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Analysis on Tim Burton's cinematic style
Tim burton movie techniques essay
Tim Burton Cinematic Techniques
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Recommended: Analysis on Tim Burton's cinematic style
Most of the Tim Burton movies are famous for his style of “goth” or dark personality. But nobody praises him for the different cinematic techniques he uses such as camera lighting, movement and music/sound to create many different ways to set the mood of the events in all of his movies. Sometimes Tim’s audiences feel that his films are pointless and different from most films.
One of the cinematic techniques used in some of his movies is lighting. In the movie Charlie and the chocolate factory when the candy was getting packaged and shipped, the lighting was gloomy or dark. Another example, in the movie Big fish there was low-key lighting when will goes to see the giant and makes him leave town. The last example is from the movie Edward scissorhands when Peg entered the mansion, it was scary and dark. There are two types of lightings used through Tim’s cinemas to portray the mood. Different lighting is mandatory for movie making for Tim.
A second cinematic technique he used through all of Tim’s movies are
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For example, in the movie we have all seen before Edward scissorhands,when Peg was driving with Edward from the mansion , there camera movement there were using was dolly/tracking. Another example in another movie we have all seen Charlie and the chocolate factory, Charlie was running to his house after a long day, the camera tilts to show his destroyed house . The last example, in another of Tim’s movies Big Fish, when will was walking in the woods, the camera movement that was used is pan. From all of these examples you can see how camera movement to portray what’s going on, it also very important for movies with directing one with
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
...ton never fails to enthrall his vieweres with effective cinematic techniques, such as high key and low key, and flashbacks. By incorporating these cinematic techniques he is defining his style. He uses high and low key relationships to create imagery and symbolism through the effects of irony. The films entertains the viewer while simultaneously illuminating a subtle, yet distinguishable message. Also flashbacks, allow the viewers to comprehend the plot and intensifies the desire in continuing to view the film in order to obtain answers. There are may more cinematic techniques used within the films, and each technique plays a significant role in the film’s infrastructure, however, high key and low key relationships and flashbacks contribute most in defining Tim Burton’s style.
The director Tim Burton uses colors to create a happy mood during the scenes in the movie Edward Scissorhands. He portrays the neighborhood and all the people that live there in bright pastel colors which gives off a happy feeling. These bright colors give off the impression that everything is picture-perfect and everyone is content. The whole neighborhood is unchanging and routine. Throughout the movie Burton shows the men have left for work at the same time every day and everything is a lively color. When Edward arrives, he is dressed in all black and is
One way the filmmakers did this is with the on location shots of rubble in many scenes. The characters in these shots are carefully placed to make the rubble stand out behind them. Lighting is carefully placed to illuminate the rubble and make it stand out. However, the carefully planned cinematography also plays into the overall meaning of the film and not just how it looks. The lighting, for example, influences our feelings for certain characters. Susan Wallner is always filmed in light. This is a drastic difference from how we see Hans Mertens. Hans is usually filmed with low light and is very dim. This helps show that Susan is optimistic, while Hans is pessimistic. Another way lighting is used in this film is to create shadows. Shadows are very prevalent in the last sequence of the film. Hans has confronted Bruckner and as the camera cuts back and forth to each of them we see Hans shadow keeps growing bigger and bigger behind Bruckner. We can interpret that as the shadowing is growing bigger so his Bruckner’s fear, because the dialogue coming from Bruckner is getting faster and we can also hear the fear. There are many times in the film where close ups are used to make the storyline more dramatic. One scene that comes to mind that makes use of quick cuts and close ups is in the end of the film: Susan ran in, stopping Hans from killing Bruckner. At this point we
Terrence Malick has a very distinct stylistic approach that is clearly evident through his films. In almost all his films he utilizes the same themes and technical devices. Three themes and technical devices Malick utilizes in almost all of his films are man v. nature, voiceovers, and religious themes.
All are relevant to the film that I will be applying the study of lighting
To begin, Tim Burton’s use of variant lighting creates a contrasting mood of peacefulness within darkness. Burton uses low key lighting, and side lighting throughout Charlie and the
The clip I choose is “The Baptism Murders” of The Godfather movie (1972). The movie has many different uses of light setting. For example, the lighting inside of the Catholic church the light looks dark which affects the mood to become gothic the way we view the characters in the baptism scene. Overall, the lighting sets the film tone for the audience to become restless and feeling
The cinematic techniques of shot-reverse-shot, flashback, and low angle were used to evoke different emotions in the viewers and for them to relate to Burton’s unique style. Through his style of directing and his oddball characters, Tim Burton has taught us that it is okay to not confine ourselves into the social norm. Whether it was a man with scissors for hands finding true love, a man full of myths reconnecting with his son through his creativity, or a peculiar chocolate-loving man being accepted by his own father, it is clear that happiness and success is still an option to even the weirdest of the weird. Although the symptoms of being a wallflower might never leave or the past might show up in the present, people can still chose what they do and where they go.
Tim Burton is a movie director or a movie maker. He makes some dark movie like The Nightmare Before Christmas and the Corpse Bride. He also, worked with the Walt Disney Studios. He created his own version of Frankenweenie. He failed a lot with making the movies. For an example, The
For example – Tim Burton and his movies, they are based on gothic culture and they generally contain very darkly lit scenes. The main characters are generally a social outcast as well as an outcast from every other character. We could most probably say from this that Tim Burton shapes his movies around himself and his past.
Director Tim Burton has directed many films. He started out working at Disney, but shortly after he decided to make his own films. He split away from Disney because they wouldn’t let him add the scariness and darkness he has in his films. After he left he created many great films and also developed his own style. He uses many cinematic techniques in his films for example he uses close-up camera angles on symbolic items, he uses music to show foreshadowing, and he uses lighting and color to show mood
Tim Burton said in an interview that when he was a kid he would watch all kind of monster movies. “My parents said I started watching those movies before I could even walk.”As a kid he loved horror movies and he liked drawing pictures. He said he did not care what people thought of his drawings and just drew them his own way. His drawings also show his love for horror because they are all unique and creepy looking. Some of his pictures are based on the movies he directed. He started directing at twenty years old. He was very interested in animation. One of his first films was Batman. Most of the films he directed have a gothic horror aspect. I believe since his childhood was all about horror movies, he gained an appreciation for those films and applied his passion in the films he directed. "Vincent Price, Edgar Allan Poe, those monster movies, those spoke to me. You see somebody going through that anguish and that torture –things you identify with –and it acts as a kind of therapy, a release. (Tim Burton 17).”Besides the fact that he watched horror movies, the place where he lived influenced him as well. The dark and light aspects of life have always fascinated Tim Burton, consistently arguing that one cannot exist without the other: ‘life is an incredible jumble of being funny and sad and dramatic and melodramatic and goofy and everything’. During his childhood in suburban Burbank, Burton found the
The mood of this film is truly captured in the lighting and the lighting plays a key role in the accenting the humor of the film. “Deep inky blacks and desaturated colors that characterized the look of Jean-Pierre Jeunet and Marc Caro’s Delicatessen” (McGrath). The dark nature of the film is maintained using lighting. This helps to set the mood for many scenes and is what provide the juxtaposition. In the few scenes of the film that are purely comedy the dark moody lighting helps to provide contrast to the humor and makes the character’s actions seem even more out of place and
The ones that where shot in low key lighting are the most dramatic scene of the movie. The first one is when they boy leave at night in there clocks and disappear in to the fog night. The others are when they are having their secret meetings in the cave. There was little light Even though the sences in the cave become lighter it rained a low key lighting through out the movie. Another low key light is when neal is performing in the play. The most dramatic seen in the movie which was shot in low key lighting. “Throwing a light under a character’s face, underlining, creates a spooky or sinister effect, for example, whereas positioning a light behind the subject by back lighting may create a halo around the hair, suggesting the character’s saintliness.”