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The role of music in war
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He awoke to the sounds of cannon fire. The rumbling thunder in the distance signalled the start of another day, as surely and as steadily as it had been doing ever since the war reached Sarajevo. It would be moments before the rounds hit, chipping off more of the small European city into debris. Sometimes, with Lady Luck on their side, they would land outside of town.
Things were rarely so fortunate.
A series of booms sent his ears ringing, numbed and dazed from the shock. Groups of infantrymen could be heard outside, shouting commands to prepare the retaliatory barrage. Ignoring them, he got out of bed and shook himself awake. The pain in his head subsided no less. But all things considered, he would have to make do with the fact that he was still alive.
No one could have expected that the battles would reach so far, so soon. Once rich with culture, the old city no longer showed any signs of the proud beacon it had once been. This was all that his hometown had been reduced to — a handful of damaged buildings scattered among the rubble and ash. It was hard to believe that all this had happened in a few short weeks; not when the place couldn’t even be called a city anymore.
He tried to put it out of his mind; the past was in the past. Nothing would come from hopeful wishes of the good ol' days.
He washed a mouthful of hardtack down his throat with a tin of boiled water. The biscuits tasted like dry cardboard, but he had grown accustomed to it. He'd hardly had a choice. After all, where could he find any other source of nourishment these days? He wrapped the leftovers in a clean, silk cloth, leaving them for dinner. The meagre meal did little to sate his hunger, but he'd learned to ignore the constant grumbling of his stomach. On...
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...a small thanks before dispersing back to their hiding holes. He said nothing in return. Instead, the silent cellist placed his instrument in its case, clasped the latches back down, and made his way back home.
* * *
Climbing into bed, he pulled the sheets over his head and fell into slumber. As he slept, he dared to dream for the first time in weeks. He dreamt of performing in a large concert hall, overflowing with the people of Sarajevo. He dreamt of the masses of happy faces, dressed in fine threads and filled with good food. In the front row of the audience sat the beaming little girl, surrounded by the other countless happy individuals. A symphony of notes cascaded from his instrument, filling the hall with his joy and art. All was right with the world. All was as it should have been. All was as it once was.
He awoke to the sounds of cannon fire.
“The noise was so terrific, and the concussion so great that I was thrown to the ground and had no idea where the damage was. I flew through the chest and abdo wards and called out: ‘are you alright boys?’ ‘don’t bother about us’ was the general cry.”
No earth, no air, no light-” (page 61) Stories told about how beautiful life was before the war, beautiful towns people once called home now remain as empty plains of rubble after the bombs have destroyed them. ‘“ If the old bell had been hanging in the steeple it would have rung to announce midnight, twelve solemn iron kongs which would have woken the villagers from their sleep and startled any small creature new to the village and unaccustomed to the noise. But the bell had fallen from its height weeks ago, and now lay buried in silence beneath rubble;”’ (page 7) The damage to a once beautiful place was caused quite simply by greed, greed for something that was not theirs. The wolf’s wise words were correct “ When a wolf clan battles another, it’s usually over territory, Probably this is the reason for your warring,” (page 59), this war was over territory, people wanting to take what was not theirs and having the power to destroy anything that got in their way, leaving everyone and everything caught up in an unpleasant mess.
“Long days. Open country with ash blowing over the road. The boy sat by the fire at night with the pieces of the map across his knees. He had the names of towns and rivers by heart and he measured their progress daily”
In the novel, The Cellist of Sarajevo, the author Steven Galloway explores the power of music and its ability to provide people with an escape from reality during the Siege of Sarajevo. A cellist plays Albinoni’s Adagio for twenty-two consecutive days to commemorate the deaths of twenty-two citizens who were killed by the mortar attacks on the Sarajevo Opera Hall while waiting to buy bread. Albinoni’s Adagio represents that something can be almost obliterated from existence, but be recreated into something beautiful, since it was recreated from four bars of a sonata’s bass line found in the rubble of the firebombed Dresden Music Library in Germany in 1945. The Sarajevans listening to the cellist are given respite from the brutal reality
The author believes the surviving children’s vivid account of the series of events that took place during the siege gave clear insight into the emotional and physical stresses they suffered. The children explained how they felt...
“We are under attack!” Jimmy, our patrol man, yells leaping for the trench. A bullet pierces his skull before hits the ground leaving his body lifeless and bloody at my feet.
In his memoir A Long Way Gone, Ishmael Beah’s imagery is usually affiliated with nature and the world around him. Many times, connections can be made between Beah’s emotional state and the condition of Sierra Leone during its civil war. These vivid descriptions easily reflect on the Beah and his surroundings equally. Silence throughout chaos is a common theme in war, when all is dead in the surroundings and yet, life continues. Beah illustrates a moment while passing through a town on his journey to freedom, “The silence in the village was too scary…Not even a lizard dared to crawl through the village. I could hear my heartbeat louder than my footsteps” (46). Beah uses the non-existing ambience of the village to show how empty war leaves
Soldiers in the war had to face obscure battlefield each and every day along with the chaos that led toward a broken land, which took its toll physically on the men, especially Robert. “When the mines went up the earth swayed. Forward. Back. Forward. Half-back. Then there was a sort of glottal stop halfway to nowhere” (Findley, 121). Robert’s life was now filled with unfit conditions of living that he never knew he would face. Though the training he endured before battle was difficult and prepared him for most situations, the movement of earth below his feet, he had no control over. One can only imagine the pulsation of the earth causing trained men lose their footing, latching onto walls for their life. Then one can imagine that to cause such an abrupt outcome, a noise of some kind must be followed. Not only was Robert tested physically by the movement, but also but the wave of sound causing him to lose his hearing for minutes, thus leading to the sound of silence haunting him forever. “Fire storms rages along the front. Men were exploded where they stood (...) Men went blind in the heat, blood ran out of noses, ears and mouths” (Findley, 132-133). The Germans had just introduc...
Gunshots, Fire, bombs, all flying in the sky. Men in uniform are scattering for shelter. It seemed all to simple for General Grant, “Find out where your enemy is. Get at him as soon as you can. Strike at him as hard as you can and as often as you can, and keep moving on.”
The experience described in the first paragraph of not being able to close the door quickly enough ‘to prevent a swirl of gritty dust from entering along with him’ was a familiar experience: the dust from the bombsites. […] ‘victory mansions’ was familiar, and what a victory it seemed: food shortages and rationing had actually increased after the war.
Ernest Hemingway discusses the theme of hunger throughout A moveable feast by exploring and describing the different types of hunger that he felt. He aims to explore this theme in the passage where he strolls with Hadley, and they stop to eat at the restaurant Michaud’s. Through repetition and use of unconventional detail and word choice, Hemingway shows that he has more than one type of hunger, and needs to differentiate between them. Hemingway strives to tell that hunger is a feeling that is deep within someone, that changes depending on the situation and varies in intensity and meaning.
The only thing he could do is to keep his silence. "Then he realized that what he had
... there. A woman next to me was holding her new born baby as she was listening to the play, and that baby, who was initially sleeping woke up with a smile on his/her face. The little boy was hitting those notes perfectly, and involuntary of myself, my eyes closed, and I was sucked up in the song. It was as if I stopped listening to the song, and instead the song itself was touching me. I automatically pictured that small light in the dark that shines proudly from miles away. As the boy was hitting the last note, I slowly opened my eyes, and notice that it was not such a bad day after all. I could see the hidden beauty of autumn days which was only the reflection of my own soul, which in turn, had been transcended in to a heavenly world. The boy was looking at us like an angel who just accomplished his ultimate goal; that is to make people happy, and erase their fears.
It was in the scenery, the environment. It was in the ash that covered everything, the pockmarks made from the gunfire. You could taste it on your tongue, sort of like the scent of coagulated blood. The man didn’t really mind that the world was ending. He wasn’t worried because he was him and that meant he was alive and not one of those things that had torn up the Army barricades, the Army men and most of all, his family. He was a survivor, an adaptor, a changer and he was ready for everything and anything that slept under his bed and stalked the shadows. He was ready.
The gentle strum of the bass guitar ends the silence of the night with a soft yet deep note that brings consciousness to me. "Beautiful Morning With You" by the Pillows fills my ears like the soft sunlight filtering through the shades of my window, bringing light to my dark world. I am awake without effort. The light tapping of the cymbals dispels the ethereal world of dreams around me. The strum of the guitar strings come again insistently, pushing my eyelids slowly open as I find my way from the world of dreams. As I sit up at the edge of my bed, vision bleary, the clear vocals of the day-dreaming singer bring the daylight to full realization. A soft synthesized electrical guitar enters and plays a colorful melody, a musical representation of the dreamy haze slowly fading away. The vocalist’s voice rises in volume to match the swell of music pushing through the morning haze. My world speeds up and it's all a blur as I go through the motions of my morning routine paced by an energized vocalist backed by a frenetic guitar rhythm and fast-paced drums. The crashes of the cymbals pump pure energy through my veins, and my morning blazes by.