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Documentary film analysis example
Documentary film analysis example
Analysis of documentary
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Introduction
The documentary film, “The Children of Beslan,” gives a first-hand account by some of the children who survived the terrorist siege of their school in Beslan, Russia. On September 1, 2004 terrorist took over School No. 1 in the town of Beslan with demands that Russian forces leave Chechnya. The terrorist held over one thousand adults and children hostage for three days. The surviving children explain how their lives were forever changed by this tragic chain of events. The three day siege ended in a violent clash between the rebel extremists and Russian Military Forces which left one hundred seventy-one children and more than two hundred adults dead. In my opinion, this documentary film is a very good depiction of how terrorist use soft targets along with propaganda and violence to create an atmosphere of fear in an attempt to gain power and political control.
The Siege
On September 1, 2004 in the Russian town of Beslan, school children and their parents were arriving at School No. 1 for the traditional first day of school. The children and their parents appeared to be happy about returning to the first day of school. Shortly before the start of the school day, heavily armed rebel extremists stormed the school’s courtyard and began firing their weapons into the air. In my opinion the terrorist choose a soft target such as the school because they felt that the possibility of resistance would be low and by taking school children hostage would be a way to gain immediate attention from the world.
The author believes the surviving children’s vivid account of the series of events that took place during the siege gave clear insight into the emotional and physical stresses they suffered. The children explained how they felt...
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...siege came to an end.
Conclusion
The siege at School No. 1 in Beslan showed how the innocence of children can be changed in an instant, more especially when children endure situations of extreme violence. The author concludes that children’s innocence and resilience diminishes somewhat after experiencing tragic and violent events. The surviving Beslan children speak of never returning to normal lives after the siege. The children returned to school, albeit at another school building, but they now approach life in a more cautious and fearful manner. Some feel they now have to protect themselves and their families and of how they have become more mature as a result. Interesting enough, adults seem to be far more cautious than children. Some parents of the Beslan children to this day still accompany their children to school and sit in the classrooms all day with them.
...it may help us arrive at an understanding of the war situation through the eyes of what were those of an innocent child. It is almost unique in the sense that this was perhaps the first time that a child soldier has been able to directly give literary voice to one of the most distressing phenomena of the late 20th century: the rise of the child-killer. While the book does give a glimpse of the war situation, the story should be taken with a grain of salt.
On the night of March 5th, it is believed that a small group of boys began taunting a British soldier. Over the boys’ nonsense, the soldier battered one of his oppressors with his musket. Soon after the alleged incident a crowd of about fifty or sixty people surrounded the frightened solider. The enraged crowd of people sounded the soldier, encouraging him to call for backup. Soon after calling for help, seven soldiers along with Captain Preston...
Ishmael Beah’s memoir, A Long Way Gone, narrates the story of Ishmael’s life as a child soldier in the Sierra Leonean civil war. Ishmael chronicles his journey from a scared, adrift child who lost his family in the war to a brutal child soldier who mercilessly killed many individuals to a guilt stricken rehabilitated teen who slowly learns to overcome his remorse from his past actions. Ishmael’s life as a child soldier first started when the Sierra Leonean army took him and his friends with them to the village, Yele, occupied by army officials and seemingly safe from the rebels. Unfortunately, within a few weeks of their stay, the rebels attacked Yele, and Ishmael and his friends decided to make the choice of becoming a child soldier in order to sustain their slim chances of staying alive. Ishmael’s interaction with violence was very different as a child soldier compared to as a civilian: while he witnessed violent actions before, as a child soldier he was committing them. As his life as a soldier demanded more violence from him, Ishmael sank deeper into the process of dehumanization with his main driving point being the revenge that he sought from the rebels for the deaths of his family and friends. After a few months as a child soldier, Ishmael was brought to the Benin home by UNICEF officials who hoped to rehabilitate the completely dehumanized child soldiers. With the help of Esther, a compassionate nurse, and other staff members in the center, Ishmael was able to ultimately reverse the effects of the war on him. By forgiving himself and the rebels who took away his close ones from him, Ishmael was able to restore his emotion of empathy and become rehabilitated.
This psychological memoir is written from the eyes of Ishmael Beah and it describes his life through the war and through his recovery. War is one of the most horrific things that could ever happen to anyone. Unwilling young boy soldiers to innocent mothers and children are all affected. In most instances the media or government does not show the horrific parts of war, instead they focus on the good things that happen to make the people happy and not cause political issues. In his book A Long Way Gone, Ishmael Beah dispels the romanticism around war through the loss of childhood innocence, the long road of emotional recovery and the mental and physical affects of war.
Many times readers lose interest in stories that they feel are not authentic. In addition, readers feel that fictitious novels and stories are for children and lack depth. Tim O’ Brien maintains that keeping readers of fiction entertained is a most daunting task, “The problem with unsuccessful stories is usually simple: they are boring, a consequence of the failure of imagination- to vividly imagine and to vividly render extraordinary human events, or sequences of events, is the hard-lifting, heavy-duty, day-by-day, unending labor of a fiction writer” (Tim O’ Brien 623). Tim O’ Brien’s “How to Tell a True War Story” examines the correlation between the real experiences of war and the art of storytelling. In O’Brien’s attempt to bridge the gap between fiction and non-fiction, the narrator of the story uses language and acts of violence that may be offensive to some.
World War One or “The War To End All Wars” was one of the most devastating events in the history of humankind. When looking back at such a gruesome war it is understandable that we might dwell on the key battles and tactics, which are often summarized by statistics on death tolls. However, we often forget that statistics create an illusion that warps our perception of death. As Stalin put it “One death is a tragedy, a million deaths is just a statistic”. In the novel “The Wars” by Timothy Findley, the author draws away from traditional war stories by showing a true appreciation for life that truly touches the reader on a human and emotional level. Timothy Findley narrows in something anyone can relate to: a loving mother worried about her son risking his life in a war. This mother in the “The Wars” is Mrs. Ross, who represents the home front while her son, Robert Ross, fights for the British in World War One. As the book progresses and Robert gets further into the death trap known as the “Great War”, Mrs. Ross becomes increasingly obsessive and connected to her son as his fate becomes more clear.
In the history of modern western civilization, there have been few incidents of war, famine, and other calamities that severely affected the modern European society. The First World War was one such incident which served as a reflection of modern European society in its industrial age, altering mankind’s perception of war into catastrophic levels of carnage and violence. As a transition to modern warfare, the experiences of the Great War were entirely new and unfamiliar. In this anomalous environment, a range of first hand accounts have emerged, detailing the events and experiences of the authors. For instance, both the works of Ernst Junger and Erich Maria Remarque emphasize the frightening and inhumane nature of war to some degree – more explicit in Jünger’s than in Remarque’s – but the sense of glorification, heroism, and nationalism in Jünger’s The Storm of Steel is absent in Remarque’s All Quiet on the Western Front. Instead, they are replaced by psychological damage caused by the war – the internalization of loss and pain, coupled with a sense of helplessness and disconnectedness with the past and the future. As such, the accounts of Jünger and Remarque reveal the similar experiences of extreme violence and danger of World War I shared by soldiers but draw from their experiences differing ideologies and perception of war.
A Lucky Child by Thomas Buergenthal is a memoir about his time as a Jewish child in multiple ghettos and death camps in and around Germany during World War II. The author shares about his reunions with family and acquaintances from the war in the years between then and now. Buergenthal wished to share his Holocaust story for a number of reasons: to prevent himself from just being another number, to contribute to history, to show the power and necessity of forgiveness, the will to not give up, and to question how people change in war allowing them to do unspeakable things. The memoir is not a cry for private attention, but a call to break the cycle of hatred and violence to end mass crimes.
More and more children in the United States are experiencing a growing sense of insecurity about the world inside and outside the boundaries of their families. It does not take much violence and terror to set a tone of threat. Even in the worst war zones—places like Sarajevo—shooting and killing is intermittent. Memory of the emotions of trauma does not decay; it remains fresh (Garbarino 64-65).
War deprives soldiers of so much that there is nothing more to take. No longer afraid, they give up inside, waiting for the peace that will come with death. War not only takes adolescence, but plasters life with images of death and destruction. Seeger and Remarque demonstrate the theme of a lost generation of men in war through diction, repetition, and personification to relate to their readers that though inevitable and unpredictable, death is not something to be feared, but to calmly be accepted and perhaps anticipated. The men who fight in wars are cast out from society, due to a misunderstanding of the impact of such a dark experience in the formative years of a man’s life, thus being known as the lost generation.
There are kids hesitant to watch the fireworks because of fear. They fear the darkness at night, loud noises, and large crowds with people they don’t know. For some kids, fear has a negative impression and long term effect psychologically. They try hard to avoid and escape from the situation. Not every kid is lucky enough to escape from their fears. Much worse than the holiday trauma, there are many children in the African Ivory Coast, who suffer from diseases, hunger, poverty, and rape. In that environment, many kids had to go through fear and violence. When children cannot escape from their fear, they can be easily brainwashed by other people. The book, A Long Way Gone (2007) the story is about how Ishmael goes through the civil war and finally heals his psychological trauma at a UNICEF relief station.
My thesis statement is that children’s innocence enables them to cope in difficult situations. Children generally have a tendency to lighten the mood in sad situations because of their innocent nature. They turn even the saddest situations to mild, innocent situations. This is evident when Marjane says “these stories had given me new ideas for games”, (Satrapi, 55). By saying this she refers to her uncle’s stories of how he and other prisoners were tortured in prison. Stories of torture have never been easy to hear even for adults but Marjane so innocentl...
The idea of childhood innocence is one that could be interpreted in many different ways. Yusef Komunyakaa’s “English”, Kurt Vonnegut’s “Harrison Bergeron”, Peter Tait’s “Too much information destroys childhood innocence”, and Cormac McCarthy’s The Road are all pieces that demonstrate how childhood innocence is preserved. In “English”, Komunyakaa describes a boy who sees an airstrike during a war and thinks it is a celebration because no one has ever explained the concept of war to him. “Harrison Bergeron” demonstrates a society that is very conservative about the knowledge they allow its civilians to obtain. Peter Tait’s article on preserving childhood innocence exposes the truths about social media and the easy access kids
Singer, P.W. “Children at War.” Military History 24.6 (2007): 1-5. SIRS Issues Researcher. Web. 14 Feb. 2011.
...ermore, the conflict provoked a high risk of be prolonged psychologically in a serious brain disturbance. It has ruined their any chances of getting rid of this trauma by compromising any of them academic future. The many children facing this “massive war traumas show evidence of Post- Traumatic Stress Disorder” (PTSD).