Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Into the wild character analysis
Into the wild character analysis
Character analysis two kinds by amy tan
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Clare Wald, a main character in Absolution, while as “duplicitous and self-serving” as she appears to be; is also haunted by her “own sense of guilt and complicity in evil acts.” The manifestations of Clare Wald’s guilt and the manner in which she seeks absolution for her perceived crimes will be discussed with close reference to the novel. During interviews with her biographer, Sam Leroux, Clare Wald seems adamant that she will “absolutely not talk about [her] sister”. This may be attributed to the circumstances under which Nora and her brother-in law, Stephan Pretorius, were assassinated. An act for which Clare believes she is responsible considering that she “knew the delicacy of the information [she] held” about their location, but “chose to forget”, whilst in the presence of a “man…rumoured to be involved with MK”. Completely burdened by the realisation “to feel in the aftermath, no remorse”; Clare Wald’s guilt manifests itself in unrelenting insomnia, appearances of Nora’s ghost and “troubling…dreams”. However, these “recurring dreams” are not limited to those of Nora, but also of Clare’s daughter, Laura Wald. An enigmatic character whose disappearance torments Clare as she grapples with …show more content…
In this book-within-a-book; Clare asks her son, Mark Wald, to “tell [her] if what [she] did deserves amnesty” as she herself is uncertain of “the exact circumstance [her] betrayal” of Nora, but he simply refutes her justifications, failing to grant her amnesty. As she is aware that she is “short of the dead granting [her] forgiveness”; Clare also makes “a resolution to find Stephan’s family”, thus showing how desperate she is to be exonerated. In addition, the Clare narrative, in the form of a letter to Laura, is a form of “self-exorcism” – Clare’s offer of “penance” and request for Laura’s
Elizabeth Lavenza (later Elizabeth Frankenstein) is one of the main characters in Mary Shelley’s Frankenstein. She is a beautiful young girl; fragile and perfect in the eyes of all. Her father was a nobleman from Milan, while her mother was of German descent. Before she was adopted by the wealthy Frankenstein family, she lived with a poor family. After Alphonose and Caroline Frankenstein adopt Elizabeth, they lovingly raise her alongside their biological son, Victor Frankenstein, in hopes that the two will eventually get married. When Victor goes off to Ingolstadt college, Elizabeth writes letters to him that later become a crucial part of the story. It weaves together every piece of the story, holding together each individual
There is no doubt that Miss. Strangeworth is not an easy person to deal with, let alone live with, and although her character is fictional, there are many people with the same personality. We can tell quite easily that she is a very meticulous woman, with a lot of perfectionist tendencies, a few of which are to nitpick people’s lives and make sure that even the most minute detail is up to her standards. I know of someone with these attributes and as difficult as they are to deal with, with their list of requirements to be met and their eagle-eye for detail in even the smallest things, they mean the best, and are always trying to help, despite the possible repercussions.
Guilt is the inevitable consequence that comes along after committing a crime and is a feeling that can paralyze and tear one’s soul away. However, it is evident that an individual’s feelings of guilt are linked to what they believe is right or wrong. In Robertson Davies Fifth Business, guilt is a principal theme in the novel and its effects have a major toll on the lives and mental state of many characters. Throughout the novel, it is apparent that the values and morals instilled within childhood shape an individual’s personality, as exhibited by the different ways the characters within the novel respond when faced with feelings of guilt. The literary elements Davies utilizes in the passage, from pages fifteen to sixteen, introduce the theme of guilt and display the contrast in how
Clare longs to be part of the black community again and throughout the book tries to integrate herself back into it while remaining part of white society. Although her mother is black, Clare has managed to pass as a white woman and gain the privileges that being a person of white skin color attains in her society. However whenever Clare is amongst black people, she has a sense of freedom she does not feel when within the white community. She feels a sense of community with them and feels integrated rather than isolated. When Clare visits Irene she mentions, “For I am lonely, so lonely… cannot help to be with you again, as I have never longed for anything before; you can’t know how in this pale life of mine I am all the time seeing the bright pictures of that other that I o...
In Pearl Tull’s old age, she starts to lose her sight until she is completely unable to see. Pearl may be the only one within Dinner at the Homesick Restaurant who has gone literally blind, but many of the characters are just as blind emotionally. Throughout Dinner at the Homesick Restaurant, many characters are too absorbed in their own problems and self-pity to notice the problems of the people around them. Almost all of the characters don’t realize how much their actions may have affected someone else, or are oblivious to the fact they did anything at all. When taking a closer look at the story, it could be said that Pearl Tull is the reason behind all of her family’s problems. Pearl is blind not only literally—in her old age—but metaphorically
In Harry Mulisch’s novel The Assault, the author not only informs society of the variance in perception of good and evil, but also provides evidence on how important it is for an innocent person experiencing guilt to come to terms with their personal past. First, Mulisch uses the characters Takes, Coster, and Ploeg to express the differences in perspective on the night of the assault. Then he uses Anton to express how one cannot hide from the past because of their guilt. Both of these lessons are important to Mulisch and worth sharing with his readers.
Tragic mulatto characters such as Clare transport unforeseen horrors when they make the selfish decision to reinsert themselves back into the world they so desperately desired to flee. Larsen makes this point clear through the diction she uses when describing the self-esteem destruction Irene undergoes once Clare has reinserted herself into Irene's life, and the situations Irene finds herself as a direct result of Clare. Prior to Clare’s reentrance into her life Irene is a self-assured, independent, and confident woman; however, she soon turns self-conscious, dependent, and hesitant. Upon viewing Clare at the hotel Irene is struck by Clare’s ...
According to Psychology Today, Jealousy is usually regarded as the emotional reaction to a threat to one’s relationship with a real or imagined romantic rival. In the short story Passing by Nella Larsen, the aforementioned description can be attributed to the story’s main protagonist. Within the story, Irene Redfield develops feelings of jealousy towards her friend Clare Kendry. Although the two women are initially close, the relationship between the two is severed when Irene starts to believe Clare is having an affair with her husband. At the conclusion of the novel, we find Clare Kendry dead by what we can assume to be Irene's hands. One can interpret Irene's murder as a personification of the inherent similarities between Irene and Clare. Not only does
Human nature is a conglomerate perception which is the dominant liable expressed in the short story of “A Tell-Tale Heart”. Directly related, Edgar Allan Poe displays the ramifications of guilt and how it can consume oneself, as well as disclosing the nature of human defense mechanisms, all the while continuing on with displaying the labyrinth of passion and fears of humans which make a blind appearance throughout the story. A guilty conscience of one’s self is a pertinent facet of human nature that Edgar Allan Poe continually stresses throughout the story. The emotion that causes a person to choose right from wrong, good over bad is guilt, which consequently is one of the most ethically moral and methodically powerful emotion known to human nature. Throughout the story, Edgar Allan Poe displays the narrator to be rather complacent and pompous, however, the narrator establishes what one could define as apprehension and remorse after committing murder of an innocent man. It is to believe that the narrator will never confess but as his heightened senses blur the lines between real and ...
Clare’s character has a very unique touch to it. Her childish yet innocent behaviour is shown throughout the short story, however her character itself shows us the love between her and her father thus it is highlighted ...
3. Heathcliff: This abusive and cruel character was born as an orphan. After Catherine decides to marry Earnshaw, their relationship is damaged and he acts only in revenge
Throughout the narrative, the text utilizes the conflict over the crisis of cognition, or the very mystery regarding the Marquise’s lack of knowledge surrounding her mysterious pregnancy, as a catalyst for the presentation of the plurality of opinions associated with the Marquise’s current status in society and presumptions to the father’s identity. In itself, this state of cognitive dissonance prevents the Marquise from making any attempts at atoning for her supposed sin, as she herself is unaware of any possible transgressions responsible for her current predicament. In turn, this separation from the truth pushes the marquise to fall into the conviction that the “incomprehensible change[s] in her figure” and “inner sensations” (85) she felt were due to the god of Fantasy or Morpheus or even “one of his attendant dreams,” (74) thereby relinquishing her subconscious from any guilt. However, despite her self-assurance of innocence and desperate pleas at expressing her clear conscience, the marquise becomes subject to external pressures from both her family and society, who come to perc...
Using this type of narrative helps the readers develop empathy for Maureen by emphasizing the feelings of regret and guilt that Maureen faces because of surviving. Furthermore, when Maureen is in a coma, Mitchard uses poetry to convey to the readers how Maureen is feeling and what she is observing. Empathizing with Maureen, the readers begin to have a deeper understanding of her feelings and how challenging her recovery truly is. For instance, when her friend, Danny, is sitting by her side in the hospital, as she is asleep, she mumbles to herself, “Moor-eee. Mo-ruh. Mo-ruh-un. She was…” (Mitchard 63). At this point, nobody is aware that Bridget is actually Maureen, and the readers begin to realize the mistake the doctors have made. When the readers hear this, they begin to empathize with Maureen and her frustrations about being
If we are to be truly innocent and humble beings, we must recognize our own innate guilt as human and accept it. If we do not, we will constantly be obsessed by our “state of apparent acquittals”. Kafka, Franz. A. The Trial. Trans.
Clare really attempted at being member of the black society again. She easily gained the same entitlement that only the white race obtained due to her looks. Even though Clare is envied by the black community and very accepted by the white community, she still intends on keeping her African American culture as a big part of her identity. Clare will never fully feel herself when she has to pretend to be like other white people just to fit in. This is how Clare realized she needed to come back to her former home. Clare comes to the realization that she needs to be around her fellow black people again, where she can be most comfortable and to be her true self. Clare even stated, “For I am lonely, so lonely... cannot help to be with you again,