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Childhood traumas essay
Childhood traumas essay
Psychological effect of art
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Instead of the traditional and mainstream verbal memoir, David Small chose to confine his autobiological novel, Stitches, within a comic medium that details the darkest periods of his childhood as a prelude to healing. Small demonstrates the rough parts that shaped his life with a truthful outlook on his childhood and the relationships between himself and his dysfunctional family by encoding these moments into vividly drawn emotions and sensations . Small experienced traumatic things both physical and psychological, yet despite this, he was able to work through it. This way of using graphic text was David’s take on using literature as an outlet to deal with traumatic experiences. On the outside, David’s family is just like any other ordinary …show more content…
David does not have much interaction with kids his own age. David learns other ways to entertain himself such as by imagining himself inside Alice in Wonderland, and putting on a yellow towel to transfer into someone else in an alternative reality from his trauma. However, David’s personality alienates him from other children, making his behavior odd in their eyes and teasing him (Small 60). David founds himself an outcast, and little to no solace and connection in his social life. Due to his poor health and the treatment he received from other kids, he spends most of his time indoors, and finds an escape in drawing. Withdrawing from the real world into his drawing, David finds himself a world where he belongs that brings him genuine joy. The complete rejection he receives from the real world makes him find another world where he has the freedom to be is expressed in the panel when he dives into his drawings, illustrating the importance of drawing is to his life and what it will mean in the future (Small 62). Nothing in this panel is holding David back as his disappears into this alternate …show more content…
David explores in his own emotions, contemplating whether to confront his mother, ultimately gives him the will to go visit his dying mother and say one last goodbye to the person he could never be close to. Betty, too weak to speak, and David, lost for words, are drawn with no captions, expressing how their relationship was through their entire lives. The scene illustrates the power shift in the relationship with David no longer looking up to his mother, but rather looking down at her. He reaches out to his mother, caressing her face, and a tear sheds from her eye, suggesting how emotional this goodbye
Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality. The book touches upon many themes, including, but not limited to, the following: sexual orientation, family relationships, and suicide. Unlike most autobiographical works, Bechdel uses the comics graphic medium to tell her story. By close-reading or carefully analyzing pages fourteen through seventeen in Fun Home one can get a better understanding of how a Bechdel employs words and graphic devices to render specific events. One can also see how the specific content of the pages thematically connects to the book as a whole. As we will see, this portion of the book echoes the strained relationship between Bruce Bechdel and his family and his attempts to disguise his homosexuality by creating the image of an ideal family, themes which are prevalent throughout the rest of the nook.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
The author is attempting to teach the readers that no one should treat people this badly. David is an innocent child and does not deserve his bad childhood. David does not even do anything wrong, and his mother continued to treat him like an object. Pelzer succeeded in telling how cruel the mother is. He also teaches that people can be cruel to each other, and that it is important to teach people that kindness can go a long way. The whole book discusses his childhood. Pelzer wrote some sequels to tell the rest of his child life for the interested readers.
1. In the book, the father tries to help the son in the beginning but then throughout the book he stops trying to help and listens to the mother. If I had been in this same situation, I would have helped get the child away from his mother because nobody should have to live like that. The father was tired of having to watch his son get abused so eventually he just left and didn’t do anything. David thought that his father would help him but he did not.
The critics who perceived this book's central theme to be teen-age angst miss the deep underlying theme of grief and bereavement. Ambrosio asks the question, "Is silence for a writer tantamount to suicide? Why does the wr...
“Stitches” by David Small is a graphic novel where he visually describes his childhood. Small shows how he perceived his family relationships as a child and his own perspective of the world at the time. He clearly depicts his family’s dysfunctionality that prevented him the ability to display his self expression. Small encountered various events throughout his novel that added a different element to his understanding of relationships, specifically with his parents. As Small matured, these events played a critical role on his ultimate understanding of their complicated relationship.
In Fun Home: A Family Tragic Comic, Alison Bechdel uses the graphic novel technique of bringing visuals and concise text to her audience to reveal the relationship with her father in a perspective that can not be modified through the readers perspective and interpretation. Bechdel employs this type of writing style to help visualize a better interpretation of how she describes the differences in both her and her fathers’ gender roles throughout the novel. This tactic helps discuss and show how these gender roles were depicted as opposite from one another. But, in this case being opposite from one another made them gain a stronger relationship of understanding and reviling that these differences were actually similarities they also shared.
The central characters in both “The Yellow Wallpaper” and A Doll’s House are fully aware of their niche in society. In “The Yellow Wallpaper”, the narrator’s husband believes her illness to be a slight depression, and although she states "personally, I disagree with their ideas,” she knows she must acquiesce their requests anyway (Gilman 1). She says, “What is one to do?” (Gilman 1) The narrator continues to follow her husband’s ideals, although she knows them to be incorrect. She feels trapped in her relationship with her husband, as she has no free will and must stay in the nursery all day. She projects these feelings of entrapment onto the yellow wallpaper. She sees a complex and frustrating pattern, and hidden in the pattern are herself and othe...
During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feeling of life? Thus, sorrow is inescapable; as it increase one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow. Even though we believe there are so many happy things around us, these things are heartbreaking. The poems “Tips from My Father” by Carol Ann Davis, “Not Waving but Drowning” by Stevie Smith, and “The Fish” by Elizabeth Bishop convey the sorrow about growing up, about sorrowful pretending, and even about life itself.
And, as is commonly known, adolescents are the most prone to succumbing to peer pressure (Brown). Throughout his childhood, Tommy does all he can to create artwork; however, he cannot seem to accomplish anything particularly spectacular. The other children look down on him because of this, and go as far as excluding him from group activities because they are embarrassed to be seen with him. Of course, there is always a minority opinion; one day a guardian named Miss Lucy pulls him aside and tells him that it is “quite all right” for him to not be creative and that “he wasn’t to worry about it” (Ishiguro). As a result, Tommy gives up on being creative. Later on, Miss Lucy recants her statement and Tommy is unaware as to
Progress is seen on the front of Claudia and Carolyn’s relationship. David attempts to reorganizes his relationship with Claudia in an effort to remove the pressure placed on her. However, the battle between Carolyn and Claudia continues to ebb and rise as the family narrows in on the dynamics of David and Carolyn’s relationship. Napier states to Claudia that, “...the family unconsciously agreed to go back to your and Carolyn’s war to rescue your mom and dad from the hot seat” (p. 137). When the family finally breaks free from this structure the exploration of David and Carolyn’s own relationship becomes the most critical aspect in therapy.
his father and dead mother. David's father has an idealized vision of his son as
The vision of the mind is easily portrayed through the art of literature, painting a picture with the stroke of words. The natural inspiration that influences the creation of these works is derived from the life and the experiences of the creator. For some, these tales become stories and those stories become novels, but for one man it meant so much more. The works of Edgar Allan Poe became his life; he expressed every feeling and every moment of his existence through ink and paper. Poe involved his entire life in his writing, leaving no element of the story untouched by his trademark of a past. His work became so unique and unorthodox, yet it did not lack the attention it deserved. The American critic, Curtis Hidden Page, suggested that “the essence of his work is logic, logic entirely divorced from reality, and seeming to arise superior to reality” (Quinn 31). The foundation of Poe’s stories seems simple enough, but beneath the surface remains unanswered questions and undiscovered truths, which have yet to be uncovered. The people and experiences throughout Edgar Allan Poe’s lifetime have influenced various themes including: insanity, revenge, death, and guilt which can be distinguished through a collection of his works.
Junior was born with disabilities, because he had too much water in his brain. Doctors thought he wouldn’t survive the surgery but in fact he did he got lucky and lived. Junior loves to draw it’s his way of communicating with others. Juniors thinks that a picture can be understood by anyone because it has no words and only drawings. Junior has a best friend who he loves a lot and cares for
David arrived at Betty’s house, picked her up, and promptly proceeded to Lake Herman Road, a well known "lover’s lane" of the local teenagers. After a while, a car, possibly a blue Valiant, pulled up next to David’s 1961 brown and beige four-door station wagon, and a man got out. "Framed only in silhouette, the man appeared to be stocky in build and slightly heavy, with an eerie sense about him" (Tina 3). The man requested that the teens get out of their car, but they refused.