeist in which it was produced. There is a thirst for the truth, even in the harshest of realities. Artists, no matter their medium, strive for this.
The cameras used to film “The Talkies” as they where known, had to be kept in enormous soundproof casing. This immediately hindered directors creativity and made movies such as Meet Me in St. Louis (1944) much more rigid. Because of the fascination with the lip-syncing that this new technology achieved less attention was played to other attributes that silent films used such as the comedic elements in Charlie Chaplin’s City Lights (1931.)
...netti, Louis, and Scott Eyman. “The Talkie Era.” Flashback: A Brief History of Film. Ed. Leah Jewell. 4th ed. New Jersey: Prentice Hall, 2001. 140-145. Print.
The silent era in film occurred between 1895 through 1929. It had a a major impact on film history, cinematically and musically. In silent films, the dialogue was seen through muted gestures, mime, and title cards from the beginning of the film to the end. The pioneers of the silent era were directors such as, D. W. Griffith, Robert Wiene and Edwin S. Porter. These groundbreaking directors brought films like first horror movie and the first action and western movie. Due to lack of color, the silent films were either black and white or dyed by various shades and hues to signal a mood or represent a time of day. Now, we begin to enter towards the sound era and opposed to the silent era, synchronized sounds were introduced to movies. The classic movie, The Jazz Singer, which was directed by Alan Crosland, was the first feature length film to have synchronized dialogue. This was not only another major impact in film history, but it also played a major part in film technology and where film is right now.
This film allowed for a whole new generation of filmmakers to add a new dimension to their films through the use of sound. Mary Anne Doane’s piece, “The Voice in Cinema,” ties into the elements of sound presentably, as it adds perspective on the unity of image and sound. Doane also provides insight into how voice- off is significant in film. Both of these concepts are characterized through different concepts such as the “denial of the frame as a limit” (Doane 37) and sound bridges. All of the elements of sound used in this film are still being used in modern film, which displays M’s ability to last through
Silent animation films became increasingly popular throughout the 1910s as they were shown prior to live action films in theaters worldwide when, concurrently, enthusiasm towards cinema as a whole became a widespread phenomenon. During the ensuing decade, sound became a prevalent part of cinema when sound-on-film technology was first innovated, culminating in the famous release and subsequent popularity of The Jazz Singer in 1927. As expected, this technology was soon adapted to animation, most notably in Paul Terry's Dinner Time and Walt Disney's Steamboat Willie, both of which were released in 1928. These, and numerous other animated shorts that incorporated sound, were soon rendered as contemporary classics, but many still believed in and argued for the value and purity of silent animations, for they were often believed to exemplify the true essence of animation and imagination. Regardless, both silent and sound treatments of animated films show a great disparity in motion design and cinematography, aesthetic experience, and film structure and plot.
In an excerpt from Film As Art titled The Complete Film, Arnheim expresses his views on the future of film. He uses the term “complete film” to describe what he will become the perfected film format that is hardly artistic expression but a mere presentation of reality. The main argument presented in this art...
Filmmaking began in 1908, but as soon as the 1920’s hit, it was recognized as a widely known pursuit that took hold of the American people "The Rise of Hollywood and the Arrival of Sound”). Films were shown in just black and white, and no sound. Around the late 1920’s, a new technology was included into film: sound. Theodore Case developed this sound-on-film system, which were then called “talkies”. The success inspired other studios to produce competing newsreels, and became popular enough to have them be shown in theaters in major cities around the country ("History of American
Throughout much of the 20th century right after its inception during the tail end of the 19th century, film’s function within our world and society has been questioned, analyzed, theorized, and challenged time and time again. Robin Wood’s “Ideology, Genre, and Auteur” article is a testament to this predicament and he suggests that theory is something which inhibits understanding the evolving nature of cinema beyond the brackets put in place by theory. If the evolution of cinema were to adhere to the parameters of theory, we may not have groundbreaking film movements that offer an alternative understanding of cinema. If society chooses to understand film in the way D.W. Griffith defines film with his works in the 1910s, we may not allow filmmakers
According to historians like Neil Burch, the primitive period of the film industry, at the turn of the 20th century was making films that appealed to their audiences due to the simple story. A non-fiction narrative, single shots a burgeoning sense
The postmodern cinema emerged in the 80s and 90s as a powerfully creative force in Hollywood film-making, helping to form the historic convergence of technology, media culture and consumerism. Departing from the modernist cultural tradition grounded in the faith in historical progress, the norms of industrial society and the Enlightenment, the postmodern film is defined by its disjointed narratives, images of chaos, random violence, a dark view of the human state, death of the hero and the emphasis on technique over content. The postmodernist film accomplishes that by acquiring forms and styles from the traditional methods and mixing them together or decorating them. Thus, the postmodern film challenges the “modern” and the modernist cinema along with its inclinations. It also attempts to transform the mainstream conventions of characterization, narrative and suppresses the audience suspension of disbelief. The postmodern cinema often rejects modernist conventions by manipulating and maneuvering with conventions such as space, time and story-telling. Furthermore, it rejects the traditional “grand-narratives” and totalizing forms such as war, history, love and utopian visions of reality. Instead, it is heavily aimed to create constructed fictions and subjective idealisms.
Ever wondered how film has kept its popularity for years? During the 1890’s filmmaking has become longer and contained more shots. The very first film studio was built in the year of 1897, where the first rotating camera that took “panning shots” were built. This camera gave special effects, including action movements. In addition, in the 1900’s “continuity of action” shots were the first shots introduced by D.W. Griffith. Because of this invention most films were being called, “chase films”. “The Nickelodeon” was the first successful theatre in 1905 in Pittsburgh. Then, a Australian production became the first feature length multi-reel film in the year of 1906. Furthermore, by the year of 1910, actors started to get screen credit for their
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...
Films initially began in silence. Filmmakers did not have the technology to synchronise sound with moving images for the first thirty years of cinema. The final introduction of synchronised sound was a change that altered the history of cinema forever. Of course, it’s impossible to discuss the arrival of synchronised sound in film without first acknowledging the era of Silent Cinema and everything that preceded it.
The introduction of sound to film started in the 1920’s. By the 1930’s a vast majority of films were now talkies. ‘If you put a sound consistent to visual image and specifically human voice you make a “talkie”’ (Braun 1985 pg. 97). In 1926 Warner Brothers introduced sound to film but, other competing studios such as FOX, didn’t find it necessary to incorporate sound to their motion pictures production, as they were making enough money through their silent movies. Warner Brothers decided to take what was considered a risky move by adding sound to their motion picture, a risk taken, as they weren’t as successful in the silent movie department. But this risk paid off with the hit release of ‘The Jazz Singer’ in 1927. Though sound in films was then acceptable and successful it wasn’t until the 1950’s that it became feasible to the public as sound was introduced to cinema by the invention of Cinerama by Fred Waller. The Cinerama used 35mm film strip and seven channels of audio.
While viewers had an introduction to sound in movies in the early 1900’s with “talkies” sound conversion wasn't finished until 1930. Music encompassed so much joy and excitement to the viewer that they wanted more films with sound. Between 1927 and 1941 Hollywood produced over 10,000 movies with a wide range of genres. However, during the early 1920’s the majority of films were based on the taboo subjects of sex and violence which earned Hollywood a personal warning from the government to contain the matter it had been vastly producing. This led to the development of the Motion Picture Production Code, a detailed set of guidelines on appropriate and inappropriate material(Barsam, Monahan 425). The films produced during this era, World War II, were written with the viewer in mind. Meaning the objective was to get the viewer to forget for the duration of the film the sad happenings currently at play in the world. While providing entertainment the movies highlighted happy themes such as family life and community(Barsam, Monahan