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Nella Larsen's Passing tells the story of the reconnection of two childhood friends whose lives take divergent paths. Through these characters Larsen weaves together a cautionary tale about the consequences of living a double life, and the harm associated with internalized racism. Through Clair and Irene, Larsen conveys to readers the consequences of desiring to live life as a bicultural individual during the early 20th century. Claire represents the archetypical character known as the tragic mulatto, as she brings tragedy to all those she encounters. Irene represents someone grappling with internalized racism; catalyzed by Claire's reentrance into her life. Larsen juxtaposes the two characters to demonstrate the inescapability of social regulations. Clare attempts to escape the social barriers placed upon African-Americans, and she does, but not without consequence. Through diction, tone, and imagery Larsen makes it luminous to readers that "passing" may seem glamorous, however, the sacrifice one makes to do so is not without consequences for themselves and those they care about. Tragic mulatto characters such as Clare transport unforeseen horrors when they make the selfish decision to reinsert themselves back into the world they so desperately desired to flee. Larsen makes this point clear through the diction she uses when describing the self-esteem destruction Irene undergoes once Clare has reinserted herself into Irene's life, and the situations Irene finds herself as a direct result of Clare. Prior to Clare’s reentrance into her life Irene is a self-assured, independent, and confident woman; however, she soon turns self-conscious, dependent, and hesitant. Upon viewing Clare at the hotel Irene is struck by Clare’s ... ... middle of paper ... ...s appealing it is not without consequence. Clare, and those who choose to pass, are not free to embrace their whole identity and will always remain a threat to those they come in contact. Clare exemplified the archetypal character of the tragic mulatto, as she bought tragedy to her own life and all those she came in contact. Clare’s presence forced Irene to contend with feelings of internalized racism, and thus feelings of inferiority. Through diction, tone, and imagery Larsen makes it luminous to readers that "passing" may seem glamorous, however, the sacrifice one makes to do so is not without consequences for themselves and those they care about. Larsen does not allow her readers to perch on the belief that once a member of the dominate group ones life is not without pain and suffering. Every action, even those that seem to make life easier, have consequences.
Post-emancipation life was just as bad for the people of “mixed blood” because they were more black than white, but not accepted by whites. In the story those with mixed blood often grouped together in societies, in hopes to raise their social standards so that there were more opportunities for...
Similarly, the book’s three leading protagonists ultimately possess a common objective, escaping their unjust circumstances in pursuit of seeking the “warmth of other suns.” For this reason, they abandon the laws of Jim Crow and the familiarity of their hometowns as they flee to a better life. In the process, they all assume a level of risk in their decisions to rebel against the system. For example, Ida decides to embark on a precarious journey while in the beginning stages of a clandestine pregnancy. Any number of unpredictable events could have resulted from this judgment, including fatality. All of the migrants shared an unspoken agreement that the rewards would far outweigh the dangers involved.
Lucy believes that even though she has gone through so much pain throughout her life, it can always be worse; there are people having more difficulties in their lives. For example, she brings up this ideology when she is watching the horrors of Cambodia loomed on TV. She expresses that “she feels lucky to at least have food, clothes, and a home” in comparison to these people that have nothing. In addition, she mentions how great would it be if people stop complaining about their situations and see how much they have already; “how they have health and strength.” Likewise, James expresses a positive view about the African American outcome after the slavery period. He realizes that the acceptance of the black man in society “not only has created a new black man, but also a new white man.” He’s not a stranger anymore in America; he’s part of a new nation. Because of this achievement, he concludes, “this world is no longer white, and it will never be white
The term "passing" is shorthand for a racial passing which means people of one race passing for another. Nella Larsen's Passing is the story about two light-skinned women, who both have African blood. Clare Kendry is one of them who chooses and succeeds at "passing" and Irene Redfield is one who doesn't. They drive into each other twelve years later in a restaurant and Clare invites Irene to the tea party. The tea party which appears in the beginning of the story plays an important role throughout of the story because Jack Bellew enters the story at that moment. Jack is the white man who has a strong revulsion to African-Americans. He marries Clare, without knowing her secret ancestry. Jack's statements at the tea party lead the main characters' transformation throughout the story and shape the ending as well.
Nella Larsen’s “Quicksand” depicts a young woman who lives her life around her dyer need to find her place in society. In the setting of Quicksand, discrimination is a key factor in the text because Helga Crane, who is a biracial woman, is expected to settle in a race in which she does not necessarily call her own. With this said, Crane maintains her status as an outsider in both the white and black community, and is never content with her surroundings. She also disregards her peer’s philosophies on life as annoying or absurd. She is constantly looking for a “better” life that will bring her self-fulfillment, but to her misfortune she never finds it. In the text Quicksand, Helga Crane shows great dissatisfaction with her life because of the racial barriers she has set for herself psychologically. She has formed these barriers in her life to keep distance from facing racial discrimination and conformity. Crane fights to keep differentiation between herself and the rest of society, and makes a life choice to not repeat the same mistakes as her given mother. While trying to find her own happiness, Helga Crane looks towards her materialistic views which prove to dissatisfy her in every situation.
The novel, Passing by Nella Larsen, tells a story of two African- American women’s who work hard for the American dream. Larson demonstrates certain conflicts such as betrayal, jealousy, lies, race, and sexuality. Clare Kendry and Irene Reinfield were childhood friends, but when Clare’s father died, she moved away with her aunts and Irene never saw her again. Both Clare and Irene are light skinned who may pass as white. Irene stays with her race while Clare abandons her race by passing as white. Irene works hard for her American dream and as a black woman it is very difficult to become a successful middle class worker during the 1920s. As Irene struggles for her American dream, Clare, finds the easy route by passing as white and marrying
The history of racial and class stratification in Los Angeles has created tension amongst and within groups of people. Southland, by Nina Revoyr, reveals how stratification influences a young Asian woman to abandon her past in order to try and fully integrate herself into society. The group divisions are presented as being personal divisions through the portrayal of a generational gap between the protagonist, Jackie, and her grandfather. Jackie speaks of her relationship with Rebecca explaining her reasons why she could never go for her. Jackie claims that “she looked Asian enough to turn Jackie off” (Revoyr, 2003, p. 105). Unlike her grandfather who had a good sense of where he came from and embraced it, Jackie rejected her racial background completely. Jackie has been detached from her past and ethnicity. This is why she could never be with Rebecca, Jackie thought of her as a “mirror she didn’t want to look into”. Rebecca was everything Jackie was tr...
In the novel, Passing, Nella Larsen presents two women, Clare and Irene who originate from the black community; however still yearn for an assured identity for themselves. Clare and Irene are childhood friends who even though being part black, are able to pass as white folk. Irene continues to be part of the black community and is considered a black woman, however this is on a superficial level. When it comes to her advantage, Irene occasionally passes as white. Clare on the other hand passes as a white woman; her lifestyle changed completely as to white standards and in. Although both women are in a dilemma regarding their true racial identity, they both wish to live as both black and white. Throughout the book, both women attempt to achieve an integrated identity, however fail do to so. Their failure in attempting to live a life both as black suggests and supports the idea that a person can only have one race as either black or white, not both.
The characters are torn between who they are and who they need to be. Racial passing further perpetrates discrimination within American society, especially within the black community. Mr. Ryder’s actions further perpetrates the notion of race as a social and cultural construction. Mr. Ryder does not want to be accepted as black and he must live up to his principle through disassociation with the black culture. Mr. Ryder’s hope for a better future meant erasing his “blackness” and identify with his “whiteness”. Eliza’s narration of her slave life awaken his moral conscious. The path Mr. Ryder wishes to obtain is unrealistic in a post-American society because he cannot erase his past. In a post reconstruction era it was vital to connect in a time of instability. Mr. Ryder’s re-telling of Eliza’s story is connecting their fragmented family. Mr. Ryder’s acknowledgement Eliza, despite knowing the fact that he must go against his principles, he proposes that individuals must unite as a family if they want to promote change. Chesnutt short story proposes that black Americans need to unite in the struggle to end racial and social
Through the discussion of terms such as supercrip and home, alongside discussion of labels that he chooses to accept or leave behind, Clare is able to analyze the way that he looks as his identities. Clare’s autobiography uses words and language as a tool to show that a person’s identities aren’t simply labels, but are ways to understand oneself, unite, and even find a place to
Aiming to gratify others has a tendency of making people act in ways other than their usual self. As one begins to act the way others want them to they begin to lose distinctiveness and individuality. For Colored Girls who have Considered Suicide when the Rainbow is Enuf by Ntozake Shange is about a specific set of women, who aim to please a certain man or different men. Each woman is hurt in some way by a man and as they progress throughout the series of “choreopoems”, they alter themselves in different ways to cause an effect upon the various men they associate themselves with. As the women describe their experiences, it is obvious that they make drastic changes in themselves. These women lose purpose and become confused, bitter, scared, and frustrated about their lives. Consequently, the ladies have negative outward reactions that are similar to each other, making the women easy to stereotype. The women in For Colored Girls who have Considered Suicide when the Rainbow is Enuf have the opportunity to narrate their own stories; however, they choose to emphasize the influence of men in their lives, thus illustrating how susceptible they are to stereotyping and making them weakened as individuals.
This illustrates how immigrants think they’re going to have a much better life in the US than they actually end up having. Rosa and her brother both escape death in their home country, but Rosa is still not able to avoid death brought on by the destitution of an immigrant’s life.
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
In her book Passing by Nella Larsen, it talks about the passing women that are afraid of exposing their real racial identity in the white
Many people elect to view the world and life as a series of paired opposites-love and hate, birth and death, right and wrong. As Anne Lamott said, "it is so much easier to embrace absolutes than to suffer reality" (104). This quote summarizes the thoughts of the narrator in Margaret Atwood's novel Surfacing. The narrator, whose name is never mentioned, must confront a past that she has tried desperately to ignore (7). She sees herself and the world around her as either the innocent victim or the victimizer, never both. Atwoods use of opposing characters and themes throughout the novel serves to support the narrators view of life as "black and white," things that she can categorize as either a victim or a victimizer. Critical moments in the novel work to reverse the assumed roles and, for the narrator, only after her submerged memory has surfaced can she begin to see the possibility of life as more than a binary reality.