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Violence in cinema essay
The effects of violent films essay
How violence in movies affects society
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City of God is known for its realism, jaw dropping visuals, and epic depiction of the world in the Slums of Rio De janiero. Although there are many parts of this film, which have been recognized for its greatness, it is the opening sequence of this film that leaves any audience more than ready to take on the next 90 minutes of the story. In this sequence, Directors Meirelles and Lund utilize editing techniques, such as montage, non-diegetic music, and synchronous sound to establish the vibrant setting and highlight the action, essentially carrying the narrative. This sequence shows the viewer immediately of the unforgiving world complete with its violence, street gangs, and child involvement in both. Although this scene depicts these negative …show more content…
This film then turns out to be a story of his life where we are shown with the camera angel going around him in a 360 view. The screen shot pauses completely and is frozen as the camera rotates around Rocket. You then realize this entire film will revolve around this one character and what he is about to set out to do and how he will achieve his goals. The camera uses a close up to Rocket to emphasis his expression witch shows some sort of displacement with his neighborhood. The camera angles and movement show this character in a complete different way than what the director showed in the other people of this town. When we are introduced to the town’s people, the gang, and head of the gang, life seems harsh and intense but when the camera moves to rocket the audience is able to feel a sense of relief. That maybe this characters world does not revolve around violence, in fact it revolves around what could be the complete opposite, art. The calm camera movement shows this character as a deep breath of relaxation after a chaotic run in the slums. The different camera angles of this scene emphasize to the audience who is in power, For instance, there is a shot that is behind the gang leader, over his back you see everyone is behind him and that in reality this specific character is gang leader, he is in complete power, even over the
Films are designed for numerous purposes, some entertain, frighten, enlighten, educate, inspire, and most make us think about the world we live in. This paper will be focused on the cinematic interpretation of the film "Stepping Razor Red X", the Peter Tosh Story. The makers of a film from the writer, director, cinematographer and the art director, design, and conceptualize what they want the viewer to see.
There is a brilliant use of diagonal dimensions in this scene in the railing behind the hearse, again sending a message of disorganization and anxiety. There is also the use of movement here as a gentle breeze ruffles the hair of the character, almost as a caress, and it is a stark contrast to the underlying sense of danger. The brightly colored almost cartoon-like use of the graffiti hearse and the colorful signs as dominate contrasts suggest that there is a bit of hope for the characters in this film. At second 5 the scene changes to a center framed shot with the main character shot at a quarter turn. The subsidiary focus is the characters in the background who also are at a quarter turn. The shot is with a hazy lens to depict their secondary significance to the main character. The lighting used here is both high and low key with the emphasis in high key lighting on the center foreground character to draw the viewer’s eye to him. He also appears taller than the subsidiary characters to reinforce his status as the
The classic gangster film focusing on a host of norms defined by some of the first gangster films. This genre originated as an escapism from the negative depression era. People would flock to see the gangsters go from rags to riches with their glitzy lifestyle and beautiful women. As Shadoian puts it, “The gangster’s fizzy spirits, classy lifestyle, and amoral daring were something like Alka-Seltzer for the headaches of the depression” (Shadoin 29). Not all this came easily for the gangsters though, bloodshed is defined as a part of business with guns a constant motif. Despite these negative outcomes, it’s easy to see how this genre was such a great elusion from the everyday where the American Dream seemed like it might not even exist anymore.
There are many techniques used in films that help to strengthn the plot and rmphasize a certain theme. Usually, to most viewers, these camera techniques go seemingly unnoticed. Yet, this ability to fly under the radar ensures the success of the style, as smooth transitions and clear storytelling are hallmarks of the editing process known as continuity editing. One approach of continuity editing is known as point of view editing. Basically, the viewer is able to see a scene from a character’s perspective. Notably, point of view editing plays a significant role in the film Notorious. With the repetition of point of view throughout the film, Notorious utilizes point of view as a vital aspect of the film, as it provides clues to the viewer, heightens
The screenwriter chose an effective way of illustrating the point of attack, establishing the setting and handling of exposition. The first scene of the film was a black screen which had audio of a man and a woman having a conversation. After, the film switches to a grainy video of men being detained by police. The video clip manages to bring the dramatic tension to all time high because an unidentified character is shot by the police. Therefore, this left a sense of uneasiness and tension throughout the whole film. The beginning of the film also did a wonderful job of establishing the setting. The scene of the grainy video clip had a caption box stating it was “Fruitvale BART Station 2:15AM New Year’s Day 2009”. The film then introduces the
Washington D.C: Our Nation’s Capital Although the entire world is familiar with the City of Washington as the United State’s capital, the city was nonexistent when we became a nation in 1789. Thanks to the brilliant design of the French born engineer, Pierre Charles L’Enfant and his assistants Benjamin Banneker and Andrew Ellicot, our capital city that was once a swamp now is beautiful with many different parks, gardens trees, tall buildings and wide avenues. Washington, District of Columbia named after Christopher Columbus, has played a unique role in the wars of our nation and has been dramatically affected by their awesome events.
The director Antoine Fuqua vision for this film was to bring that intense love-hate relationship onto the big screen and showcase it for the world to see. To ensure a convincing film setting, Fuqua shot on location in some of the most hardcore neighborhoods in Los Angeles. Fuqua also wanted to show the daily struggles of officers tasked to work in the rougher neighborhoods of cities and how easy it can be to get caught up in a street life filled with killers and drug dealers. Overall the film displayed the city of Los Angeles in a different perspective. One which m...
In the opening scenes of the trailer, already the audience is exposed to the dystopian atmosphere of chaos, social anarchy and oppression. This is promoted by short fast paced montages and high angle shots of the swarmed streets, close angle shots of people in terror and military forces. This also conveys the magnitude of chaos this “dilemma” has caused. A short scene of the main protagonist Robert struggling through the crowd has also been visually constructed to enforce to the audience that he is the main character of this movie. The visual construction of this scene is utilised by a close up slow motion focused shot on Will Smith with the background blurred to completely draw the audience onto him. What is more unique is that this combination of effects acts as an inference that Will Smith is the solution or only hope in settling this anarchy as he swiftly makes his way through the congested street. The explosion of the bridge also informs the audience the narrative is set in New York implied by being a landmark of the city. Already in the exposition, the visual conventions have provided an engaging and well informed construction of dystopian qualities and information about the plot itself.
Nightcrawler showed an insight about a man named Lou Bloom and his job about being a tabloid paparazzi journalist. Before filming about urban crimes, Lou was a thief and lived his life that way. One day, he stole a bike in exchange for a film camera. From there, it marked the journey of Lou as a cameraman who films gruesome crimes. This sick and terrible job symbolizes the sickness of our society. When the word success is used, one of the factors that most people will think of is money. Money is what motivates most people and what they wish to strive to earn more. In the movie, the more repellent crime scenes that Lou films, the more money he earns. As a result, it was unstoppable for him to film such scenes. Little did he know, the job was he doing was abominably affecting people and possibly killing them.
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
The film “City of God,” cinematography was impressive and magnificent. Although, it’s fast paced the story doesn’t lose its meaning. Shocking and uplifting the movie shows the decision of two kids that take them on two different paths.
City in Cameo: The Many Faces of Los Angeles in Cinema Ameta Bal New York might have Woody Allen, but Los Angeles has its own champions. While there are certain directors, namely Michael Mann, Paul Thomas Anderson, Robert Altman and Quentin Tarantino, who’ve proven themselves to be LA specialists, they aren’t the only ones who have implanted the city of Los Angeles as a supplementary character in their films. Following is a selection of movies that celebrate, scrutinize, criticize, romanticize and fictionalize this city of angels, delving into its various moods and personalities. 1. DARK
The immense amount of detail in the setting gives us the ability to identify familiar elements in the story. For example, in the beginning sequence, we see an image of what seems to be like a neglected earth. When it zooms into what looks like a city, our mind registers the tall structures as metropolitan buildings, but as the shot goes on, we notice that not every structure is a building, but a pile of compressed garbage stacked sky high. This shot takes the viewer through a small progression of feelings; recognizing earth, acknowledging the city buildings, then going through a stunning realization that the planet they call home is destroyed. The manipulation of what the audience sees in the given setting allowed the filmmaker to also manipulate what the audience feels every time the shot changes.
What is Christianity and why has it been able to develop into a continuously growing and evolving religion?
The Great God Pan by Arthur Machen Arthur Machen’s novel “The Great God Pan” published in 1890, sparked controversy among the press who criticized the short novel as appalling and perverted because of the sexual content as well as the degenerate technique the story uses (Lovatt 34). Yet, the novel has redeemed its status as a classic horror because of the supernatural belief that informed Machen’s main writings. By extension, the novel uses fantasies that are mysterious and supernatural to tell the tales through wonder and terror. Most significantly, Machen utilizes the first line of each stanza of the 1862 poem by Elizabeth Barret (A Musical Instrument) to produce the title of the novel. Seemingly, the horror following the supernatural accounts