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Love in literature essay
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The romance genre is centered around many themes, the most famous being love. The protagonist is almost always the one character that is receiving love or working towards obtaining love. The Romance genre began around the 12th century in Europe. The most famous author of that genre and time was none other than Chretien De Troyes. Troyes is the author of seven poems, four of which were completed by just him. The other three have been worked on and finished by other authors. In this essay the themes from two of his works will be discussed. The works being analyzed are The Knight of the Cart (Lancelot) and The Story of the Grail (Perceval).
The first theme being discussed is love. Love would be the most common thing found in romances. The word romance directly translates and means the word love. In both of the stories love is a driving factor behind the protagonists. The story of Lancelot is based on Lancelot's love and desire for Queen Guinevere. Lancelot went to all possible lengths to achieve the compassion and love of Guinevere. The love Lancelot had for the queen is an all consuming love. He pushed two horses to their deaths to try and get to Guinevere. Another example of Lancelot's never-failing love was when he came into contact with the 'elegantly dressed woman'. The elegantly dressed woman offered Lancelot her hospitality if only he spent the night in her bed. The woman decided to stage a fake rape scene to see how Lancelot would react. Lancelot proved himself honorable and also proved his love for another woman(lines 1104-1479). The rape was intended to show Lancelot's weaknesses. Instead it just enforced the dignity and honor he had. Lancelot did not take advantage of the elegantly dressed woman. He did n...
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... The themes found in the two readings ran almost seamlessly throughout the whole book. The discussed themes of love, honor, important women roles, and mercy were the most noticeable and common themes from the readings. There is no doubt in that Troyes was the father of romances. Troyes's poems and stories are the most famous and influential of any stories from his time. Chretien De Troyes's stories were created hundreds and hundreds of years ago but are still read and still entertain audiences in today's society.
Works Cited
De Troyes, Chrétien, William W. Kibler, and Carleton W. Carroll. "The Story of the Grail (Perceval)." Arthurian Romances. London, England: Penguin, 1991. 381-499. Print.
De Troyes, Chrétien, William W. Kibler, and Carleton W. Carroll. "Knight of the Cart (Lancelot)." Arthurian Romances. London, England: Penguin, 1991. 207-94. Print.
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The Green Knight” can be classified as similar through their themes, style and plots, although they are different through their language and diction. Even though both of these literatures can be viewed as similar as well as contrasting, in the end, each of these tales have illuminated the realm of fantasy throughout the court of King Arthur.
In what follows, my research paper will rely on an article by Kathy Prendergast entitled “Introduction to The Gothic Tradition”. The significance of this article resides in helping to recapitulate the various features of the Gothic tradition. In this article the authoress argues that in order to overturn the Enlightenment and realistic literary mores, many of the eighteenth century novelists had recourse to traditional Romantic conventions in their works of fiction, like the Arthurian legendary tales (Prendergast).
In The Lais of Marie de France, the theme of love is conceivably of the utmost importance. Particularly in the story of Guigemar, the love between a knight and a queen brings them seemingly true happiness. The lovers commit to each other an endless devotion and timeless affection. They are tested by distance and are in turn utterly depressed set apart from their better halves. Prior to their coupling the knight established a belief to never have interest in romantic love while the queen was set in a marriage that left her trapped and unhappy. Guigemar is cursed to have a wound only cured by a woman’s love; he is then sent by an apparent fate to the queen of a city across the shores. The attraction between them sparks quickly and is purely based on desire, but desire within romantic love is the selfishness of it. True love rests on a foundation that is above mere desire for another person. In truth, the selfishness of desire is the
Abstract: This is an analysis of celtic mythological motifs or themes (usually found Arthurian romances) in the medieval romance Yvain and the victorian classic, Alice's Adventures in Wonderland .}
Sir Gawain and the Green Knight. Trans. Brian Stone. The Middle Ages, Volume 1A. Eds. Christopher Baswell and Anne Howland Schotter. The Longman Anthology of British Literature. Fourth ed. Gen.eds David Damrosch, and Kevin J. H. Dettmar. New York: Pearson-Longman, 2010. 222-77. Print.
The differences between the two stories are due to the two writer’s changing societies. “The Knight of The Cart” tells a story about Lancelot’s rescue of Guinevere after her abduction. The chivalrous actions by Lancelot to save Guinevere were entertaining at the time of the story’s development. Not only was the chivalrous acts by Lancelot entertaining, but also the story includes the in-depth affair between Lancelot and Guinevere. The Affair between these two characters is because the, “stories about chivalry and courtly love, were popular with the British and French aristocracy, medieval storytellers embellished their tales of Arthurian adventure with the codes of knightly conduct and love-making” (Poe 2).
In this romance, there is a battle between reason and love. Both try to thwart the paths of the other. When love is taking control, there is always a sense of reason that prevents Lancelot from doing what he wants, and when reason has the better of him, love makes him go in a different direction. Reason is the logical explanation behind each action taken or decision made by Lancelot. Love is the attraction that Lancelot feels for Gweneviere and it has a way of pushing aside reason, when he tries to make a judgment. These two elements are almost the devil and angel inside of Lancelot. Neither one can be described as good or bad, but can be considered opposites of each other. Also, most times, love is a stronger trait in Lancelot than the process of thought and reason.
In The Romance of Tristan and Iseult, our characters face many challenges but must follow a different code for how to deal with them. Tristan is an ideal representative of the chivalric knight that faces a large number of situations where many people would be incapable of maintaining morals. We see the feudal structure of this medieval time in place and its importance to maintaining the structure. The Romance of Tristan and Iseult displays the chivalric roles required in this society through Tristan and his many interactions.
Since it was written, there have been countless interpretations and adaptations. Today, we not only have countless Arthurian books, but many movies on the subject as well. In this paper I hope to compare and contrast two such Arthurian movies, Excalibur and King Arthur, and discuss what each film adds to the treasury of Arthurian lore. It is hard to believe that two completely opposite movies are based on the same literature. The movie Excalibur is like a modern day Morte d'Arthur, while the more recent King Arthur differs greatly from all former Arthurian works by attempting to be historically plausible.
During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.
Chrétien’s Perceval stands apart from other contes in its early and highly significant reference to the Grail, but also due to the inclusion of dual plots. The seemingly forced intrusion of the Gauvain-plot into the eponymous hero’s quest narrative leads modern criticism to deem Chrétien’s work overly episodic and ultimately haphazard. However, this potential problem should be seen as minor and transitory when considering the value of both plots to this highly significant text and to romance as a genre. I would argue fundamentally that a Perceval without Gauvain would lose its complexity and insight into the chivalric ideal, a view critics such as Matilda Tomaryn Bruckner support . Arthur’s nephew provides a benchmark against which to measure
The tales of King Arthur and many of their numerous characters are well known in literature. The Arthurian world is one of the great myths of modern times. Those great pieces of literature have many common themes, one of them being courtly love “L’amour Courtois”. This paper talks of courtly love as seen in King Arthur’s world especially examining “Yvain or the Knight with the Lion” and “Lancelot: or the Knight of the Cart”. Furthermore, one of the goals is to show how that courtly love could be seen in today in our world.
Although, according to the author herself, these fairy tales surrounding her public and literary persona `are assumed to be worth more than the are', there is no doubt concerning a certain value of fairy tales in her novel The Passion. In the following essay, I would like to examine the `worth' of fairy tales in this piece of work. That is to say, the numerous fairy tale and mythical elements of the novel shall be discussed, as well as their value for the novel as a whole and the effect they have on the reader.
Two of the greatest masters of British literature, Shakespeare and Chaucer, tended to look to the classics when searching for inspiration. A lesser-known example of this lies in an ancient tale from Greece about two star-crossed lovers. There are many variations on the names of these lovers, but for the purpose of solidarity, they shall henceforth be referred to as “Troilus and Criseyde” for Chaucer and “Troilus and Cressida” for Shakespeare. Chaucer’s “Troilus and Criseyde” offers up a classic tale of love that is doomed, whereas Shakespeare’s “Troilus and Cressida” is not only tragic but also biting in its judgment and representation of characters. This difference may be due to the differences in time periods for the two authors, or their own personal dispositions, but there can be no denying the many deviations from Chaucer’s work that Shakespeare employs. Shakespeare’s work, by making the characters and situations more relatable, builds upon Chaucer’s original work, rather than improving it or shattering it.